Deadline: 4th October 2023

All submissions to Haiku 508:

https://www.naviarrecords.com/2023/09/27/naviarhaiku508-deep-dark-summer-night/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #508: Deep, dark Summer night / A sudden shaft of moonlight / Blesses the temple

Accompanying visuals @ https://youtu.be/9aO6lLyPCMo

Deep, dark Summer night
A sudden shaft of moonlight
Blesses the temple

Haiku by John Hinks https://soundcloud.com/flownblue

For more information on the Naviar Haiku Challenge: https://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF blesseD [naviarhaiku508]

Moonlight Blessing The Temple

This track was created for the Naviar Haiku group.
508
https://www.naviarrecords.com/2023/09/27/naviarhaiku508-deep-dark-summer-night/

2023-09-27

Deep, Dark Summer Night  ( Naviarhaiku 508 )

a reworked version now appears on:

https://howthenightcame.bandcamp.com/album/hostile-architects

[naviarhaiku508] //// moonlight ////

29Sep23

My naviarhaiku508 submission;
https://www.naviarrecords.com/2023/09/27/naviarhaiku508-deep-dark-summer-night/
:D

Deep, dark summer night [naviarhaiku508]

"Sound of unending..."

Music by Stu King
Kaossillator Pro
Digital Delay
Reverb
Hologram Microcosm
Electro Harmonix Phaser
Gretsch Streamliner
Mixed in Cubase

Infinitum

Infinitum (naviarhaiku508)

Created with AUM and various plugins on iPad, mastered in Cubase 12 with Ozone 10

Inspired by Naviar Haiku 508:
https://www.naviarrecords.com/2023/09/27/naviarhaiku508-deep-dark-summer-night/

Photo by zenbytes (1992, Meteora, Greece)

blessed temple - Naviarhaiku 508

Video for track is here...
https://youtu.be/tyJwjwgFSxU

naviarhaiku508 – Deep, dark Summer night

Deep, dark Summer night
A sudden shaft of moonlight
Blesses the temple

John Hinks, aka FlownBlue, is a prolific and talented composer, and a regular participant in the Haiku challenge. Aside from his solo project, John is also involved in multiple projects: ‘Windfall Light‘ (with Jim Tetlow), ‘Abstract Blue‘ (with Kevin Buckland), ‘Light Fragments‘ (with Steve Escott), Szukanie (with Michał Wojciechowski), and Meadowlight (with Emma Reed).

Moonlight blesses the temple (naviarhaiku508)

Created with AUM and various plugins on iPad, mastered in Cubase 12 with Ozone 10

Inspired by Naviar Haiku 510:
https://www.naviarrecords.com/2023/10/11/naviarhaiku510-in-pre-dawn-darkness/

Photo by zenbytes (2023, near Pathfinder Dam, Wyoming, USA)

darkness of rainfall - Naviarhaiku 510

sound fantasy on 

in dark autumn nights
dew and the new bamboo shoots
reaching out to moon

by Shubham Dasgupta

Naviarrecords Haiku Challenge 511

Bamboo

Bamboo_Naviarhaiku511

Disquiet Junto Project 0618: Burying the Lede
The Assignment: Turn old news into new music.

Step 1: Locate an old news article, the less dramatic perhaps the better, from roughly 50 years ago. Try to find something local to where you live now or have lived.

Step 2: Use a text-to-speech tool to convert the article to audio. There are numerous such software applications, and no doubt discussion in the Junto thread on llllllll.co 1 will yield suggestions should you require one.

Step 3: Set to music the voice recording that resulted from Step 2. A length of two and a half to five minutes is recommended. Use an article sufficient to that length — you may end up not using the entire text. As the piece goes on, have the voice slowly get subsumed by the music, until by the end the voice is no longer intelligible — perhaps not even audible.

Note: In case the word isn’t familiar, a “lede” is “the opening sentence or paragraph of a news article, summarizing the most important aspects of the story.”

Seven Important Steps When Your Track Is Done:

Step 1: Include “disquiet0618” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0618” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co 1:

https://llllllll.co/t/disquiet-junto-project-0618-burying-the-lede/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you. It will largely be determined by the length of the text you select.

Deadline: This project’s deadline is the end of the day Monday, November 6, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, November 2, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 618th weekly Disquiet Junto project, Burying the Lede (The Assignment: Turn old news into new music), at: Disquiet Junto Project 0618: Burying the Lede – Disquiet

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet 1

Subscribe to project announcements: Disquiet Junto by Marc Weidenbaum (Disquiet.com)

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0618-burying-the-

Xwords - disquiet0618

lets try

Seven is a concept album based around the theory of the cosmic and esoteric evolution of the planet, musically depicting the the seven races and their existence on seven continents, past, present and yet to come.

Composed, performed, produced and recorded by Paul Landry
Album cover design and photography Paul Landry 
© 2018 Paul Landry & Aeon Records
℗ 2028 Ditto Music LTD


Seven

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Halcyon Hum is a Cinematic and Pop Ambient project by Minneapolis based musician, producer and recordist, Stuart King.

Compositions feature undulating rhythms, walls of sound, ambient melodies, lo-fi textures and field recordings.

Infinitum (naviarhaiku508)

Halcyon Hum

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