Street Studio is the sort of action when the microphone and instruments are placed in the middle of the street, and anyone can come up and strum / sing / yell or squeak whatever he wants. And at the same time we create a live musical story in which every passer-by is now a musician.

Anton Maskeliade is an experimental electronic musician and producer, who plays music and visuals with the leap motion gesture control technology.

Сabaret band «Serebryanaya Svadba» is a vivacious musical and theater group formed in 2005. A dashing company of guitar, bass, trumpet, trombone, violin, concertina and drums treats the audience with an unusual mix of French chanson, Dixieland, country music, Russian folk music and Latin rhythms in the manner of cabaret orchestra. In all concert adventures the musicians are accompanied with numerous suitcases packed with circus and kitchen utensils, bottles of various shapes and content, lingerie, as well as by a merciless Hound of the Baskervilles with fiery eyes, Leech Woman, robbing men blind, Ghost the Motorist, a romantic middle-aged Lady and a Man who got used to whisper. One after another, they immerse the audience in the theatrical chaos of mood.
 
In the band repertoire there are songs in Russian, French and German. They sound ironic, paradoxical, life-asserting, with elements of buffoonery and puppetry.
The concert geography of the band is as wide as the "authentic" French pantaloons. The whole Belarus danced to the Serebryanaya Svadba’s songs. And not only Belarus ... Moscow, St. Petersburg, Kyiv, Warsaw, Vilnius, Paris, Vladimir, Stavropol, Rostov-on-Don, Taganrog, Krasnodar applauded the musicians. The cabaret band went on tour to Germany, the Netherlands, Siberia and the Urals, Ukraine. It took part in music and theater festivals: the Festival of Contemporary Performing Arts in Warsaw (2006), Empty Hills (2007, 2008, 2010) in Moscow, Metafest (2007) near Samara, Cap a L Est (2007) in Nantes (France), Jazz Koktebel (2009, 2010, 2012) in Koktebel, Ethnomecanica (2008) and Stereoleto (2012) in St. Petersburg, Slavianski Bazaar (2010) in Vitebsk, theWorld Next Door festival (2012) in Kerch, the Jula theater festival  in Munich (2009, 2010), the Festival of Contemporary Belarusian Music "Mozhno" in Moscow (2008, 2009) and Minsk (2010-2011), the Color Festival in Crecy-la-Chapelle (France, 2012).
In the bank of the band’s musical experiments there is music to cinema novelties and surprising theatrical performances.


Electronic | Experimental
Electronic artist, singer, DJ 

Since the debut of the solo project KADARA in 2017, Moscow producer Daria has been working on an impressionistic, dream-like style of music that encompasses several sound genres at once. Her music ranges from gentle lounge atmospheres to hypnotic dance constructions in an intriguing combination with sensate vocals. The listener is sent on a journey in which KADARA invites them to explore the textural melody of their own memories.

KADARA has played live at Rodnya and Cochonnet. Her tracks are played on Radio Maximum and featured in the festival film Bloodline. Daria combines a unique set of analog and digital skills that are multiplied and refined in workshops with masters such as Markus Popp (Oval) and Jack Gibbons. The interdisciplinary method of integration creates an unexpected sensory experience for the listener, which you don’t want to share in a friend's news feed. This is the private sound of their subconscious.


С момента дебюта своего сольного проекта KADARA в 2017 году московский продюсер Дарья работает над импрессионистическим, похожим на сон стилем музыки, охватывающим сразу несколько звуковых жанров. Ее музыка колеблется от нежной лаундж-атмосферы до гипнотических танцевальных конструкций в интригующем сочетании с томным вокалом. Слушатель погружается в путешествие, в котором KADARA предлагает исследовать текстурную мелодию собственных воспоминаний.

KADARA играла в Rodnya и Cochonnet. Ее треки крутят на радио Maximum и в фестивальном фильме Bloodline. Дарья сочетает в себе уникальный комплекс аналоговых и цифровых навыков, которые умножаются и оттачиваются в воркшопах у таких мастеров, как Markus Popp (Oval) и Jack Gibbons. Междисциплинарный подход к интеграции создает неожиданный чувственный опыт для слушателя, которым не принято делиться в ленте друзей — это приватный звук его подсознания.

Maskeliade Street Studio is following