See also <a href="spotify:playlist:4E8AAPQcKIWVNbH7LNAIwu">Intro</a>, <a href="spotify:playlist:5hrMo1ekVBSvvAyFg5H76e">Pulse</a>, <a href="spotify:playlist:5xr2CsZWhm93FeBs0lxyhy">Edge</a>, <a href="spotify:playlist:6NAEsXW0Fos9hP6h17wfG2">♀Filter</a> or

The Sound of Djent

One song from every genre we currently track. <a href="http://everynoise.com/thesoundofeverything.html" rel="nofollow">Annotated here.</a>

The Sound of Everything_part2

Hemmersdorf Pop Festival präsentiert Les Nuits => 11.10. - 12.10.2019.

Nightjar and the Nightingale

I Just Love You

måsstaden under vatten

lavender haze

La cumbia me está llamando

La cumbia me está llamando (Kaidi Tatham Remix) [feat. La Perla]

Lavos

Lavos (single version) [feat. Mick Gordon]

STUDNITZKY has always been a traveller between the realms of jazz, classical and electronic music. With “MEMENTO – orchestral experience” he presents his multifaceted and stylistically open nature with entrancing succinctness.

Accompanied by the Berliner Camerata and guests, he celebrates a fascinating and emotional journey on trumpet and piano. In his inimitable music not a single note is superfluous. It is detailed, minimalistic and transparent, yet it displays an emotional depth which is uniquely personal.
With this distinctive sound, STUDNITZKY stands pleasantly apart from the typical classical/jazz crossover style. Too edgy for pop, too emotional for jazz, too opulent for electronic music, and with a rhythmic groove far removed from avant-garde, he has created something that is refreshingly new.

“Sebastian Studnitzky is a sound aesthete … You find yourself wanting more of this tranquil and unpretentious chamber music.” Frankfurter Allgemeine Zeitung

“Piano or trumpet? Large band or small ensemble? Electronic or classical? Jazz or pop? Art music or easy listening? Berlin’s Sebastian Studnitzky simply cannot decide, nor does he want to. His new album proves once again that he really doesn’t need to.” WDR 3

“It sounds as if Michael Nyman, the Penguin Cafe Orchestra, Ryuichi Sakamoto, Philip Glass and Jon Hassel were performing on a mountain top and creating a new form of hypnotic music from the sounds of the returning echo: it’s catchy, it gets under your skin!” JAZZthing

“His compositions float in the air. They call for attentive ears. As peaceful as they are, they somehow completely fill the room right from the very first moment. They creep deep within the listener and bring along a resonance – delicate and gentle.” Schwäbische Zeitung

STUDNITZKY is already an internationally acclaimed performer of the highest level on both trumpet and piano. Few instrumentalists of his generation have appeared on the stages of so many clubs and festivals all over the world. He has performed with names such as Nils Landgren’s Funk Unit, Jazzanova, Mezzoforte and Wolfgang Haffner. Most recently, he can be heard on recordings by Nils Landgren’s Funk Unit, Jazzanova, Wolfgang Haffner, Nightmares On Wax, Moritz von Oswald, Mezzoforte and Dominic Miller. In 2012 he founded Contemplate, his own record label and network. In 2014 he initiated the XJAZZ Festival Berlin and took charge as its musical director. It immediately became Berlin’s largest jazz festival and turned the German jazz scene on its head. 

6 Structures I

I Should Coco

Alright

Symphonic Metal 5 - Dark & Beautiful

Cemetary Gates

Timeless: The Golden Memories

Do Wah Diddy Diddy (2007 - Remaster)

Tape (Piano Day 2016)

A Perfect Contradiction

Only Love Can Hurt Like This

Unhalfbricking

Who Knows Where The Time Goes?

Utilitarian

The Wolf I Feed

Marigold

Altered State

Of Mind - Nocturne

The Crown: Season One (Soundtrack from the Netflix Original Series)

Duck Shoot

"Ulenflucht" from Niklas Paschburg's debut EP "Tuur mang Welten".

"Tuur mang Welten" is available as 12" vinyl and digital download here:
bit.ly/2fJS97G

LP|DL

Niklas Paschburg - Ulenflucht

20 Jazz Funk Greats

Hot on the Heels of Love

Second single from the upcoming album 'Oceanic', out on 7K! records on 9 February 2018.

Pre-order the album here: 7K.lnk.to/Oceanic

'This song I created while looking outside of the window. There was an empty beach and I did imagine two ballet dancers whirling up the sand.'

Niklas Paschburg - Sand Whirling

Coil ~ Tattooed Man

Forward!

Recorded live by Aki Makutsch for Deutschland Funk Kultur,
21 july 2018 at Internationale Musiktage Freden.

Pascal Schumacher – vibraphone & composition
Adrian Adlam, Hwa-Won Rimmer – violine
Laura Hovestadt - viola
Benjamin Kruithof – violoncello
Ilka Emmert – doublebass

THE FREDEN SUITE
1. Catch The Illusion
2. Molodost Dream
3. Focus Delusion
4. Amber-Lusion

The Freden Suite - for string quintet and vibraphone

05 Jonty Harrison EQ

Paragon

Innocent

The Unacceptable Face of Freedom

Fuckhead

STUDNITZKY has always been a traveller between the realms of jazz, classical and electronic music. 
In his inimitable music not a single note is superfluous. It is detailed, minimalistic and transparent, yet it displays an emotional depth which is uniquely personal.
Too edgy for pop, too emotional for jazz, too opulent for electronic music, and with a rhythmic groove far removed from avant-garde, he has created something that is refreshingly new.

“Piano or trumpet? Large band or small ensemble? Electronic or classical? Jazz or pop? Art music or easy listening? Berlin’s Sebastian Studnitzky simply cannot decide, nor does he want to. His new album proves once again that he really doesn’t need to.” WDR 3

STUDNITZKY is already an internationally acclaimed performer of the highest level on both trumpet and piano. Few instrumentalists of his generation have appeared on the stages of so many clubs and festivals all over the world. He has performed with names such as Nils Landgren’s Funk Unit, Jazzanova, Mezzoforte and Wolfgang Haffner. Most recently, he can be heard on recordings by Nils Landgren’s Funk Unit, Jazzanova, Wolfgang Haffner, Nightmares On Wax, Moritz von Oswald, Mezzoforte and Dominic Miller. In 2012 he founded Contemplate, his own record label and network. In 2014 he initiated the XJAZZ! Festival Berlin and took charge as its musical director. It immediately became Berlin’s largest jazz festival and turned the German jazz scene on its head. Since September 2014 Sebastian Studnitzky has been a professor at the Dresden University of Music