Planet Ethno presents, Underground Techno Warrior Carsick Col, meanwhile back at the ranch! 

There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

*Bookings:
david.gordoni@unitedtalent.com

*Management: 
mgmt@blastoyz.com

Big Dada is a label run by Black, POC & Minority Ethnic people for Black, POC & Minority Ethnic artists

Based out of Linz, north Austria, Martin Schober is a singular protagonist at the forefront of this beguiling game we call drum & bass. He likes hip-hop, skateboarding, schnitzel, Leibniz biscuits and long walks in the sunset, but he’s most respected for how he traipses across electronic music’s wildest terrains with total boundary abandonment… And is regarded as a leading influential new-gen figure in the genre. 

From his agenda-setting halftime twist of ‘Sunday Crunk’ to his rolling, emotional collabo cameo on Camo & Krooked’s acclaimed album ‘Mosaik’. From his entrance into the Fabriclive mix hall of fame with a mix album comprising entirely of his own productions (‘Fabriclive 95’) to his Drum&BassArena Award-winning debut album ‘Emulation’, Mefjus’s signature sound has been felt across the furthest expanses of the genre since he emerged in the early 2010s. 

Now working closely with Vision - the label run by kindred studio spirits Noisia - Mefjus continues to fine-tune his musical syntax, technical dexterity, eye for detail and deft groove sensibilities. The latest chapter to savour this on-going flux of development is his second album ‘Manifest’.

Released April 2018, ‘Manifest’ is the sound of Mefjus 2.0. After several years in the studio wilderness, exploring the dark science of song structure, musicality and textural contrasts, ‘Manifest’ captures a new mindset for Mefjus. Raw, energetic, playful and subversive, ‘Manifest’ is the most personal, diverse and daring body of work to date. Not so much as reminder of why he occupies such a unique position in drum & bass but a straight-up statement of intent.

So now you know. And knowledge is power. Thanks for reading.

Bookings:
T: + 31 6 81 73 38 81
E: tim@wesodifferent.com

✨Released on:
* Maddecent/Goodenuff
* Dim Mak
* Bite This!
* Panda Funk
* Armada
* Mixmash

✨Fellow producers send me your tracks by insta DM

Far Too Loud is all about hi-tech, dancefloor-destroying music that makes people throw their hands in the air and go crazy. Think high-energy, aggressive funk with big basslines and crazy edits and you’ll know the sound. 

Formed by Oli Cash and Dom Smart back in 2005, their sound quickly won fans and only two years later picked up 'Best Single' at the Breakspoll Awards.  Later that year the FTL anthem 'Play It Loud', which saw a move from breakbeat to dirty electro-house, received a massive response and remains a crowd-pleaser to this day. 2009 saw the duo split with Dom forming techno moniker Neurodriver and Oli continuing with FTL, producing a string of electro chart-smashers including 'Bring Back Boogie' and 'Megaloud'.

The bass-fueled releases of 2012’s ‘Firestorm’ EP and the follow-up 'Faster Than Light' EP received high praise from all over the bass music scene, bursting with the now familiar big production and energy. Cementing FTL’s place in the bass music scene, these paved the way for more recent releases on heavyweight labels including OWSLA, Never Say Die, Disciple, and Monstercat, and remixes for bass-lords Zomboy, Snails and Pegboard Nerds.

Well experienced in delivering unique sets packed with energy, whether it’s 200 people in a sweaty underground club or 20,000 at an outdoor festival, you can be sure it’s going to go off when FTL is in control!

When Jesse Royal was only a cub, the Lord revealed to his mother that she would have to release one of her sons to the world, proclaiming “he will be a psalmist, declaring righteousness and justice throughout creation.” As Jesse matured into a young lion, his mother observed in him a strong sense of integrity and a natural ability to positively affect those around him. But, it was his deep spirituality, passion for life and unique connection to music that would convince her that he was being molded to be used by the Creator. 

Jesse David Leroi Grey, aka Jesse Royal, was born April 29, 1989. He enjoyed his early years in the hills of Maroon Town and the District of Orange in St. James before moving in the late 90’s with his mother and brother to join his father in Kingston. As fate would have it, Royal developed a special relationship with Daniel ‘Bambaata’ Marley (son of Ziggy Marley) at school. His friendship with Daniel proved to be fuel to the fire as they shared a deep passion for music and football. Their friendship evolved as they spent a great part of their childhood together. Soon the natural inclination confirmed they were simply brothers with different mothers. As these cubs became lions so grew their devotion to music. With the help of longtime friend Curt ‘Qban’ White they began composing and creating their own music. And together they proceeded to fulfill what they knew was a predestined musical journey, designed to inspire, engage and unite people beyond all geographic borders. 

After Jesse returned home from schooling abroad, he reestablished a relationship with high school friend and young producer Kareem ‘Remus’ Burrell (son of Philip ‘Fatis’ Burrell). They began creating and composing music together also, which developed into a Movement as they shared similar views on the social state of Jamaica. 

Blessed with a voice that captures the pain and hunger of a ‘downtrodden’ people; Royal’s militant character and profound lyricism caught the heart of heralded reggae producer, Philip ‘Fatis’ Burrell. Fatis Burrell, affectionately called ‘Father’ had a great and pure impact on the ‘old soul’ of Jesse; as he credits him as an invaluable inspiration and one of the most influential individuals that he has ever encountered.

Working with musicians such as Sly Dunbar, Robbie Shakespeare, Donald Dennis, Earl ‘Chinna’ Smith and Monty Savory; Jesse is currently in the studio putting the final touches on his debut album with producer Kareem Burrell of the XTM.Nation. Jesse Royal has released three mixtapes , Misheni, In Comes The Small Axe and Royally Speaking with Major Lazer. His Debut Album "Lily of The Valley" is now available on all digital platforms.

Stott Parry is following