kill it!,, become it! be,, come it!, rinse!

it just keeps coming back

Kaeru Selected Break Works

nair3

chrono - template

the white light

sample done by @user-756257483 please check their stuff

stellar

час

Back From The Dead

chops via @iridescent 


Always a pleasure n an honor, brother 

+iridescent2.mp3

bandcamp soon bad wifi,,

how i feel and how ive made people feel

1. intro
2. 4chunthief
3. alchemy
4. Amnesiatactic
5. areyouthere
6. Artillery
7. CANTDENY
8. cling / before
9. deadsilent1
10. deadsilent2
11. deadsilent3
12. eyes
13. ghosts
14. G-Kane Funk
15. no need pain
16. prodigything
17. Remedy2
18. StrangeOaths
19. Tellme
20. todo
21. i've tried too long
22. wasting your time
23. when i'm calling
24. whatDoYouNeverSay
25. whatwegot
26. when
27. yashi
28. zebra
29. ending

here for you, gone for me

The 60's were a good era for 'psychedelic' music - at least, this is what's said. Allow me some visual clanging and flip that 6 to a 9 and talk about the Seattle 90's, also effluent in the 'psychedelic':

"I’ve been listening to old Nirvana bootlegs. I can say my music is influenced by the smashing of instruments at the end of their gigs. Each one is a unique orchestration but within a structure until it exhausts itself. It’s not random or just noise. There is a timing and build of tension. It is even more dramatic to only hear it rather than to watch it.

Kurt Cobain used to make music by surfing the radio and piecing it together with no editing, like early musique concrete collages. He had an old cassette recorder where you have to push the record and play buttons together and then push pause. You can hear the clicks, the getting up to speed..."*

...the tape warbles, and the shitilly timed stops.

*excerpted from the conversation with Tom Moody (www.tommoody.us/archives/2020/12/04/on-breaking-the-square-a-conversation-between-john-parker-and-tom-moody/)

Always live and improvised: Step.4D™ by St Celfer™. 

here for you, gone for me

mary's gate