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DJ | Detroit, USA
Electro / G-House / Tech-House
Accepting Bookings Works Wide
Bookings: greg@grtmgmt.com

Sonya Alvarez has been making a name for herself in her hometown of Detroit, MI. Alvarez uses techy house beats spun and cut in a hip-hop fashion to create a melodic, bouncy and exciting story for her audience to engage with. Her sound ranges when appropriate and includes genres like deep house, tech-house, bass-house, break-beats, & techno. She tests the crowd limits and challenges them to be as physically involved as she is, drawing attention to important builds and drops, and inspires the crowd with a good amount of footwork on her own. Sonya also has been known to play a fair bit of rap & hip-hop in her DJ sets.

Starting her journey in 2016, she has made her mark as an event curator / promoter and has focused on building up others in her community.
Sonya's skills are on par to have already shared the stage with some of her favorites including Shiba San, Boys Noize, Chris Lake, Pete Tong, MK, Destructo, Kill Frenzy, AC Slater, Roger Sanchez, Anna Lunoe, & Maala.

“A people’s DJ and a DJ’s DJ”, Sonya has traveled to places like New York, Philly, Chicago, Florida, Colorado, Canada, and other places in the midwest bringing her style right around to capture the hearts of friends and fans alike.

Sonya has lately started her own record label, Korner Kombo Records, with a bi-weekly mix series, live-streams, & productions.

Anyone who has seen Sonya spin live will tell you, she’s not messin’ around and she’s in it for the long haul. Sonya Alvarez was booked to play Movement Electronic Music Festival 2020 & is excited for the future! Be sure to keep an eye out for her name at the most respectable clubs and festivals state - and world - wide.

Always at the forefront with an active role in emerging stylistic nuances Century Media has truly shattered the barriers and exemplified diversity in extremes while remaining rooted in the underground but giving bands opportunities outside of the normal means with major league international touring, commercial radio play, and music placement in high-profile films, TV and commercials. Despite all of the years and breakthroughs the company maintains their organic, family feel and business is still being conducted by fans of the music for fans of the music.

OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

Codes continues to bring his own twist on house music. This man's DJ sets are just as funky as his tracks, both heavily influenced by jungle, hip hop, and the art of DJing. His releases on Holy Molé, Dirtybird, Night Bass, and Night Service Only are just a peek at what lies ahead for Codes. Recently taken on the role as record label owner/curator of Holy Molé Music. Feeling out each track for quality dopeness before peeling it back to feed the masses. The deliberate intention behind each drop on stage or in the studio, along with the masterful curation of his label are the perfect recipe for another record breaking year for Codes.

Peter Croce is a Detroit based deejay, musician, and producer. His releases have been supported by the likes of Mr. Scruff, Gilles Peterson, Jimpster, The Black Madonna, Dimitri From Paris, Danny Krivit, Jeremy Underground, Simbad, Aroop Roy, Andy Weatherall, Waajeed, Sasha, and more. In addition to releasing on Razor-N-Tape, In Any Case, Kampana, Nite Owl Diner Cool Ranch, and Worldwide FM Awards’ 2017 label of the year On The Corner, he owns and operates Rocksteady Disco and manages MotorCity Wine Recordings. His DJ sets are eclectic and musical, drawing from deep house, jazz funk, disco, techno, balearic, and other global sounds.

Bookings: peter@minttalentgroup.com
313-513-6677 

https://biglink.to/GolfClapDet

Label: https://soundcloud.com/country-club-disco
Facebook Group: https://www.facebook.com/groups/CountryClubDisco
Weekly Radio Show: https://soundcloud.com/countryclubdiscoradio
Promos: golfclappromos@gmail.com


Detroit has long been a hub for electronic beat lovers and speaker freakers, but Golf Clap’s Hugh Cleal aims to lead a new generation. For nearly a decade, he’s hustled the project and its Country Club Disco label to the forefront of house music’s funkiest dimensions. The project (formerly a duo with Bryan Jones), works tirelessly to conjure a palpable energy, one fans can feel at every gig, be it a hot-and-heavy club set or an energetic takeover of a festival stage. Golf Clap feeds off the crowd, spinning the hottest songs of the moment while breaking new records - and this isn’t any press play, hands in the air fair. You're likely to hear a lot of cutting up between facefulls of funk and bass. 

Fueled by a relentless passion, when Cleal isn’t behind the decks, he’s likely pulling all-nighters in the studio. Bodies dancing in real-time is an addiction, but when it comes to original productions or high-profile remixes, Golf Clap wants to create something for every moment. Recent singles “Freak It Out” [Country Club Disco] “Mystery Scene” [mau5trap/Insomniac] and “Gravitate” [Toolroom] showcase their deft and dark grooves, while 2018 EPs  Vices  and  Machines  showcase club-ready attitudes. High-profile remixes for Zeds Dead and Illenium, Zhu and Tame Impala, Louis The Child, and Hotel Garuda give the music makers a chance to showcase stylistic variety. 

While 2020 has been a year of great change, Cleal has never stopped working. With loads of new tunes in the wings and a dedication to the Country Club community, Golf Clap is and always will be, in his own words, “about creating a community.”

Management: MK@threesixzero.com
Bookings NA: MKteam@WMEAgency.com
Bookings RoW: nick.matthews@teamwass.com

https://bio.site/wavepoint
Contact: wavepointdetroit@gmail.com
Promos: wavepointpromos@gmail.com 

With a rich history in the dance music industry, Bryan Jones has established himself as a notable figure who continues to adapt. His latest project, Wave Point, was born in 2021 with the release of his album "Higher Dimension" and accompanying tour.

Having dedicated numerous years to releasing music and honing his DJ skills, Bryan decided to embark on a special project with the talented singer and instrumentalist known as The Dropout. Together, they spent the last year pouring their creative energy into crafting a remarkable album with full vocals and outside musicians.

In the coming year, Bryan, alongside The Dropout, is set to unveil a series of captivating songs from their album. With each release, they aim to captivate listeners and create a lasting impression.

Stina P is following