“Mercy Electric” is a gospel-tinged electronic soul journey — a groove baptized in light.
At 110 BPM in 5A (C♯ minor), it moves through Rhodes-driven introspection, funky bass revival, and a full-body drop that feels like redemption through rhythm.

Where electronic precision meets human spirit, this track fuses modern R&B warmth, P-Funk swagger, neo-soul harmonies, and gospel uplift into something deeply alive. It’s about the fall, the healing, and the groove that carries us back to grace.

Mercy Electric (Electronic Soul Mix)

Love. Hate. Whatever.
This is the moment where late-night emotion meets acid-drenched funk — a playful, gritty release of everything you felt and everything you decided not to feel. StillMofo twists TB-303 squelch lines into spiraling shapes while LinnDrum slap-funk hits carve out a groove that’s equal parts attitude and release. Talkbox flickers, warped synth leads stretch like liquid chrome, and conga/bongo textures push the track into a sweaty, body-moving alleyway of color and chaos.

At 122 BPM in D minor, the Acid Funk Mix balances tension and swagger:
– Love = warm brass glow
– Hate = sharp chrome edges
– Whatever = the purple haze where everything melts and moves

The track rises from tight, playful syncopation into a full-on acid-funk burst — the kind of drop that smirks right back at you. StillMofo leans into emotional contradiction and turns it into dancefloor fuel: messy, honest, squelchy, and irresistibly fun.

If you’ve ever felt too much at 2 AM and danced it out anyway… this one’s for you.

Love Hate Whatever (Acid Funk Mix)

Shadow Epiphany is a lean, percussive tech house cut built for late-night floors and inner-world revelations. Driven by tight 909 drums, dry congas, rolling funk-heavy basslines, crisp claps, and syncopated synth stabs, the track never wastes a second — no pads, no atmosphere, just pure kinetic tension. A squelchy TB-303 weaves through the groove like a live wire, opening and closing as the energy shifts.

Layered between the drums and acid lines is a deep, steady spoken-word narrative — a reflection on how we survive the shadows we inherit. Control, zeal, impulse, silence, charm: the ways we adapt until one unexpected moment cuts through.
A moment of clarity.
An epiphany sharp enough to redirect the story.

Every section builds on that idea.
Verses reveal the patterns.
Choruses open space for recognition.
Drops hit with stripped, raw purpose — 909, 303, bassline, nothing else.
By the end, the track leaves you with a single question:
What breakthrough will you allow?

DJ-friendly intro and outro (64 bars each) make it perfect for long blends, while the mid-track narration brings depth, tension, and immediacy to the floor.

Shadow Epiphany (Acid Tech)

Epiphany in the Shadow (Acid Disco Mix) is a razor-tight fusion of tech house drive, acid funk swagger, and shadow-side introspection — a floor-focused groove with a philosophical pulse underneath.

Built on dry 909 drums, crisp congas, rolling funk-infused basslines, and sharp syncopated synth stabs, the track moves with lean, percussive precision. A shifting TB-303 squelch line threads through the arrangement, bending and mutating like a thought trying to break through. Talkbox-style vocoder hits and retro-funk chord stabs create a rhythmic call-and-response that keeps the energy bouncing without ever overcrowding the mix.

Layered between the grooves is a deep spoken-word narrative — a reflection on the ways people shaped by hardship adapt: with control, with zeal, with impulse, with silence, with charm. And how, in one unexpected moment, the mind can snap into clarity.
A shadow-side revelation.
An insight you didn’t know you needed.

The track builds toward a single question:
What breakthrough will you allow?

With a 123 BPM pulse, D minor (10A) tonality, and long DJ-friendly 64-bar intro and outro, this mix is engineered for seamless transitions and late-night tension.

Tech House · Acid Disco · Spoken Word · StillMofo · Integrated Rhythm

Epiphany in the Shadow (Acid Disco Mix)

Ear Hole (Indie Funk Mix)
StillMofo · Integrated Rhythm Records
123 BPM · 10B (E Minor) · Dirty Industrial-Funk House

A snarling, sweat-dripping hybrid built for the darkest corners of the warehouse. Wobble bass mutations grind against chain-drag percussion, bitcrushed guitar hits, warped cowbells, and grit-smeared drum textures. An angry, attitude-loaded vocal cuts through the haze, landing the punchline right before the drop: “that’s too small… try my ear hole.”

Mechanical funk meets sarcastic swagger.
Industrial chaos meets groove-driven movement.
Perfect for late-night sets that want to get filthy.

File under: industrial funk, indie-house grit, dark groove energy, warehouse pressure.

Ear Hole (Indie Funk Mix)

Ear Hole (Too Small Dirty Mix) — StillMofo
Released on Integrated Rhythm

This one’s a late-night sneer in audio form — a grimy warehouse stomp welded to snarling wobble-bass, crushed industrial percussion and bit-crushed guitar stabs. StillMofo’s snarky vocal spits the hook like a taunt: “That’s too small… try my ear hole.” Built on a 123 BPM pulse in E minor, the track lives in the dirty space between hostility and dancefloor swagger — all the grit, none of the apologies.

Production notes: wobble sub and serpentine bass lines trade space with clipped 909 grooves, occasional conga smacks and warped guitar shards. Expect heavy bitcrusher color, nailed-down percussion, and a vocal that sits equal parts confrontational and charismatic. Press play loud, and bring an attitude.

Credits / Links

Ear Hole (Too Small Dirty Mix)

Ear Hole (NuJazzFunk Mix)

You Used to Be Hot — StillMofo
Released on Integrated Rhythm Records

A sunlit, swaggering smack of indie-funk with a razor tongue — You Used to Be Hot trades warm, late-afternoon groove for a savage punchline. Jackin’ funk drums, slap bass, wah guitar and talkbox riffs push a cheeky R&B-funk bounce while harmonica and acid-tinged 303 color the edges. Lyrically it’s equal parts flirt and burn: nostalgic at first glance, then hilariously fatal when the roots are exposed.

Production notes / credits: Produced & performed by StillMofo. Recorded with live slap bass and wah guitar, layered talkbox and harmonica accents, and light 303 coloration to give the hook a sly, sarcastic bite. Artwork by Integrated Rhythm design team. Stream it loud — sun, swagger, and a little bit of judgment.

You Used to be Hot (Indie Funk Mix)

🎧 Happy Birthday to Me (Industrial Funk Mix)
StillMofo  
Integrated Rhythm Records (Down & Dirty)

Another year. Same grind. This one isn’t about cake or candles — it’s about still standing when the smoke clears. Happy Birthday to Me (Industrial Funk Mix) is a cold, confrontational funk workout built on a driving four-on-the-floor, distorted wobble bass, and heavy mechanical percussion that never lets up. Gritty synths scrape and snarl while deadpan, half-spoken vocals cut through with sarcasm and defiance, turning a birthday anthem into a clenched-teeth celebration of survival.

At 122 BPM, the groove stays locked and relentless, designed for the floor and for DJs who like their funk sharp-edged and unapologetic. Industrial textures clash with syncopated bass movement, wah guitar pulses, and talkbox accents — not warm, not nostalgic, just raw rhythm and attitude. The structure breathes for mixing, with long intros and outros that let the tension build and break without compromise.

This is music for rolling your eyes, raising a glass, and moving forward anyway. No balloons. No speeches. Just momentum, grit, and another year in the books.


Happy Birthday to Me (Industrial Funk Mix)

Nice Arrangement, Rotten Plot (Industrial Bass Funk Mix)
StillMofo
Integrated Rhythm Records — Down & Dirty

Clean lines. Tight structure. Something underneath is wrong.

This track lives in the space between precision and decay—industrial bass funk built for late sets, dim rooms, and systems that tell the truth whether you want them to or not. The groove is controlled and intentional, but the foundation is cracked. Acid veins pulse quietly under the surface. Nothing explodes. Everything persists.

Designed as a club / DJ tool: restrained energy, forward momentum, and just enough tension to keep the floor uneasy and moving.

No uplift. No collapse.
Just a nice arrangement… sitting on a rotten plot.

🖤
117 BPM · 6B
Industrial Bass Funk / Underground Club
#StillMofo #IntegratedRhythmRecords #DownAndDirty #IndustrialFunk #BassFunk #ClubTool #Underground #AcidDecay

Nice Arrangement, Rotten Plot (Industrial Bass Funk Mix)

Mofo began DJing in the 90s and appreciates good new wave, electronica, west coast hip hop and just good house music.  Played many venues in California from a base in Santa Barbara and now Lake Tahoe / Reno.  Has established Integrated Rhythm Records and looks forward making, remixing and dropping funky tracks you can get down to.  Vibe...Connect...Get Down!