CODE & Omega

good vibrations

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An Omega C.O.D.E. 8, SE-1X, ATC-X fantasy
Featuring: Grecco Buratto, Marc. St. Regis, Catero Colbert, Jack Levy, Ellis Hall and Michael Sembello.
Record Date: 03.23.2007
Track Details: http://studioelectronics.com/products/synths/code/demos/#CODEfilteredTheriot
Product Details:
http://studioelectronics.com/products/synths/code/
http://studioelectronics.com/products/synths/se-1x/
http://studioelectronics.com/products/synths/atc-x/


CODE-filtered Theriot

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MSR's Winter NAMM '02/'06 Dueling Omega 8s, Theriot Bank, ATC-X, SE-1X Suite
Record Date: 02.03.2006
Track Details: http://studioelectronics.com/products/synths/omega8/demos/#IDontHaveToTellHer
Product Details:
http://studioelectronics.com/products/synths/omega8/
http://studioelectronics.com/down-up/designer-sets/theriot/
http://studioelectronics.com/products/synths/atc-x/
http://studioelectronics.com/products/synths/se-1x/


I Don't Have to Tell Her (Instr)

Once again I’m on the inside — lookin’ out looking in.

SEM-filtered CODE Omega8 & @saintregis (Instagram) bring the water and its spirit to my eyes.

Single track purity, polyphonic power and purpose: sometimes it's disclosed like that.

Minimal sweetening, limiting and spot normalization, so do enjoy the wide dynamic range and culmination—now with bonus audio!

MSR Christmastime '22

CODEberheim 8

First solo Omega offering still sounds stunning 21 years later.

A few secrets, snips, reverses, in-song overlays, a touch of EQ, limiting, and “Gaucho” right-side-wet, make for a nice 90 (sec).

And yes that patch change madness was tracked in real time—sans punches.

Stock SEM & Mini SE filters…

Enjoy,
MSR

Phat Fu '23

Came across this dope Ebm @MonteNeuble SE-3X  bassline, in my needle drop travels, which I had to revisit and enlist in a pulsed paraphonic exaltation in DMaj; silky chord changes from “Onward Upward UFO,” a song written & produced in the late 1970s for the St. Regis brothers, by wonderful friend and Parcourse/health food store mentor, Norman H. Landsberg, assisted that sneaky downward modulation. 

The great James Levi (Herbie Hancock fame) and strongman Gary Calvin (on bass) kept the groove going at Bear West Studios in San Francisco—1st 24 track baptism, where “UFO” was recorded—and we brothers have tried to keep the funk analog ever since. Clavinet D6 is still with us: the one Norman unveiled at St. Regis & Leuenberger and taught us to play; ‘cause he was nice with it, "Cry Baby" style.

Celebrating his remarkable life earlier this month—brilliantly and with panache, thanks to Bob Yount (Landsberg & Yount) and Socorro!—brought his lovely spirit, song, and surprising, vast accomplishments to mind:

Founding member of Mountain, featuring Leslie West; Pointer Sisters MD—“Yes We Can Can…”, Lenny Willams (Tower of Power); sampled by Jay-Z (99 Problems), Kanye West, Tribe Called Quest—heard in films like "Barbershop" and "The Taking of Pelham 123.”

His group Hammer opened up for Leon Russell AND Miles Davis at Fillmore West… Wut!?!

“When tears come, remember brighter smiles can then show."

Miss them when they are here; that’s the Power of Love—which evrybody needs.

https://www.dignitymemorial.com/obituaries/san-francisco-ca/norman-landsberg-11515731

https://www.discogs.com/artist/860823-Norman-Landsberg

p.s. SE-02 stereo leads :14; ‘02 “Dorothy Ashby” harp :21; incredible SE-02 Paraphonic Preach: 24; SE-3X dual leads :25; Omega8 “Phat Fu” goodness: 31, :35 Norman’s (Manny Moka) piano :33; Manny Moka And The Band on Fire heavenly perc. break: 39

Boomstar Brotherhood drums assist.

Angel Grey ‘3X photos courtesy of @vcousa

Enjoy,
MSR

Monte Moka

ADAGIO FOR FEEDBACK

I’d like to believe Samuel Barber’s Adagio for strings cast a tender shadow on these changes & groove of mine.

Listening to Bernstein’s baton as I write this…. glorious.

CODE8: Strings mainly recorded in mono—not sure why—stereo flute/vibraphone/celeste colors, Crystal Manson “horn” blasts, Monte Moir rhythms, locked-to-clock LFO pulses, band pass rebels, reversed and initially randomly-sourced passages. AND FEEDBACK!—Crunch chords for key-man on their black ’n’ white island.

Get the heady, upper harmonic, distortion multiplier mod. for your Omega8/CODE8 today!

Boomstar SE-80: Snares, perc.

SE-3X: Hats, big bass note.

Grecco Burrato: Unarchived ModMax Pedals-blessed guitars.

SE-02: Immaculate basses and leads.

Stay tuned for the Prequel.

Best,
MSR 12-5-24

Adagio For Feedback

Prequel & Adagio For Feedback

CODE8: More stereo flute/marimba/celeste colors; Winwood leads; Crystal Mansion horn blasts; reversed and initially randomly-sourced passages; layered strings mainly recorded in mono—not sure why; @montemoir (inspired) bangers; locked-to-clock LFO pulses; band-pass rebels; 12dB filter envelope-driven bursts; location-aware Middle Earth detune spasm...

AND FEEDBACK!

Get the heady, upper harmonic distortion, warmth multiplier mod. for your Omega8/CODE8 today: https://studioelectronics.com/support/contact/

Boomstar SE-80: Snares, perc.

SE-3X: Main hats, big bass note.

@greccoburatto Unarchived (and yet juicy) ModMax Pedals-blessed guitars.

SE-02: Immaculate Keys 2 basses and leads.

Sumptuous and stirring (some would opine meditative) very recent #japantravel visuals (includes magically in-key bird song) courtesy of Carlo St. Regis.

Enjoy,
MSR 12-16-24

CODE-filtered Theriot

STUDIO ELECTRONICS