Ricardo Rae is a prolific Australian producer, re-mixer, DJ and musician.
Producer of arguably the most widely popular house singles to come out of the Australian underground house scene, Ricardo still remains at the forefront of house despite a staggered release history.
Not just known for dance floor music and turntablism Ricardo is the owner of record label "Serial Thriller" a 'no compromise' label for quality music.

https://linktr.ee/gavsmith

https://linktr.ee/Skankface


https://www.facebook.com/In2DAM/

Robbie studied composition at Berklee College of Music. His songs have been published by Warner Chappell, Almo-Irving and BMG and have been performed by many notable artists. Now Robbie is singing his own material and writing songs specifically for his unique voice. His arrangements involve primarily acoustic instruments and feature textured guitar voicings that result in a bright, clean sound.

Dark Matter Clear Pattern was set up as a ying to the yang of the acid techno music and culture myself and some close friends had been enjoying for some years. Playing in Clubs such as 414 in Brixton and Electrowerkz in Islington and partying in dank dark squats, majestic collapsing factories and forgotten spaces all over London. DMCP was born in south London over a discussion between myself and DMCPs host Justin’s, love of cosmology and the Roland TR-808. Mystereid soon joined and helped move the ideas into becoming a musical entity. With similar tastes in music and an eclectic palette it wasn’t difficult to find a common ground and soon we started to produce soundtracks for the Stoogiezone collective (www.youtube.com/stoogiezone). our first live performance was early in 2008 at The Foundry Great Eastern St London and was a live rendition of a soundtrack to accompany the projection of “endzone… by Stoogie” this was followed later in the summer by a second performance at The Foundry by Stoogie again with DMCP providing the soundtracks to three projected films and providing of course some acid techno for the after party.The later part of 2008/09 was spent assimilating new equipment and software into DMCP punctuated by the improvised sessions that have become the core matter for DMCP. In 2010 were looking to get out and play more gigs and festivals and continue to evolve the sound and the line up.


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