Sub÷Cast Sessions is a series of elaborate mixes with influences from worldwide sounds of tech house and techno from friends and family of the Detroit-based imprint, Sub÷Divizion.

Apologies, the tracklist is unavailable. This set was recorded at a Sub÷Divizion event.

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Episode 017

Sub÷Cast Sessions Ep. 017 | D.A.V.E. The Drummer [Live @ The Works]

So I got involved with this electronic music during the early 90s and was instantly attracted to the way that people were friendly, non-judgmental, open-minded; basically positive as fuck.  That, and the way we all got off on this amazing music, put together in the middle of the night, usually in a condemned building.  

I taught myself to beat match vinyl on two Gemini BD-10s and a RadioShack 4 channel mixer, all bought at a pawn shop located in beautiful St. Petersburg, FL.  Within a few months I had a set of 1200s.  Learning on those nasty belt drives paid off; it was like butter!  

I fell in love with the music Detroit had been producing.  As a result of the huge influence such artists as  Richie Hawtin, John Acquaviva, Derrick May, Legion of Green Men, Roman Debnar, Darian Watson & Eric Lovell; mixing styles of Terrence Parker, Boomer Reynolds, & Stickmen, just to name a few. 

Landed my first residency at the The Viper Room, started up the after hours club, Utopia, and have played at historic venues such as the The Packard and The Eastown Theatre (Technology). 

My musical repertoire expanded when I moved to NYC in 2000 and especially when I headed south towards Miami in 2005.  My mission is to pay homage to this music and the originators that started this shit in a Detroit basement, and to bring these sounds to those that seek them.  There is nothing like the feeling like when a set comes together and you can feel it in the energy radiating from the crowd.

I am rarely only on 2 decks.  My original setup was 2 1200s and a Rane TTM-54.  I ran a PC with Rebirth pumping into Line 1 & 2 then put a SP-202 and a Lexicon multi effect on the send / receive of the Rane.   This gave me a unique control and power over the records.  These days I am running 4 decks and 4 effects in Traktor with 3 custom mapped MIDI controllers, again, giving me a one of a kind ability to mangle the tracks.  Don't ask me what kind of music this is.  "Call it what you want." 

"Britton J (Britt Hubbard) has the mixing skills of an old scool vinyl DJ and the values that go along with having been performing live since 1995. Don’t just call him a DJ. He’s a selector, choosing tracks that play to the mood and the feel of what he is looking to create for the dancers to experience. His sets are much more of a live remixing performance, utilizing Traktor with 4 decks, 4 effects and 3 custom-mapped MIDI controllers. He might play a track that you have heard before… but it will be tweaked and flipped around to suit his groove for you.  Britton J has honed his very unique style over his years in Detroit, NYC and Miami, ranging from dark minimal to classic Detroit to deep jackin’ house. You won’t catch him mixing tracks the same way twice!" -Linda G

Sub÷Divizion Records is an evolution venture of Sub÷Divizion Music founded in 2012. The Detroit-based label seeks like-minded artists, producers, and DJs with influences from worldwide sounds of techno. The imprint strives to maintain a unique composition that focuses on innovative ideas, artist development, and quality in all aspects of the label.
Sub÷Divizion is more than a record label and audio production service company. We are a home for electronic music creatives, and a global community of electronic music producers, DJs, artists, and enthusiasts of all genres. We aspire to connect the world through the power of electronic music, education, technology, and music culture by offering an arsenal of music tools and products, audio services, sound reinforcement services, and educational resources to an expanding network of artists. Our goal is to inspire and educate individuals and groups to not only produce or perform music but to also integrate technology and innovation to advance their knowledge and technical skills. We aim to open new doors towards musical creativity while enhancing the culture of art, technology and music.

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