you don't own me

party monster - theweeknd (sped up)

This Edit Isn't The Same With The One I Posted On YouTube.

Alejandro - Lady Gaga [EditAudio] HEX. 「V²」

yad - erika lundmoen [edit audio]

★ 𝘏𝘢𝘷𝘢𝘯𝘢 [𝘌𝘥𝘪𝘵 𝘈𝘶𝘥𝘪𝘰] ★

One Of The Girls

we had a taste and now i can't leave you

Technicolor is a vivid descent into the digital mind — a world of fractured thoughts, synthetic emotion, and haunting self-reflection. Each track is a different shade of the same unraveling, blending shimmering synth-pop with glitchy textures, hypnotic loops, and emotional depth. This is not just an album — it's a system reboot of the soul.

The journey begins with “Paranoia in Technicolor,” a glitch-heavy panic spiral bursting with color, noise, and distorted clarity. From there, “Monsters in the Mirror” slows the pulse, turning inward to confront the reflection we often avoid.

By the time we hit “Pixelated” and “Mood Swing,” the tone shifts between numb confusion and emotional chaos — clean synths clash with fuzzy basslines and unpredictable rhythms, echoing the instability of modern identity.

“Autopilot” drifts in with chilled-out detachment, floating through ambient layers and soft lo-fi percussion, before “Echo Chamber” pulls us deeper into isolation — a track wrapped in reverb and looping whispers, simulating the feeling of being trapped inside your own voice.

“Loop of Love” gives the illusion of warmth, but its bittersweet melody reveals a romance built on repetition and emotional déjà vu. Then comes “404: Identity Not Found,” the crash — a digital scream for self amidst static, error codes, and corrupted melodies.

From top to bottom, Technicolor is as cinematic as it is personal. It's glossy but raw, synthetic but deeply human. Every track is a mirror. Every beat, a reflection. It doesn’t ask for answers — it just asks that you feel everything.

Plug in. Drift out.
Welcome to Technicolor.

you don't own me

stqrmcps