Bradley Telcom Ensemble - live at Tiny Park Gallery - 2013.1031

Audio recorded in 2012. Video produced December 2, 2021. 

LYRICS:

Make music until we die.
Bounce until you hit the sky.
What would be the Universal Euphoric?
How much would you be willing to pay for it?

What good feeling would satisfy
all of humanity from birth until the day they die?

What would be the Universal Euphoric 
for thee, and me, humanity, society,
acceptable, for all to pull
out of their pocket and use 
without trying to stop it
by police, by the minister,
by the fleece that caused a stir,
it really caused a stir
as it whirled and killed all the birds.

The wind farm men are turds,
slaughtering bats and birds.

I said, "Marge, will you help me
charge through the bullrushes
and politics, all the insanity, and tics?"

What good feeling could satisfy humanity?
Cannabis, kava, kratom increase sanity.
Okay, here, I have a donut or 2
for J Dilla and you!

Universal Euphoric


all songs by magicicada the album is one whole piece - in my mind.
Max Brand - bass on "Glancing Off the Edges'
Adam Babar - guitar on 'Except Sioux'
Nathan Brown mono synth on 'Once I was a Little Light'
Daniel Bailey -alto clarinet -- Ryan Gregory- violin Julian Hinshaw - tuba on 'HomeopathicProcessor'

03 In League With Ugly Face

Most of my synths running arps with drums courtesy the Yamaha Motif.  Maybe my best beat ever :)

FourSynthsFourArps

In January 2014 Rick Owens showed his MOODY FW14 women's collection to the soundtrack of Jlin's "Erotic Heat". During that trip Jerrilynn Patton met up with Bryan Black, a musician who had soundtracked a previous Rick Owens runway show. They struck up a firm friendship and now, on the day of Rick Owens' new SS18 show, we thought what better time to let you hear Bryan's Black Asteroid remix of Jlin's track "Black Origami".

You can stream Rick Owens' SS18 men's show today (22nd June 2017) at 11:30am UK time, 12:30pm French time: http://streaming.rickowens.eu/

Jlin - Black Origami (Black Asteroid remix)

Plurium Vox

Arsenic Venus in Old Lace and/Or,
Hella Downtempo Ghost House

Felis Arbor

Indie Workshop
reviewed by Grant Capes

You get these albums sometimes, and it is like reaching into a black plastic garbage bag without looking. You might reach in and pull out a cute puppy, or a hundred dollar bill. Or you might pull out twelve rusty steak knives, blade first or a huge pile of that same puppy's steaming feces. Thankfully, with Magicicada's newest concoction, I have pulled out a strange but magical machine that seems to creak away on splintered sprocket wheels and projects the dreams of long dead artists onto a nearby wall. Everyone is Everyone is a dense and varied composition of sounds, some juxtaposed to mystify and others melded together seamlessly.
Atlanta mastermind and chief musician, Christopher White, seems to pull these random and disparate sounds from quite a variety of sources, both in the digital and analog world, both from here and now and from before (by way of tape samples and sampling conspirators, Destructo Swarmbots). White makes nine considerable pieces of music, almost filling the limits of a mere compact disc, but never resorts to filler pieces or empty space, unless it is called for in the compilation.
It is hard to imagine this music coming from Atlanta, and not the polar reaches of Scandinavia or the dirty streets of New York. It has so much in common with the works of the sound compositions of Basinski and Branca, as well as the dark rhythmic potentials of the Double Leopards, Mouthus, and Axolotl camp. The beauty in Magicicada's work is that isn't based simply of one or two of these models. It is both alive with change and polyrhythms like the No-Neck Blues Band and yet also content to hover ponderously like Stars of the Lid or Birchville Cat Motel. Look carefully and often for more releases from this amazing Atlantean (?), for I have a feeling he is going to make some big noises in the near future (in addition to this astounding and considerable piece of work).


http://www.magicicada.com/reviews.html


06 Peach Is Pink

dual plumbutter & cocoquantus improvisation.

Teresa, Lurdes, Erica, Gary

Created on Teenage Engineering PO-28 Robot Pocket Operator with effects from Bandlab. Mixed on Bandlab to be played LOUD !  Enjoy !!

Used the Guitar input on Bandlab (the effects are often better than voice/mic)
128 bpm on PO-28
120 bpm on Bandlab at 4/4 timing
No added affects after recording (no additional mastering needed)
Played directly from PO-28 OUT to USB Audio Adapter to Chromebook into Bandlab online DAW.

Effects used during the recording:
BL Driver Overdrive
EQ3-M
D-Delay Pro Stereo Delay - more dry than wet
MG-Filter - Lowshelf, hi-freq, mid gain
Space Maker Reverb, basic room size, little more than mid dampening

Mixdown to 192kbps 44.1KHz HQ MP3 optimized best for streaming

Artwork by Little Visuals, (pexels CCO License)
Artwork name:  Red and Blue Digital Wallpaper

This song is copyright by jtechno. Ask for permission to use by contacting jtechnoelectronicmusic@yahoo.

Arc Crossing

Live debut as TM404 at Berghain during the CTM Festival, Berlin. 

Recorded by Esther Schelander. 

First published at Electronic Explorations.

TM404 LP/CD (2013) can be bought thru Kontra-Musik (www.kontra-musik.com)

You can see the recording sessions for the album here: http://www.youtube.com/user/repeatle

TM404 live at  CTM Festival, Berlin 130129

Synthesizer music - techno, electro blues,  sea shanties, sonic maximalism, protest rock, noise clusters, experimental soundscapes. Began as a teenager making Hawaiian guitar feedback with a Crybaby wah and a tube amp.

Universal Euphoric

Str8 Sounds

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