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Road [EP KYO 001]

Dubstep / Electro mix of Why Do We Call This Love featuring Queenie.

Subdiffusion ft. Queenie - Why Do We Call This Love (Electro-Step Mix)

Subdiffusion's remix or Spectrum by Foniqz, remastered for 2012. Forthcoming on www.blacklanternmusic.com

Foniqz - Spectrum (Subdiffusion Mix)

Vibration Lab are proud to present their latest Future Reggae creation, a new and original song by living legend Linval Thompson, one of the most important figures in Reggae music ! With his contributions as a singer, producer and label owner his importance can not be overstated. 
This release is Bass Music on a higher level of consciousness! Modern Roots and Subsonic Dub sounds merge with Linval's sweet emotional vocals that are so relevant in these times. Traditional production techniques coexisting with today's musical technology. 
This package also contains unique and amazing remixes from the very best producers of Rootstep, Digi-Dub, Reggae influced Dubstep and Future Bass. Pioneers like:  RSD and Radikal Guru. Plus the next generation of Dub stars: Riddim Tuffa and Adam Prescott. 
The song was voiced at the famous Stingray Studios in London and all mixes were mastered with superior analog equipment at Stardelta Labs, where they have perfected the art of giving digital music warmth and depth. 
The combination of future dubsters Vibration Lab and reggae legend Linval Thompson brings a special mixture of organic vintage Roots with innovative Dubscapes. A modern classic sound!

Vibration Lab featuring Linval Thompson - Tribulation Time (Vibration Lab Original)

Superb 2012 remix from Subdiffusion on the "D2 EP", out  now @ Blacklanternmusic.com !

Foniqz - 'Spectrum' [Subdiffusion Remix]

Subdiffusion is the production alter-ego of Bristol based Jon Richards.

I first started writing electronic music back in 1993 - the same year I went to my first rave. Inspired by the emerging dance music scene and the breakthrough local acts that were taking the world by storm; Massive Attack, Portished, Tricky and Reprezents, I began honing my production skills. In 2000 I joined forces with Mathew Carter and Laura Pearce to form Subdiffusion as a live Drum & Bass act. After five years and some knockout gigs at underground parties, as well as sharing the stage with some of the scenes heavyweights, we went our separate ways. 

Since completing my degree in Creative Music Technology, I have been working with talented people from across the world, remixing and producing tracks for artists such as Foniqz, Vicky Flint, Nel K and Queenie Moy. 

I don’t constrict myself by sticking to one genre of music or fanatically following a ‘scene’. The only consistent thread to my work is bass – and plenty of it.