This is the first episode in the Situationists series. On the situationist international, situationist filmmaking; and topical intersections of theory, practice, and philosophy.

Structure and Synecdoche: The Derevee

The second part of the tripartite series on the Situationist International: This episode explores the subject of the "spectacle" as juxtaposed against what constitutes identity and individuality in a structured society defined by rules, norms, and constraints.

Dedicated to Mckenzie Foy #TOPO #CUE #FF

The Situationist International: The Spectacle and Social Allowances

This episode of Structure and Synecdoche focuses upon Situationist filmmakers, their ideology, and aesthetics. Exploring the reactionary filmmaking of Guy Debord and the apologist aesthetics of Rene' Vienet.

The Situationist International: Film, Morals, and Aesthetics

This episode of Structure and Synecdoche approaches and investigates the subject matter of the filmmaking mechanism and its opposite - experiential reality.

(e) Cubed: Effervescent Einstein or is it Eisenstein?

Just a bit of freeform discussion on the nature of contextualized optical linearity relative to the ACTORS' / ACTRESSES' notion of the "through line". Juxtaposed against mathematical / functional analysis.

#Keys #FBG #Bonesbrigade

La Part Deux: -The Sports Commentator - (e) Cubed: Effervescent Einstein or is it Eisenstein?

This episode is about how filmmaking can be a TRANSFORMATIVE and revolutionary act. Where the supposition of aesthetics relative to implied structure is one unto which the creative can take advantage of already exiting methods and structure by which phasing allows them to blend and affect form and function. In full camouflage to come upon the mechanisms of change - all through optics and aesthetics.

Le Part Trois: What do you do? Make a film. (e) Cubed: Effervescent Einstein or is it Eisenstein?

This episode of Structure and Synecdoche explores the concept of the social agent existent as distinct and disjoint from their optical /visual creativity. Where this implies a sort of hierarchical rationing of the means by which agency can be experienced relative to the dictates of consumerism. Coincident with an optimized topology of modernity relative to the inherent primitivism of the human being (slow moving mass of undefined context).

Le Part Quatre: Regulations of Breathing. (e) Cubed: Effervescent Einstein or is it Eisenstein?

How do we as social actors upon an essentialist / necessary social topology composed of the beliefs, ideals, and passions of our social spheres imply, effect, or cause presence? 

Can we escape out responsibility of presence in our lives AND survive in a world predicate upon relationships? 

Heuristic versus cognitivist theories of learning, composition, mise en scene, and perception. 

Thank you Mr. Bay

Being PRESENT: Accept Challenge (YES/NO)?

This episode of Structure and Synecdoche is about emotivity and the presence of audiences in their every-day environments. As juxtaposed to the presence they allow themselves to take on as they (what should be understood as interaction)interact with film. Can film itself conduct philosophy? This episode would support the conclusion that YES indeed film can conduct the verb; the active act of philosophizing.

Moving your Audience - Tensors or Vectors?

Structure and Synecdoche

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