“Nodo” es una pista que combina Indie dance y Deep House. Esta pista se encuentra en la tonalidad de sol menor. “Nodo” se aleja del ethos melancólico de “Rimasay” y se moviliza a un ritmo más festivo y una sonoridad retro. “Nodo” desemboca en una caída en donde el violín desarrolla un motivo y construye varias capas rítmicas y melódicas con diferentes articulaciones propias del instrumento, esto fabrica una atmósfera de conjunto de instrumentos, donde progresivamente se van sumando una a una cada voz. La participación de la marimba dentro de esta pista se enfoca más en un rol complementario que fortalece la textura y la atmósfera de la pista.

Bandcamp

Free Download: Jose Labeat & Sub Chunk - Nodo (Original Mix)

"LoNe WolF" (a.k.a. Loud Noize) is a solo alternative rock artist that has been evolving within the music scene of northern Illinois since 2018. He's been involved in many open mic and solo concert performances at multiple venues in the Dekalb, IL area including: "The House Café" (before it closed down), "Ax-In-Hand Guitar Shop," "La Calle Bar & Music Venue"(Nov. 2023), and at the Historic Ellwood House...featuring in "Hypnotizame: Beatles Night" at the end of October (2019)...with the latter two events being hosted by "Wooden Box Theater."


His major influences include: Green Day, Nirvana, The Ramones, Social Distortion, Alice in Chains, Bush, Stone Temple Pilots, Staind, and Silverchair.


🎧 Buy my beats now (MP3 + WAV included)
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💬 Want the stems or a personalized version? DM me or email me: nwabu247raw@gmail.com


ソル・マリネリス 
Mostly solo & random DIY excursions into dystopian post-metal shoegaze 🎧
Guitarist/Remixer/Artist

Musicians and sound crafters based in Bogotá. Sub Chunk's music explores the connection between different genres and styles, shaping their singular sound which is in constant evolution.

No time to waste.

subchunk@gmail.com

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KRT Production is not just a label.
It’s a creative machine that has been shaking the scene since the 1980s. Behind projects like NUR, Funkle Ace, BBAM, Atomium, and more, KRT is the underground spirit that refuses to fade.

Electronic, rock, experimental, alternative — style doesn’t matter as long as there’s raw energy and the drive to make an impact.
Recording studio, mobile production, SoundCloud launchpad: KRT is both playground and battleground, where artists become larger than their tracks.

Joining KRT isn’t just “being part of a label.”
It’s stepping into a family, a free and untamed showcase, ready to make noise in a world that plays too safe.

KRT Production. Here, music isn’t just heard. It’s lived.

2025:
23.10. b2b Luni @lennisukop, Welcome Back Vol. 15, Kulturfabrik Löseke, Hildesheim
27.09. b2b Luni @lennisukop, Electrokarussell Open Air, Freibad Nettlingen
06.09. Sponti Open, Woodlands Kulturgarten, Hildesheim
24.04. b2b Luni @lennisukop, Welcome Back Vol. 14, Kulturfabrik Löseke, Hildesheim

2024:
14.11. WunderBeats Vol. 2, Wunder-Bar, Hildesheim
24.10. Welcome Back Vol. 13, Kulturfabrik Löseke, Hildesheim
05.10. Lights Out with Erdem Uğur, Kulturfabrik Löseke, Hildesheim
04.10. b2b Luni @lennisukop, Electrokarussell Open Air, Freibad Nettlingen
07.09. Lights Out - Afro House, Kulturfabrik Löseke, Hildesheim
23.03. Lights Out - Jungle Rave, Kulturfabrik Löseke, Hildesheim
01.03. b2b Luni @lennisukop, Electrokarussell, Thav, Hildesheim
16.02. Lights Out - Cage Rave, Kulturfabrik Löseke, Hildesheim

2019:
16.08 Konception - Tanz in der Savanne, Kulturfabrik Löseke, Hildesheim


Melodic House & Techno, Indie Dance, Afro House, Techno (Peak Time / Driving)

⚠️⚠️BEAT PACK SALE⚠️⚠️
get multiple leases for 100% off

ALL BEATS ARE FOR SALE ON MY SOUNDCLOUD CATALOGUE YOU ALSO GET BEATS THAT AREN'T POSTED TO MY SOUNDCLOUD FOR PROMOTIONAL USE ONLY ONCE YOU PURCHASE A LEASE ALL LEASING AND EXCLUSIVE PURCHASING OF BEATS MUST BE DONE THROUGH EMAIL I DON'T HAVE A BEAT STORE. email is down below. Thank you so much for supporting my journey.⬇️

‼️ALL RIGHTS RESERVED TO 3DBEATSENT/BOUTDATACTION RECORDS... YOU WANT TO GET YOUR MUSIC HEARD? Come work with one of the HOTTEST,🔥 UPCOMING INDEPENDENT LABEL coming out of CHICAGO ‼️‼️ you want to sign with us? WE OFFER PROFESSIONAL ARTIST/PRODUCER MANAGEMENT, FREE STUDIO TIME FREE BEATS FREE COVER ART AND FREE VIDEO 📸 SHOOTS‼️🔥🔥


PRODUCER/ENGINEER & RAPPER MAKE ALL KINDS OF BEATS..  I'm LOOKING FOR ARTISTS TO WORK WITH! Follow me on all social media platforms email me at Cvonkirby@gmail.com FOR BEAT PURCHASING AND CUSTOM BEAT INQUIRIES...
HIT🎯 THAT FOLLOW BUTTON TO STAY IN TUNE WITH MY MUSIC🎶 I love and appreciate all my fans y'all keep me going.

WORDS FROM METRO BOOMIN - "there's a big difference from a beatmaker and a producer a beatmaker mostly make beats a producer see the song all the way through almost coaching the artist to make the best possible song" 

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

Songwriter - Composer - Percussionist - Vocalist - Producer
Contact, collabs & Booking: philswain.music@gmail.com

Songwriter, composer, performer, Phil Swain started his musical adventures in 2013. Diversity in his music, depth in his lyrics characterise his style. A subtle blend of funk, jazz, house and groove afford the listener and the spectator a very special experience...
From his very beginnings in music as backing vocalist and drummer in a choir, his project was to create tracks composed only with percussions. But the idea soon evolved. Adding a melodic voice and chords were the starting point of a long series of eclectic compositions. His voice gained in subtlety and his style was enriched with various influences – 70s English pop, jazz, funk and reggae from the 80s, 90s electro, Drum’n’Bass, House and African music. To enrich his compositions, Phil collaborates with musicians coming from various horizons. He describes his style as electro pop, and has created his own electro biotope, influenced by funk, reggae, jazz and Latino music – a universe very much his own. 
He performs very frequently in Costa Rica, where he takes a big part of his inspiration. The incredible lushness of nature there allows him to recreate an atmosphere of universal horizons. 
In May 2017, he released his debut album, Evolution on the Move, with 11 tracks, distributed on digital platforms. We discover diversity in the musical style and depth in the texts... This album has the lush atmosphere of the vegetation that envelops the recording studio in which he works during his stays – as well the blue shades of hope that dwells in his lyrics, directed towards peace and harmony through self-change. 
The Buddhist philosophical influence in his texts give depth to his world. The meeting of nature and keyboards produces a wonderfully groovy ecological electronic music. 
Fluids of positive energy also emerge from lyrics that call for refusing the fury of the present world and enjoying the present moment. Each track reminds us of the urgency to respect our good old planet and the earthlings that populate it, sung in a very warm voice...