Kevin is a veteran DJ and producer with a career spanning three decades in the electronic music scene. He emerged from the vibrant underground rave culture of early 2000s Saint Louis, Missouri. At 19, he got his first major break opening for George Acosta at the legendary Velvet Nightclub.

Shortly after, Kevin moved to North Miami Beach to study audio engineering at SAE Institute, building the technical skills that would fuel his work both onstage and in the studio.

Upon returning to Saint Louis, Kevin secured residencies at iconic venues like Dante’s and the now-legendary Europe Nightclub. During this time, he also worked as a recording engineer for artists including the St. Lunatics, Nelly, and Avery Storm. His live performances included opening for world-renowned acts such as Deadmau5, Sasha & Digweed, Carl Cox, Ferry Corsten, Satoshi Tomiie, Bassnectar, Paul Oakenfold, Paul van Dyk, Junkie XL, George Acosta, and many others.

His reach expanded across Midwest cities such as Detroit, Chicago, Milwaukee, Louisville, Cincinnati, and Nashville, playing clubs, raves, and festivals.

Based now in Southeast Asia, Kevin was formerly a resident DJ at Republic Nightclub in Pattaya, Thailand—ranked #90 in DJ Mag’s Top 100 Clubs—and continues to make guest appearances there. He recently performed in Angeles City and El Nido, Philippines. With a catalog of previous releases and remixes, and new projects underway, Kevin’s journey continues to evolve on a global scale.

I have always been moved by electronic music..there's just something about it. Maybe it's because it remains one of the only things in the world that can shatter the language barrier &amp; bring people together from all countries of the world. Also, unlike primitive songs (predominantly poorly vocalized), this music can only become stale after the human ear has no remaining sounds left to hear period! There are no limits to what someone can use to originalize a single sound. It is a fact that the Arabic language (1 of the oldest &amp; most concrete languages still spoken) excites the electrons of some matter when spoken by someone out loud. Now if that's the case with a simple statement..then what will the evolution of this very powerful, non-bias sound uncover @ the pinnacle of its lifecycle? I think music is unmeasurably more meaningful than anyone had ever anticipated, &amp; I just wanna be there when it brings us to the next level of conscienceness.



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