I was literally drooling from track immersion by this point

Some elements recording in one take using different hardware.
Trippy hypnotic evolving Techno Music.

Subterranean Caverns

Anoche _Microhm ft. Anafauna

Flatland Frequencies - Monthly Show
Luke Sanger (Tigerbeat6)
Sseagulls (Cosmic Pint Glass)
Jeran Portis (Motech)

Luke Sanger [Flatland Frequencies] [19.05.2021]

Black vinyl
Bleep: bit.ly/2S0SGsF
Phonica: bit.ly/3opugVP
Red Eye: bit.ly/3omvp0z
Norman: bit.ly/3ydoyej
Juno: bit.ly/3hqTdyN
Horizons: bit.ly/3by4pWq
Deejay: bit.ly/2RZiTIc
Decks: bit.ly/3wcqz8S
HHV: bit.ly/3hADjSF
Clone: bit.ly/3wf67UN

Colored vinyl (Limited Edition)
Bleep: bit.ly/2S0SGsF
Phonica: bit.ly/2SY8DQX
Red Eye: bit.ly/3ojM6cI
Juno: bit.ly/33Oo1kU
Deejay: bit.ly/3yhwon2
Decks: bit.ly/3uRdvp6
Clone: bit.ly/2Ro5B7V

B1 Humanoid - Pyramid 17

Taken from the upcoming 'Humanoid - 7 Songs' LP, released 30 July 2021 on De:tuned.

www.fsoldigital.com
www.facebook.com/detunedrecords

7 Songs

Pre-order

B1 Humanoid - Pyramid 17

Set recorded for Intergalactic FM Streaming Festival 2021.

Video:
https://www.youtube.com/watch?v=Kytx3zCwpgE

Keep IFM in orbit: 
https://www.paypal.com/donate/?hosted_button_id=MV4HVU2D4W3LJ

[IFM] Stelkon @ Intergalactic FM Streaming Festival 2021

Zincirli was recorded in one take in December 2020 in Cevdet’s home using a davul. 

Zincir means chain or series/successions in Turkish, while zincirli means chained or locked. It takes its cue from the small ball chain fixed at the rim of one of the skins of the double-skinned drum. The performance in this recording is solely based on the dialogue between the bass skin that’s hit by a mallet and the other skin which is continuously moving in sympathy with it. The drum is rotated into different positions in order to control or liberate the movement of the chain in response to the second drum skin. 

Since the 2017 Subtext release of Erek’s album “Davul” a series of performances occurred in contexts such as Berghain as part of CTM festival, in Hamburger Bahnhof Museum as part of Cevdet’s 2020 solo show “Bergama Stereo,” an ancient stadium amongst Messene in Greece’s Peloponnese region and underground venues in Istanbul. This recording was originally commissioned by Outernational for a concert that was supposed to take place in Berlin’s Radial System December 15th, 2020. The concert was cancelled due to the pandemic and the plan changed, becoming a streamed concert with pre-filmed and recorded performances. 

Cevdet was commissioned to do a 6-8 minute piece but kept on playing for almost a half hour. 

This performance that comprises Zincirli happened in the context of lockdown in Istanbul, while he and family were caring for his mother and mourning the loss of his father. 

Observing how amongst the succession of indistinguishable days and nights his life force reacted to the repetition of routines and gestures, Cevdet sees parallels in how the small changes in the rotation of the drum amongst a regular beat created macroscopic changes of emotional expression while performing. 

Zincirli is a study on moving in confined space while being fixed from one side to an essential and vital location. 
credits
released June 18, 2021 

performed and recorded by: cevdet erek 
mixed by: james ginzburg 
mastered by: Joker 

photo: cevdet erek

Zincirli

Lena Ortega (aka Leena Lee) is a sound artist, field recordist, researcher, designer and teacher whose line of research explores the intersections between natures/cultures. Member of the interdisciplinary research group Arte+Ciencia at the National Autonomous University of Mexico (UNAM). She has been a visiting artist and researcher in Spain, Portugal, Germany, Italy and Finland and has participated in national and international group exhibitions. She has published articles in collective books on design, philosophy and sound art publications. Currently host of the radio program Sin Superficie, la Piel no es el Límite, dedicated to the active practice of listening. She presents works, mostly by women and non-binary artists, in the fields of sound ecology, sound art and experimental music.
https://soundcloud.com/johnnybillylee
https://www.leenalee.net
https://www.artemasciencia.org
https://www.mixcloud.com/leena-lee/
https://www.mixcloud.com/radionopal/playlists/sinsuperficie/
https://www.instagram.com/johnnybillylee/
https://twitter.com/leenalee__

TRACKLIST:
00 Introduction
01 Jessica Rosen - Fire Water  // 2019 
02 Leena Lee & Vania Fortuna - Niebla // 2020 
03 Elisabetta Senesi - Still (excerpt) // 2020 
04 Kate Carr - Pebble Dash Static // 2020 
05 Valentina Villaroel - Geofonías I // 2021 
06 Chiquita Magic - Isabel // 2019 
07 Ana María Romano - Posdomingo (excerpt) // 2021
08 Morita Vargas - La Montaña // 2019
09 CNDSD - Primal Urge // 2020
10 Diana Restrepo - Río con Sordina // 2020
11 Vania Fortuna & Gladys UC - Chaak // 2021
12 Amina Cyu - Tacca Chantrieri // 2020

f:p podcast episode 94_Leena Lee

Indefinite Pitch PREMIERES. Edition 850

Kletis - The Rhythm Of Empty Houses

The Rhythm Of Empty Houses
[DOOR013 | Cellar Door]

Production | Dominik Knapp aka Kletis
Mastering | Giuseppe Tillieci at Enisslab
Artwork | Umida Karimova
Design | John Refano

Released by Cellar Door from New York, USA
Release Date: February 1, 2026
_

Kletis is a DJ and producer from the northern borders of the Czech Republic, living deep in the forests where it always seems to rain. His music translates that raw, misty melancholy into sound, focusing on depth, atmosphere, and emotional weight. Blending the edges between techno, dubstep and bass music, Kletis builds bridges across genres rather than drawing lines. He began producing in the early 2010s, inspired by the original sound of dubstep and UK techno tools.

Beyond his solo work, Kletis is part of the Shotgun Festival, curating open-air gatherings, warehouse sessions and club nights.

This EP carries a quiet weight. As the title suggests, the music moves through a space shaped by melancholy and the sadness that has surrounded us in recent years. Even though I live my own life in a safe and comfortable environment, I cannot ignore the feeling of devastation that comes with watching the world unravel in so many places.

The track Rhythm of the Empty Houses was originally written in 2022 after Russia attacked Ukraine. It was my reaction to the shock and helplessness I felt at the time. Today the track resonates in new ways. It has become an ode to the people of Palestine who are simply longing for freedom and a life without fear. Their struggle and their hope are present in every tone and every moment of the composition.

This release is my way of processing the emotions that come with living in a turbulent era. It is a reflection of sadness but also a quiet wish for peace, dignity and humanity for everyone who is forced to endure violence and displacement.
_

Kletis

https://soundcloud.com/kletis
https://www.instagram.com/kletis___dolec

Cellar Door

https://soundcloud.com/cellardoorspace
https://www.instagram.com/cellardoor_label

Indefinite Pitch. Yantai

https://www.indefinitepitch.com

The Rhythm Of Empty Houses

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Indefinite Pitch PREMIERES. Kletis - The Rhythm Of Empty Houses [Cellar Door]

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CRO014-JA026

My deepest aquatic Techno journey.
Thanks to Drexciya & Sylvia Earle.

Mariana Trench

Subdued.
Half of Squared Union.
H336.
https://subduedmusic.bandcamp.com
https://www.facebook.com/subduedescapes/
https://www.facebook.com/sqrdunn/

Subterranean Caverns

Subdued

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Facefeeder

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