@OliverHeldens’ HI-LO alias is reserved for his deepest and darkest records. His 2020 tracks ‘Zeus’ & ‘Kronos’, landed in the top 10 of the most supported Techno tracks on 1001tracklists in 2020, which was a contributing factor to Oliver being awarded the coveted spot as the #1 most supported producer platform wide. His releases inspired by the Greek Gods, like ‘Poseidon’, ‘Athena’, ‘Hades’ and more recently ‘Saw of Olympus’ and the ‘Balearic Mornings’ EP with Dutch techno giant Reinier Zonneveld on Filth on Acid, garnered millions of streams and support from all across the Techno scene and beyond, contributing to HI-LO’s #6 best selling Techno spot of the last year on Beatport. With no signs of slowing down in 2021, HI-LO’s delivered a massive remix for Nina Kraviz’ ‘Skyscrapers’ and his debut EP on Drumcode ‘Hypnos’ which includes the title track plus the dance floor stomper ‘Hera’ that seen further support from the likes of Adam Beyer himself, Dubfire, Joseph Capriati, Pan-Pot, Robert Hood, ANNA, Joris Voorn, Nicole Moudaber, Sam Paganini and many more, proving HI-LO is here to stay as a Techno mainstay for the long haul!

https://www.beatport.com/artist/hi-lo/12692
https://www.instagram.com/officialHILO
https://www.soundcloud.com/official-HILO
@HeldeepRecords
https://www.youtube.com/watch?v=yKq7h3qedjw&list=PLoVPdGdbdII0xJjKngQcBAZm5yHbdTzAR
https://facebook.com/officialHILO
https://instagram.com/oliverheldens
https://instagram.com/heldeeprecords
Instagram.com/officialhilo
Twitter.com/official_hilo

In the more than 15 years since the last Clipse album hit the shelves of record stores, the music world has been upended several times over. “You see great rappers all the time,” Pusha-T says, before contrasting he and his older brother Malice with those who are not truly of the culture. “But there's something a little off about it.” Let God Sort ‘Em Out has no such problems. Over 13 taut, kinetic beats from longtime collaborator Pharrell, Pusha and Malice exorcise demons and catalog areas of personal growth—without ever sacrificing the menace and minimalism that made them legends of the genre. It is a master class in maturing without abandoning one’s core identity, but rather deepening it, making it more three-dimensional. “The fact that it has remained viable for so long has allowed me to say, ‘Hey, this must be meant to be,’” Malice says. Let God Sort ‘Em Out is an instantly unforgettable contribution to the duo’s catalog, and to hip-hop writ large, filled with the type of razor-toothed exercises that made Clipse icons in the first place. Take the taunting “Inglorious Bastards” or “Marie Kondo,” which scoffs at “60-day stars and 20-year thousandaires.” The beats, which Pusha describes as “polarizing,” are urgent, technicolor, and hold plenty of space for the vocal to become the track’s most important instrument. The need to be authentic is paramount, but it’s also natural to these two. Perhaps Malice puts it most clearly: “Nothing else works for us.”

French Techno Artist

Owner of @InsolentRaveRecords

Booking/Management : Vesuve Agency
info@vesuveagency.com

Demo : DM on Soundcloud

Retired SoundCloud rapper 

Love to play nots and crosses (only when I win)

Never been to a rave before 

And I hate techno and rap 

only listen to dubstep when the crickets on 

My favourite dj is probs Stevie wonder 

And my favourite animal is a table so I say chairs to that 🍻

http://holypriest.net

✝ Send your tracks - via Soundcloud
✝ For Bookings - florian@sickandsound.com

💫 SARA LANDRY 💫
✨✨✨✨✨✨✨✨
💫 HIGH PRIESTESS OF HARD TECHNO 💫
💫 BOSS 🌙 @HEKATERECORDS 💫

✨ FOR ALL REQUESTS ✨
INQUIRIES@SARALANDRY.COM

If the creators or producers of a song want me to take shit down I will.  I did this because it was 4 am on a Friday. To anyone who just found this account please know these are reposts of deleted songs from Lil Darkie's old persona, I did not make this because I cannot make shit. Thank you for understanding and have a good day.

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