時節 II

Mantissa Show on Voices Radio - February 2022

JCow - Warning EP Launch at Refuge Worldwide

Resident @turtle-nex invites special guest @como-se-dj for a sun-kissed surprise of downtempo selections. Join Missed Connections every 2nd Sunday of the month at 18:00 EST on @n10-as .

05/2022 - MC radio @ n10.as - Turtle Nex & como se DJ

✽ PSYBUZZ 002 ~ endorfin ✽

Naarm/Melbourne based Kim Dorfman AKA ‘endorfin’ @endoorfin is not afraid to take risks, showcasing her versatility in one hour traversing a wide spectrum of storytelling-led psychedelic genres and downtempo ethereal warm tones. 



swamp garden illustrations by www.instagram.com/ppuri/

Psybuzz ~ 002 - endorfin

Skylines (Trance, House)

Recorded live in Amsterdam by friend & crate digger Alex.  A chill 2 hr laid back all vinyl journey.

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Lounging w/ Alex - July 2022

For #65 on our Tapes series is the champion of maximalist left-field dance, Sangre Voss.

He’s been pushing sounds out of South-East London since his debut Dance Class EP, released via Third Place in 2019 and now runs the eclectic pseudo pseudo as a platform for the more under-loved and peripheral genres. Having also featured on Rhythm Section and Fabric Records, in 2020 Sangre released Expressions of a Mind in Slumber 2017-19, a collection of ambient compositions woven together with samples of his sleep talking which received support from the likes of Avalon Emerson and Bradley Zero.

Interview: https://www.originssound.com/os-tapes/sangre-voss-mix

Follow Sangre Voss:
@sangrevoss
https://www.instagram.com/sangrevoss/

Tracklist
Enzo Minarelli - Québec Smack
Battlefield 2 [OST] - (MP_EUROPE) INGAME1_1
Neotropic - Memories
Black Seed - Tagism
Emeka Ogboh - Everydaywehustlin
Xingu Hill - The Conquistador Closes His Eyes
Haruomi Hosono & The Yellow Magic Band - Shambhala Signal
Ibril - Singularité
Siu Mata - Celsius
Low Khey - Control X
Delay Grounds - Clatter (Suze's Heeley Mix)
Bakumatsu Roman [OST] - gekka1_0026
Kuupuu - Bubbatalon
Steve Pepe - Posterdati
Sangre Voss - > two M
timeblind - coltan and cassiterite
Amazondotcom - The Most Foreign Country
Sangre Voss - Adjective + Noun [unreleased]
Sangre Voss - Du Uh Hu He Hu Ha
Ausschuss - Cruise
Javian - I'd Rather Be Dancing

INTERVIEW

Origins Tapes 065 - Sangre Voss

Match Box - 24 Septembre 2022

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  

Intermission II

長田弘さんの「空と土の間で」を朗読をしています。

時節 II

Seohyun