Follow: @christophererre @erdi-irmak @shaneblackshaw

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Erdi Irmak x Shane Blackshaw - Conjure (Christopher Erre Remix) | Stripped Recordings

Christopher Erre is an Argentine-Canadian artist with a very particular style. His sets are characterized by a wide rhythmic narrative, where genres intertwine in a story where groove is the main character. After more than a decade and a half behind the decks, he has become a musical ambassador in the world's most important venues, ranging from exotic places like Tulum, Ibiza, and Holbox to major cities such as New York, London, Barcelona, and Buenos Aires.

Along the way, he has shared the booth with some of the most important names in the scene, such as Artbat, Whomadewho, Edu Imbernon, Shall Ocin, Mark Reeve, Nick Muir, Sahar Z, Darin Epsilon, Budakid, Layton Giordani, Deerjade, and other artists who have influenced his constantly evolving sound.

Renowned in Córdoba as one of the most influential musicians in the genre, Erre has been awarded the "Best Progressive DJ" award in 2019 and has been nominated for the same award for three years in a row after that, demonstrating his ability to seduce the most demanding audiences thanks to his hypnotic and immersive sound.

Furthermore, he has become one of the most prominent producers in the Argentine scene, with an active participation in more than twenty record labels around the world, including The Soundgarden, Beatfreak Recordings, and Manual Music.

His tracks have gained support from artists such as Hernan Cattaneo, Nick Warren, John Digweed, Solomun, Sahar Z, Darin Epsilon, Above & Beyond, AME, Armen Miran, Armin Van Buuren, Danny Tenaglia, Dubfire, Joris Voorn, Navar, Lonya, Graziano Raffa, Cream, Paul Oakenfold, Paul Van Dyk, Yotto, among others.

Stripped Music Management is the home to two record labels

• Stripped Recordings 
• Stripped Digital 

Also label boss / a&r @normanhofficial DJ sets and podcasts.

Labels were launched in September 2005, Stripped began life as a series of parties launched in Essex, UK in September 1999.
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demos  • strippedmusicmgmt@gmail.com
bookings/licensing  • normanhstripped@gmail.com

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

⚠️🚫➡️BE CAREFUL/BEWARE⬅️🚫⚠️THERE IS A DANGEROUS/VICIOUS FAKE PROFIL PIC/FAKE NAME & ID THIEF,WHO PLAYS THE VICTIM HIDDEN BEHIND HIS COMPUTER  WHO WOULD IMMEDIATELY LOSE  500 FOLLOWERS IF he SHOWED his RÉAL FACE IN PROFILE⚠️ BRAVO TO ALL ARTISTS AND LABELS WHO HAVE ALREADY BANNED 🚫& BLOCKED THIS KIND OF INDIVIDUAL AND HELPED TO ESTABLISH THE TRUTH…

🙌🏻Fan of this song : pathetic DON'T CRY!..."the day I'm going to catch! you my little "sheep!... don't cry! we will take care of your case ... Soon!"WE WILL 4 SURE ....... POS🙌🏻✨

Erdi Irmak x Shane Blackshaw - Conjure (Christopher Erre Remix) | Stripped Recordings

stripped music management (official page)