MY THIRD ALBUM “SMILE! :D” is out now !!

http://www.porterrobinson.com

18 year old producer who loves to make all genres of music.

Booking: SubductedAudio@gmail.com

For the past decade, Mad Decent has been invading your ears with fresh sounds. With humble beginnings in Diplo’s Philadelphia studio, Mad Decent’s unwavering mission is to highlight underground, genre-blurring sounds. Mad Decent tops iTunes, Beatport and Shazam charts worldwide with #1 Dance tracks and albums with releases from artists like Major Lazer, Dillon Francis, Grandtheft, Party Favor, NGHTMRE and Yellow Claw. Mad Decent is also home to Good Enuff, a launchpad for artists breaking the norm; notable releases include Bauuer’s “Harlem Shake” and DJ Snake’s “Bird Machine.” As an extension of the Mad Decent sound, Mad Decent Block Party was established in 2006 and now spans across North America and India.

Southern fried 
HOODRICH x BRICKSQUAD DJ
BOOKINGS: Max.Freeman@UnitedTalent.com
Follow my label: @weareskrong
All beats #ProdByMayhem @ProdByMayhem

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

Far Too Loud is all about hi-tech, dancefloor-destroying music that makes people throw their hands in the air and go crazy. Think high-energy, aggressive funk with big basslines and crazy edits and you’ll know the sound. 

Formed by Oli Cash and Dom Smart back in 2005, their sound quickly won fans and only two years later picked up 'Best Single' at the Breakspoll Awards.  Later that year the FTL anthem 'Play It Loud', which saw a move from breakbeat to dirty electro-house, received a massive response and remains a crowd-pleaser to this day. 2009 saw the duo split with Dom forming techno moniker Neurodriver and Oli continuing with FTL, producing a string of electro chart-smashers including 'Bring Back Boogie' and 'Megaloud'.

The bass-fueled releases of 2012’s ‘Firestorm’ EP and the follow-up 'Faster Than Light' EP received high praise from all over the bass music scene, bursting with the now familiar big production and energy. Cementing FTL’s place in the bass music scene, these paved the way for more recent releases on heavyweight labels including OWSLA, Never Say Die, Disciple, and Monstercat, and remixes for bass-lords Zomboy, Snails and Pegboard Nerds.

Well experienced in delivering unique sets packed with energy, whether it’s 200 people in a sweaty underground club or 20,000 at an outdoor festival, you can be sure it’s going to go off when FTL is in control!

Electronica and bass music record label.
∴
Store: http://visionrecordings.nl
Radio: http://visionrecordings.nl/radio
Demos: http://visionrecordings.nl/demos

Armed with diligence, musical prowess, and a progressive vision, KOAN Sound portray the future of electronic music. With 15 years and a bulk of releases under their belt, KOAN Sound’s capacity to move the needle in electronic music is stronger than ever.

Successfully ruining silence since 1989. 
⚡️ https://www.c-r.link/IWontStop ⚡️

Download / Stream "Give Us Shelter": https://lnk.to/GiveUsShelter

Merch & Vinyl: http://shop.theglitchmob.com

Subducted is following