@christonia5♥️ DEAR MIKE, REST IN PEACE!!! 😥

Cattaneo Cattaneo

This release is a special one; a moment where the two halves of the Mr Bongo record label unite, our heritage re-issues and our contemporary artists roster. 

Minoru Muraoka’s 'The Positive and the Negative’ is a firm favourite at Mr Bongo. It sees a master of the shakuhachi, a traditional bamboo Japanese flute, flex his prodigious skill resulting in a unique mix of breakbeat jazz and Japanese folkloric music. 'The Positive and the Negative’ featured on the 1970 'Bamboo’ album, which Mr Bongo reissued in 2019. Heralded by DJ Shadow, Cut Chemist, Egon, and many others. The record’s cult status had us thinking how could we pay further homage to a sublime track such as this. The opportunity came to us in an email from Melbourne’s Surprise Chef with a link to the fabulous reinterpretation of the track which they had just recorded. 

"Minoru Muraoka’s ‘Bamboo’ LP has long been a fixture in our record bags, mostly for the killer shakuhachi funk cut The Positive and The Negative. The record is possibly our favourite from Mr Bongo’s extensive catalogue of reissues, and certainly the most influential to Surprise Chef; The Positive and the Negative’s cinematic atmosphere paired with the wonky drum feels and dramatic performance makes it a near-perfect amalgamation of what we try to capture on Surprise Chef records. We’ve borrowed an element or two from the tune over the last few albums (such as the percussion on ‘The Limp’), so it felt right to go head first into reinterpreting the entire track for ourselves. We recorded the tune in Karate Boogaloo’s attic studio with our man Henry Jenkins at the controls and Hudson Whitlock on percussion. We spent an entire day trying to get the take; we felt such a deep responsibility to capture the intensity of the original, we must have done 20 or 30 takes before we were finally happy. We stuck a fork in it late into the night, satisfied that we’d had our best crack at paying homage to a masterpiece by the great Minoru Muraoka.” - Surprise Chef

Forged in their signature sound, "The Chef" have made 'The Positive and the Negative' their own whilst simultaneously treating the original with utmost respect. The shakuhachi and koto have been replaced by synths and guitars, but the breakbeat psychedelic vein flows richly through both instruments  

The 7" vinyl format was the right fit for this release, so the original Minoru Muraoka recording which clocks in over nine minutes has been edited into a 7” version to accompany Surprise Chef’s new take.

B. Minoru Muraoka - The Positive And The Negative (Mr Bongo 7" Edit)

Brandee Younger, harp
Stacy Dillard, tenor sax
EJ Strickland, drums
Dezron Douglas, bass

Monday Night Jazz @ Bushnell Park. Hartford, CT
8/12/13
Photo by Joe Chandler

Blue Nile, by Alice Coltrane. Live @ Bushnell Park

Marshall Allen presents Sun Ra And His Arkestra: 'In The Orbit Of Ra'
Mastered from the original tapes, out now on Strut

iTunes: http://geni.us/SunRa
Amazon (LP): http://bit.ly/OrbitOfRaLP

Marshall Allen on Sun Ra:
As a Sun Ra fan, it has been a pleasure to be able to do an edit of Sun Ra material. Sometimes its more of a restoration project, than it is an opportunity to do an edit. In any case, the goal is always to preserve the original integrity, and direction of the song, while somehow making it appealing to an new and emerging fan base of listeners from the traditional school, and emerging electronic market. Sun Ra's fan base, and listeners might be changing and expanding, but you can always expect the end result of my work to highly respect the integrity of the original version. My version emphasizes the flute and percussive parts in this song. 

More from Mike Huckaby:
https://soundcloud.com/mikehuckaby

More from Strut Records:
http://www.strut-records.com
https://www.facebook.com/StrutRecords
https://www.youtube.com/user/strutrecords

More from Sun Ra:
http://www.sunraarkestra.com
https://www.facebook.com/SunRaMusic

Sun Ra - "The Lady With The Golden Stockings" (Mike Huckaby edit)

Annette Peacock Survival

Buy / Stream: https://BBEmusic.lnk.to/VestibuleAMSE
'Vestibule' and 'A Mere Subjective Experience' open the doors to a new voyage called 'Ravine', courtesy of The Incognito Traveller. This time around the music takes an introspective twist and looks within to discover what lies beneath the skin, beyond all exterior definitions and right into the deepest definition of self. Through proper jazz-infused trip-hop, 'Vestibule' and 'A Mere Subjective Experience' unveil unexplored interior spaces and beautifully complex inner worlds.
Milton Erickson’s “A Special Inquiry with Aldous Huxley into the Nature and Character of Various States of Consciousness” serves as the conceptual basis for a whole album’s worth of cinematic jazz explorations. In the study Aldous Huxley is guided into a deep hypnosis and, in such state, he describes meeting with his own self at different ages and revisiting his own stages of growth and intellectual development. 'Vestibule' and 'A Mere Subjective Experience' reference closely two specific instants in the author’s recount of the experience.
Eyes closed, the listener gets easily carried away within, into a grand voyage of self-discovery and inner aperture. 'Vestibule' is a classic jazz/trip- hop piece with an imposing break and uplifting release to bring illumination to the spirit; whereas uptempo quasi-freejazz piece 'A Mere Subjective Experience' offers internal divine light and harmony for the soul.

The Incognito Traveller - Vestibule

Disque La Rayé (60's french west indies Boo-Boo-Galoo) is our latest project curated by Digger's Digest and produced by Born Bad Record and will be out the 25th June. This 13 titles compilation gathers a selection of tracks sounding like a rather unorthodox créole interpretation of the nuyorican Booglaoo, stuck between the strong Yéyé influence coming from the french Metropole and the modern latin fusion emerging from Harlem.

Order here : 
http://www.diggersdigest.com/shop/product/disque-la-rayé-60s-french-west-indies-boo-boo-galoo/


Tracklist 

1.Maurice Alcindor - Sekirité sociale
2.Gabby Siarras - Sauvagement sexy 
3.Les Bois sirop - Je voudrais danser avec toi
4.Dany Play - Mais tu sais
5.David Martial - Jerk vidé
6.Le Ry-co Jazz - Pipi poh
7.Le Ry-co Jazz - Tu bois beaucoup
8.Joby Valente - Disque la rayé
9.Fred Aucagos - Ti Mam'zelle
10.Dany Play - Pourquoi pas
11.Les Vickings - Puchi's boogaloo
12.Monsieur X - Ou qué di moin
13.Henri Debs - Ou pas z'amis en mwen

Conception & réalisation : Julien Achard & JB Guillot

Clearance : Jb Guillot // Texte : David Commeillas // Traduction : Diane Lebel //Restauration & mastering : Norscq // Artwork : FLX


Read the story of Disque La Rayé by David Commeillas : Disque La Rayé
http://diggersdigest.com/blog/disque-la-ray%C3%A9-out-now-on-born-bad-records/

Disque La Rayé (60's french west indies Boo-Boo-Galoo) snippets - OUT ON Born Bad Records

As a label guided by the mission of sharing the lesser heard sounds of Brazil with the world, Far Out Recordings are delighted to present the first official vinyl reissue of Edu Passeto & Gui Tavares’ Noite Que Brincou De Lua: a super rare and largely unheard masterwork of MPB, originally released in 1981. Disciples of the Clube Da Esquina movement, pioneered by Milton Nascimento and Lô Borges, Edu & Gui mixed psychedelic folk, jazz, bossa, and rock for an album of soulful, dreamy Brazilian pop, with stunning arrangements and lush vocal harmonies.

Having first met performing on the music festival circuits of São Paulo and Minas Gerais, it wasn’t long before Edu and Gui struck up a thriving song writing partnership and close friendship, united not only by the love of music, but by shared ideals of liberation and greater equality for humankind. The duo’s motivation stemmed from a desire for social and political change, during what turned out to be the final years of the Brazilian military dictatorship.

Prior to recording, Edu and Gui had to tread carefully with their lyrics, which had to be submitted to the federal censorship authorities before release. Their first application was rejected after the lyrics were deemed to contain too much direct social criticism. ‘Profome’ (translated “Pro-hunger”), a song characteristically bittersweet in tone, was initially a matter of fact portrayal of the desperately poor social conditions many people in Brazil faced at the time. Back to the drawing board, Edu and Gui, like many persecuted artists from this era had to refine their lyrics to convey their message more subtly.

It took the best part of a year to complete the album, with Edu and Gui saving every scent they could spare from gigging and hitchhiking the 100km to each session from their home in Campinas, so that they’d have enough money to pay for studio time in Abertura Studios, São Paulo.

Although the album gained a respectable amount of radio play in the years that followed, it’s remained in relative obscurity, despite its spellbinding qualities, evident on tracks like ‘Sabiá na Palmeira’, a sweet Brazilian rare-groove with shades of Leroy Hutson, and the psych-folk tinged ‘Seguir’, which harks to the dreamiest moments of Milton Nascimento and Marcos Valle.

Edu and Gui called time on their musical partnership in 1986 when Gui moved to Rio De Janeiro, but they remained close friends until Edu sadly passed away in 2008 after a series of health complications. There is a street named after him in his home city of Campinas, São Paulo. Today, Gui Tavares lives in London, still making music and working within a plethora of Brazilian music projects which include the direction of his own choirs Cantar Vocal Ensemble and Nossa Voz, as well as working with Creative Brazil, who conduct Brazilian music workshops in schools

This limited-edition official reissue has been remastered from the original ½ inch tapes and pressed to heavyweight 180g vinyl.

Noite Que Brincou De Lua

Buy Vinyl

Sabia Na Palmeira

This is a heated vision of tropical intoxication from Bay Area combo Gilberto Rodriguez y Los Intocables. It’s Chicano Soul power on a sidewalk glide through time and space. Ojalá is a slippery rola, cat-calling to the cosmos in stretched out summertime chants. The saunter is propelled in slithering twists and sways by fluid percussion, trumpets, guitar, keys and bass. These are sweaty spells laced with fruit juice and sticky intentions. Frosty premiered Ojalá on Open End, his weekly Red Bull Radio zoom around the globe. Gilberto Rodriguez y Los Intocables’ album, Sabor Maracuyá Desnuda, emerges August 31st on Empty Cellar Records. Pre-order here: https://gilbertorodriguez.bandcamp.com/album/sabor-maracuy-desnuda

@emptycellarrecords
@freeform-frosty
http://redbullradio.com/shows/open-end-frosty
http://redbullmusicacademy.com

Sabor Maracuyá Desnuda

Gilberto Rodriguez y Los Intocables - Ojalá [Open End Premiere]

certain things

Mixed and produced by Adam Scrimshire
Mastered by Walter Coelho
Artwork from a painting by Jonny Drop
All kit drums played and recorded by Chris Boot.
All other instruments including Fender Rhodes, piano, Juno-6, percussion, drum programming, guitars and bass by Adam Scrimshire. 

His fourth album, musically, 'Listeners' draws from Scrimshire's passion for jazz, soul and electronic music of all styles; from an energetic combination of Afrobeat and garage on 'Won't Get Better', to the lushly orchestrated neo-soul of 'Thru You', and the harmonious jazz experimentations of 'I Never'. The album features a host of esteemed guest vocalists and musicians telling their own personal stories, including Georgia Anne Muldrow, Emma-Jean Thackray, Joshua Idehen, Madison McFerrin, Chip Wickham, and James Alexander Bright.

"With this album I wanted to get a more focused sound after six years of relearning and development in the studio. But I also struggled to find my own words, to speak about where I/we are now. So I allowed my collaborators total freedom to tell their own story and as they came back to me, they were telling the same stories I wanted to. It's resulted in some deeply personal confessional pieces: mourning family, collapsing relationships, extremes of self doubt and analysis, trying to balance public and inner persona, and a reminder that life in all forms is important.

It’s called 'Listeners' as I am a listener here, I feel like I've been given these very personal experiences to care for. Listeners because, the travesty of the last few years is that we stopped listening to each other, everyone is shouting at each other and no one is learning. And Listeners because I hope I've made something that is for other people more than I have before. I've tried to craft something warmer and more enjoyable, made for those who give me their time in listening to my music."
- Adam Scrimshire

Since joining the Wah Wah 45s label in 2007, Scrimshire has released three albums of experimental cinematic jazz, and electronic sounds. Following his 2009 debut ‘Along Came The Devil One Night​’, his second album ‘The Hollow’ (2011) was a BBC 6 Music Album of the Week, with Gilles Peterson calling it “A late contender for album of the year”.

In the time since the release of his last album ‘Bight’ (“An eclectic range of influences ranging from disco to fusion to more contemporary electronic styles” XLR8R) in 2013, Adam has worked with long-time musical accomplice Dave Koor on new project Modified Man, and launched Albert’s Favourites releasing projects by The Expansions, Hector Plimmer and Jonny Drop. He has continued to gain radio and DJ support for his successful “Scrimshire Edits” series and has produced and mixed records for artist including Stac, Daudi Matsiko, Bastien Keb, Rōnin Arkestra, Jonny Drop. He has also continued to develop the Wah Wah 45s label, where he is now a co-owner and director.

Listeners

Theme For Us feat. Joshua Idehen & Chip Wickham

"Small Label Of The Year" at AIM Awards 2021. Beefing up your crates since the late 90's.

Sun Ra - "The Lady With The Golden Stockings" (Mike Huckaby edit)

Strut Records

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