Don't Hit My Line , No
Don't Hit My Line You Wasting Time
On Bro
Don't Hit My Line 
I'll Listen 2 The (Ringtone) X4
I Will Look At My Phone & Just Let It Ring On
Can't Listen 2 The Ringtone , Phone On Silent
She'll Do Me Any Solid , I Look Like Hopsin
She Said "You Look Like Hopsin"
This A New Flow Can't Hop In It
He Get No Play , Omg , Shell Shocker
I Was In Us History , Playing Shell Shocker
I Will Shock Everybody Just Like Electro 
I Know I Should Let Go 
It Ain't As Easy As It Seem 2 Let Go
I Remember I Would Sell Things On Letgo
Sold My Xbox On Letgo
Sold My Wii U On Letgo
I Don't Think I'll Ever Let It Go



Shell Shocker⚡

{seraph} signs & synchronicities the universe speaks 222 me (EyeAmNottaSkitzo)

#GHETTOMONEY (@ghettomoneytrapsquad)
DGrizz (@dion-williams-57241699)
FOLLOW GHETTOMONEY IG
@ ghettomoneyspreaders

##GHETTOFAMOUS W/ DGrizz (Prod. Bug!)

bottom of the ocean (prod. Strange)

abyss ft. Syrup (prod. Strange)

We all shoulda known it woulda been a strange song on here first

>ZyrupMixx<Strange-Drown(Prod.Strange)

zy - ten thousand (axx)

2024 KLIPZ #PRISM #666HOULTR4P

семьдесят рублей (prod. yunscaree)

leaking | (trxmblez x juggin)

THE BLVCK TVPES (VHS EDITION) is a corrupted playback of the original EP — not a remaster, not a remix, but a damaged archive. These tracks sound like they’ve been copied too many times, passed hand to hand, chewed by machines that don’t care what they erase.

Heavy industrial dark trap bleeds through VHS hiss, static bursts, pitch drift, and tracking failure. Distorted 808s warp under tape strain. Vocals arrive fractured, buried, and hostile — sometimes clear, sometimes swallowed by noise. Hooks loop like stuck reels. Outros cut without warning. Nothing resolves.

Lyrically, the project spirals through nihilism, memory decay, self-erasure, trauma loops, and the violence of replay. Ghosts don’t haunt these songs — they’re burned into the tape. There’s no master recording here. Only degraded copies fighting to exist.

PLAYBACK NOTICE warns you.
END OF RECORDING doesn’t give closure.

This is YUNG HADE$ at his most hostile and mechanical — a body of work trapped inside damaged media, repeating until the signal collapses.

Press play.
Don’t rewind.
There is no original.

bottom of the ocean (prod. Strange)

Strange

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