Arthur, known for his work at Hard Wax & Open Ground, presenting a crispy take on Amapiano. Enjoy!

ITPS120 ARTHUR

New explorations in sounds from one of the most esteemed selectors in Europe, Lena Willikens.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/homunkuli/episodes/homunkuli-11th-september-2025

Homunkuli w/ Lena Willikens 110925

@myako
Photo: Carla Lubrano Di Sbaraglione

Nora Sigué at pe:rsona 2025

💿 Lost Dubs 010 – ex per i mental (2008)

This track has been sitting on the shelf for years because it never really fit in anywhere. It has no melody, just rhythm and space. At the time I was deeply inspired by the drum programming of Sixteenarmed Jack and Krinjah — producers I respected not just for their skills, but as colleagues and friends. This was my nod to them.

Originally, this wasn’t even going to be part of my Lost Dubs series. LD010 was supposed to be a remix of Leonard Cohen’s Hallelujah, but unlicensed vocals meant it couldn’t be released. That sent me back to the vaults, and one night after a long session out, I sat with this track again. I heard something in it that I had never noticed before — something I can’t quite explain. Talking about music is like singing about architecture, but it was there.

So here it is. ex per i mental. No melody, no polish, just an exploration of drums, patterns, and negative space.

I’m mostly sharing this here because I think people in this sub will dig it. Would love to hear what you think.

LD010 - ex per i mental (2008)

UK club luminary Peverelist returns to the NTS fold for a special one-off - celebrating the release of new compilation _Pulse Archive_ with an hour of music that inspired the Pulse series. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/livity-sound/episodes/livity-sound-3rd-october-2025

Peverelist - Pulse Inspirations  031025

Go to Church

Sonic Fiction Recordings [SFRXX004] - Mastered by Royalston

Elicitation [Forthcoming Sonic Fiction Recordings]

We're ecstatic to present a sensational recording from a deep head, Compliments.

"Here's my two (and a bit) hour set from Field Maneuvers back in August, my favourite festival in the world.

This was by far the most time I've ever spent preparing for a single set or mix—I probably went through 10-15 crates of tracks, obsessing over flow, texture and tempo. Eventually, I landed here: an expression of love for dance music at 174/140 BPM.

After learning the recorder malfunctioned on the night, I quickly re-recorded it to ensure I reflected the flow of the night as closely as possible.


The set represents exactly what I personally wanna hear on massive sound systems right now and is a love letter to the hours danced in that field with my best friends.
Thanks for listening, I'm insanely proud of it." -- @djcompliments

subglow/Live 7: Compliments @ Field Maneuvers '25

An exploration of microscopic textures across the dub continuum.

https://www.instagram.com/__k_wata
https://soundcloud.com/kwatakwata



Micro Dubs with K Wata @ The Lot Radio 10-14-2025

The first-ever live recording from an elusive icon of dubby electronic music.

Lore is an underrated quality. Neuroscientists have mapped that music elicits similar feelings in the brain to when we satiate cravings, but what about the psychological impulse that drives listeners of a certain disposition toward everything they don't know?

It's tricky to put your finger on, but artists able to conjure intrigue without overhawking the backstory can really cut through—just ask SAULT, [ar:pi:ar] or Gerald Donald. Then there are those who don't try whatsoever. These are the ones who stay in mind the most.

In 2001, a striking 12" called Ship-Scope emerged through Chain Reaction, credited to Shinichi Atobe, with no other info available. Okay, mulled fans, this is probably a cat-and-mouse game dreamed up by someone on a label with a fine line in foggy obfuscation. Vainqueur on a wind-up? Another Moritz 'n Mark alias?

But no: Atobe was real, and really had posted a demo to Hard Wax. It was that simple. Then he went back to his day job—until, after 13 years of silence, an even better follow-up emerged.

From the near-perfect Butterfly Effect onwards, Atobe has built up one of the most revered catalogues in underground circles. A steady clip of elegant, transportive dub techno and deep electronics has arrived on Demdike Stare's DDS, complimented by the launch of his own label, plastic & sounds, earlier in summer 2025.

Atobe has also made strides into the public domain, DJing intermittently, as well as performing live for the first time in 2023, gracing WWW at the tender age of 52. It's that debut 2023 show heard on RA.1009: a hypnotic yet comparatively pumping set full of Atobe staples, as well as material you won't find anywhere else.

Contact with the big man, as you might anticipate, is glacial: since we first reached out, the RA Mix has changed name, look and rolled over into its second millennium. Still, patience pays off. This is a one-off we're stoked to run. – Gabriel Szatan

@shinichiatobe

Find the interview at https://ra.co/podcast/1028

RA.1009 Shinichi Atobe

Identified Patient & Mia Koden at The Nest - Dekmantel Festival 2025

a party, label and platform by @ccl-url ◆

music that makes subs glow. 

🔊 𝔱𝔥𝔢 𝔮𝔲𝔢𝔢𝔯 𝔣𝔯𝔢𝔞𝔨𝔶 𝔰𝔬𝔲𝔫𝔡 𝔰𝔶𝔰𝔱𝔢𝔪 🔊



𝔰𝔲𝔟𝔤𝔩𝔬𝔴 personifies our desires for meaning outside a singular form, angles outside regimented pulses, breaking apart to put back together. 

Crashing through the ceiling into the sky, nestled between softness and roughness, where you start and where the world ends, flickered beyond the hegemonic download... a resistance against incessant categorization, beyond genres, finding meaning in the inbetweens. 

Bliss-textual paradigms bring us closer, unique velocities taking us deeper, tapping into our unfiltered potential in a fresh reality; objects at rest waiting for a chemical reaction, coming to life for an infinite moment.

subglow/Live 7: Compliments @ Field Maneuvers '25

subglow

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