Buying and reading the socialist ruminations in the liner notes of Propagandhi's "Less Talk, More Rock" when I was 14 made me left (and also confirmed all of my suspicions towards government, religion and many isms that should not be).

Earth Crisis were awful Hardline and barely qualified as hardcore, they sounded more like Grave or mid 90's Entombed than anything hardcore punk.

Propagandhi wrote Firestorm, My Ass in response to that song LOL, Propagandhi's politics are skyscraper levels higher than Earth Crisis ever were about.

Judge's first EP was a joke lyrical wise, it was in response to MRR accusing Youth of Today of all bands of being extremists. Judge's following LP and classic "Bringin' It Down" is lacking any sort of lyrics like this.

Good bands continue to grow on without selling out musically, and have much better lyrics as time goes on....Propagandhi again being the biggest example, NOFX, Good Riddance, Bad Religion (until 2013, I don't count their last album for multiple reasons) and many more became close to PhD level lyrically as they went on and persevered. NOFX - The Decline (that 18 minutes song) shows how growth within punk rock is possible.

nazis were always present in the Boston scene. shit was extremely violent in the 90s. even the non-nazi groups like FSU made shows terrible.

couldn't pussy riot be an op started by one group. ut co-opted by Russia. why is it only the CIA that psyops its own population and no one else? 

Dimitri and Khalid discuss Donald Bain’s 1976 book “The CIA’s Control of Candy Jones”, wherein former model/WW2 pin-up girl Candy Jones and her husband, OG conspiracy radio host Long John Nebel, discover that she was hypnoprogrammed to be a covert split-personality CIA operative in the 1960s.

For access to full-length premium episodes and the SJ Grotto of Truth Discord, subscribe to the Al-Wara’ Frequency at patreon.com/subliminaljihad.

#60 - COVER GIRLS ABROAD: The CIA’s Control of Candy Jones

Dimitri and Khalid continue answering questions from the Grotto of Truth Discord on: dirtbag VICEdelic drug evangelist Hamilton Morris and his dad Errol Morris, the 90s britpop invasion, Bill Gates becoming the top private farmland owner in the US, Alfred Kinsey’s questionable sexuality research, the evil of Monsanto and GMOs, the culty vibes of UCB and Merry Prankster cawmedy guru Del Close, FEMA camps and fascist COG protocols, reddit atheists embracing simulation theory, Wallace Fard Muhammad, defeating Joseph Campbell’s mythopoetic industrial complex, and Kate Spade’s spooky suicide.

For access to full-length premium episodes and the SJ Grotto of Truth Discord, subscribe to the Al-Wara’ Frequency at patreon.com/subliminaljihad.

#75b - GROTTO Q&A VIII, Part 2

Dimitri and Khalid speak to The Wub (@the_wub_) about the history and deep cultural influence of punk rock, including: Lester Bangs’ “The White Noise Supremacists” 1979 article about racism in the CBGB/new wave scene, the 3 children of CIA bigwig Miles Copeland Jr. dominating the 80s music scene, the “young people are a class” psyop, hardcore kids spouting Reaganite talking points on Donahue, grossout king GG Allin’s intimate friendship with John Wayne Gacy, and the pernicious influence of the nihilistic dirtbag chic “punk mentality” on the western left. 

The Wub's blog: thewublies.wordpress.com
Twitter: @The_Wub_

For access to full-length premium episodes and the SJ Grotto of Truth Discord, subscribe to the Al-Wara’ Frequency at patreon.com/subliminaljihad.

#97 - GUILTY OF BEING WHITE!!! Dissecting the Historical Susness of Punk (feat. The Wub)

Piece for solo guitare performed by Carlo Siega
studio Mastering: lorenzotarghetta@gmail.com

Score available here: https://www.babelscores.com/catalogs/instrumental/8046-de-toucher-de-lignes8046

de toucher de lignes - (2021 solo E-guitar)

taken from ET-100
http://www.archive.org/details/ET-100

ET-100 | Fermium

Yoichi Ichikawa - Well Tuned Metal (Excerpt) | ET-100

for saxophone, accordion, violin and cello

saxophones: Gerald Preinfalk
accordion: Krassimir Sterev
violin: Lea Moullet
cello: Leo Morello


The piece was composed during January and March 2021. It is inspired by the poem “The tree” (1955) written by the poet Zoe Karelli and the way the poet approaches the flux of time and the endless metamorphoses that we are all  subjected to - mentally and physically - in parallel with nature. Dedicated to every end that turns to a new beginning.

Klangforum Wien and PPCM
Larissa, Greece 
Outhear New Music Week Festival 2022

photo: Mario Giacomelli

The Branches Bend, The Memories Collide for sax, acc, vln and vc

Dimitri and Khalid answer questions from the Grotto of Truth Discord about: sus things to do and see in LA and the San Francisco Bay Area, the 2016 Gotthard Tunnel opening ceremony/mass ritual in Switzerland, John Perkins’ “Confessions of an Economic Hitman”, Secret Sun’s grand unified synchromystic conspiracy, and the chronology of the Joker as a (political) symbol.

For access to full-length premium episodes and the SJ Grotto of Truth Discord, subscribe to the Al-Wara’ Frequency at patreon.com/subliminaljihad.

#118a - GROTTO OF TRUTH Q&A XV, Part 1

A track from "Oblio", album released by ROHS! Lontano series.
https://lontanoseries.bandcamp.com/album/oblio

"Oblio" (italian for "oblivion") is a collection of 7 tracks, of which one doesn’t exist. The album is a short study on abandonment, sweetness and melancholy associated with the progressive disintegration of memory, the loss and irreversible modification of the mind: an album about the sense of the end of things, up to the fulfillment of oblivion. Symbolically therefore the last track (the titletrack) is an empty space, it's missing as if it never existed, or as if it was composed in the past who knows by whom ... but forgotten. "Oblio" is based on classical piano music loops (Ravel, Debussy, Bartok), taken, internalized, reimagined and made "other", in an attempt to forget them: an almost Zen testbed for the abandonment of the self.

The opening piece "Nostalgia" explores and expands the space between two notes in a particular passage of "Adagio Religioso" from Béla Bartók's concerto n.3 for piano and orchestra, an almost scientific attempt to vivisect that melodic cell and observe it at microscope, to try to understand "what is there", why it is precisely in that micropassage that all the melancholy of the world seems to be enclosed. Also "Remembrance of things past" has the same intent, inspired by the Proustian novel (in particular by Vinteuil's "petite phrase"), and composed using only one sample elaborated from "La Fille aux cheveux de lin" by Claude Debussy. In "La même vieille chanson" the last fragment of an old melody is repeated stuck in the mind, mixing with the resonances of many day lived. It's based on a loop from Maurice Ravel's "Le Jardin féerique". Also the track three, whose title is a quote from a poem by Montale "Forse un mattino andando in un aria di vetro" ("Maybe one morning walking into an air of glass"), where to the sound of a window creaking in a particularly windy day, an apathetic day between many, a chant joins: in search of an epiphany that illuminates and rip the veil of reality. Finally "The worlds behind you..." is a dark lullaby under a dusty blanket of noise, and is based on a loop from the "Passacaille" of Ravel's Trio in A minor op.67; while "... are fading" still uses a fragment from "Le Jardin féerique" in decay. 

Tracklist:

1) Nostalgia [6.47]
2) La même vieille chanson [4.00]
3) Ricordi quel mattino, quell'aria di vetro? [8.56]
4) Remembrance of things past [6.32]
5) The worlds behind you... [7.12]
6) ...are fading [5.04]
7) oblio [∞]

Credits:
Composed, recorded and mixed by Alessandro Barbanera (April 2020 - February 2022)
Mastered by Andrea Porcu

Ricordi Quel Mattino, Quell'Aria Di Vetro?

Eugene Holland, joined us to discuss his work on Deleuze and Guattari notion of axiomatics. We discuss the potential for a new axiomatic, and analyze how capitalist axiomatics operate.

Eugene is professor Emeritus of the Department of Comparative Studies at The Ohio State University, and whose books include Baudelaire and Schizoanalysis: The Sociopoetics of Modernism; Deleuze and Guattari’s Anti-Oedipus: Introduction to Schizoanalysis; Nomad Citizenship: Free-Market Communism and the Slow-Motion General Strike; Reader’s Guide to A Thousand Plateaus.

Eugene's first appearance: 
https://soundcloud.com/podcast-co-coopercherry/eugene-holland?si=cfc0259092fa42d7b61e9002ced48d95&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Support us on Patreon:

https://www.patreon.com/muhh

Twitter: @unconscioushh

Eugene Holland - Deleuze & Guattari: Multiplicities, Axiomatics, Politics

Dwell Time for Dublab Radio (05.09.23)

Dr. Jemima Pierre is a professor in the African American Studies and Anthropology Departments at UCLA. She is a contributing editor to Black Agenda Report and a co-coordinator of the Black Alliance for Peace Haiti and the Americas Team. This week Black Agenda Report is giving special attention to Haiti. Dr. Pierre joins us from Los Angeles to discuss US policy towards Haiti and the newest call for an invasion.

Opposing Occupation and Intervention in Haiti

A p*dcast where Dimitri (@drposhlost) and Khalid (@khalidbinyaqub) explore deep politics, occult history, conspiracy, and ontological ops from a critical-paranoid perspective.

For access to full-length premium episodes and the SJ Grotto of Truth Discord, subscribe to the Al-Wara’ Frequency at patreon.com/subliminaljihad.

#97 - GUILTY OF BEING WHITE!!! Dissecting the Historical Susness of Punk (feat. The Wub)

Subliminal Jihad

Recent comments

Rodigan

Rodigan

MindShielder

MindShielder

Related tracks