Where I Knew You Would Be

I had something inside that must fly free.
NeoClassical
Modern Classical
Soundtrack
OST
BSO
Not Quite Classical
And ….  Prog rock. 

https://youtube.com/channel/UCFn6yvzY1gKi7lheBTK-Ftw
@TheBirdInside

Self-learned piano and keyboard player (pop, classical, jazz). Have also played violin, some drums and bass etc.

I came here to play!

Contact: vintageklavier88(at)gmail(.)com

Hello my loyal followers, please accept my apologies that I am currently unable to attend to my hobby due to personal reasons and have temporarily withdrawn from SoundCloud. I recently logged into my account and received so many messages inquiring about my whereabouts. I wasn't expecting that. Thank you so much for your inquiries. I don't know yet when I'll be able to be active again. It may be until the end of the year. Have fun with your songs and thank you again for your loyalty.

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Thank you so much for being here and taking the time to listen to my music.

My first steps in electronic music were with the Atari 260 ST (manually upgraded to 1 MB memory), a Yamaha PSR460 keyboard and Cubeat 1.0 (later renamed to Cubase 1.0). So I've always been focused on Cubase, so to speak.

That was a long time ago. In the meantime I set up my little studio and recorded a few songs for myself. However, I didn't dare to publish them because they might not be good enough for the world. 

But at the beginning of 2023 I risked to publish the first songs. I hope you like my music, even if everything is very amateurish. 

Have fun, Werner.

Update May 26th, 2023

Now 5 months have passed and I would like to describe my impressions so far. 

This is the best community I have ever experienced. You guys are so great, motivating, inspiring, creative and constructive. This week I welcomed my 500th follower and you gave me the opportunity to reply to over 1000 comments. I never would have expected that.

Many, many thanks for your appreciative support and of course for your great music that you share with all of us here.

I am a sickly thing burning out for the entertainment of dozens.
Eons ago the gods locked me up in here as punishment for my divine transgressions. 
I've been live recording, digitally producing, & blending both mediums for a long time. 
Thank you for stopping by.
Be safe on your trip.

Composer cubase
if you don't listen, don't like me.

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
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I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

°All music, piano, synthesizer, songs, lyrics, philosophical inspirations and writings are original._°
Thank you for listening, watching, reading and feeling._

https://sergeimasnavi.org
https://vredeslichtopaarde.blogspot.com
https://natuurfilosofie.blogspot.com
https://soundcloud.com/natuurfilosofie
https://berichtenvanmaria.blogspot.com
https://siriussterlichttekeningen.blogspot.com

-Musicalbums_:
°All people together.
°La Grâce.
°Circles.
°De oorsprong.
°Pure.
°Puur licht. (2023)
°Peace on. (2024)
°Sounds to outer space(2025)
-
Blessed are you_.
Love and light_.
Sergeimasnavi_°
(Cosmic rights reserved.)

#StartTheNextWave - New Wave. Post Punk. Art Pop Experimentor. New songs always in the works. Stay tuned.

Glass and concrete are so intertwined with the neural network of their inhabitants that a kind of symbiosis is obtained, reaching parasitism of one above the other. A small person has a choice: to be free or to become a link in this system, having realized this choice, the choice as such ceases to exist.

Dolbania was founded in January 2008 by two friends and a cat - lovers of good heavy music. Then a gloomy Gothic composition was recorded on the poems of I.V. Goethe on an acoustic guitar and synthesizer.
In the first year of her existence, she was in a creative search, with an admixture of depression. We searched for inspiration at abandoned industrial facilities and in listening to a huge amount of music. We fucked for a long time and a year later we finally decided on the style that you can currently hear in our songs.

Update: new video online. First opportunity to see us perform: https://www.youtube.com/watch?v=LqZb6fiIqx8

NOSTALGIA AND DYSTOPIA

News and details about the band to be found on our homepage: http://gardenofheathen.eu/

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Where I Knew You Would Be

STUDIO TTL