when spirits
high and low
come randomly
sound will
level out 
eventually

28/12/2021

Random Spirits

Man Eats Bat

MMXXIIVIIVIILNGWCK

C'est un plagiat ! Sur la musique de Bach de nouvelles notes et une nouvelle rythmique pour cette danse bastringue...
Entièrement en MAO.
Cubase avec les sons d'East West et de Steinberg.
Image par Pixabay.

It's plagiarism! On the music of Bach, new notes and a new rhythm for this dance bastringue...
Entirely in computer music.
Cubase with East West and Steinberg sounds.
Image by Pixabay

Bach Is Back

LOOPDIGGERS SUNDAY ROULETTE N° 135 / GINO 7

SPEED TACO TORQUE TEST feat. @DComposeuR

11Nov23

My naviarhaiku514 submission;
https://www.naviarrecords.com/2023/11/08/naviarhaiku514-gale-in-the-mountains/
:D

watch how the fallen blossoms carpet the water [naviarhaiku514 ]

"There is light below the surface"

Music by Stu King
Korg Monologue
Korg Kaossilator
Conductive Labs NDLR
Hologram Microcosm
Gretsch Streamliner
Digital Delay
Reverb
Mixed in Cubase

Field Recording by Stu King
Lake Superior, 2021

Oceanus

Oceanus (naviarhaiku516)

Simple Hurts

The first thunder
Is likely to shake
The tiered doll stand.

Like Santoka and Seisensui, Kawahigashi Hekigoto (1873-1937) was an important advocate of the free verse haiku.

Besides being a writer and critic of haiku, Hekigoto was a literary scholar, noh dancer, art critic, calligrapher, social commentator, and mountain climber.

The first thunder (naviarhaiku0531)

Wordless
all day long
the shadow of a butterfly
 
Hōsai graduated from the Tokyo Imperial University, where he studied law. He got off to a good start but decided to give up his home, family, and business to jump from one militant religion of Japan to the other.

Just like Taneda Santoka, Hōsai abandoned the traditional verse form of his time and mostly looked at the austere confines of his life for inspiration.

Haiku by Hosai Ozaki

Picture by sumingliu youyou

Submission deadline: 20th March 2024

This haiku poem is part of the Naviar haiku music challenge, where artists are invited to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre.

You have seven days from the posting of this haiku to submit your track. For information on how to make a submission, visit the Naviar Haiku Music Challenge page.

TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku532)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

The Shadow Of A Butterfly (naviarhaiku532)

This electronic track is converted from an old piece called Clandestine Love.

Mit 3 Im Verborgenen Bluhen Der 36 Schonheit

Halcyon Hum is a Cinematic Ambient project by Minneapolis based musician, producer and recordist, Stuart King.

Cinematic Ambient compositions feature undulating rhythms, walls of sound, ambient melodies, lo-fi textures and field recordings.

Oceanus (naviarhaiku516)

Halcyon Hum

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Halcyon Hum

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