“There is this one moment in Tonino's sets when no one can stand still and the whole crowd moves as one. It's not just music, it's about the community, a whole movement.”

As a producer, the German-based Tonino has successfully releases on labels like Beatfreak, Melodic Room, Of Us and his own label Solara. 
His releases are played and supported by the biggest artists of the scene such as Kevin De Vries, Korolova, Magdalena, David Guetta, Axel Haube and Paul van Dyk.
 
They regularly achieve considerable success in the Beatport charts. 
With his own and unique sound, he moves between melodic and progressive techno and manages to break through and redefine existing subgenre patterns. 

His passion for electronic music and the scene is reflected in his sound. 
He regularly plays international and national festivals and clubs like Traumhänger Festival (München), Zuckerbrot & Peitsche Festival (Regensburg), Kuddelmuddel Festival (Frankfurt), Luftgefühle Festival (Empfingen), Singularity Festival (Stuttgart), Ministry Of Sound (London), Tanzhaus West (Frankfurt), Birgit (Berlin), Mazzo (Warsaw), Fundbureau (Hamburg) or Fridas Pier (Stuttgart). 

On stage, Tonino is a routine performer who always manages to infect people with his energy and has already built up a large and loyal community as a result.

He shares the stage and works with renowned artists such as Rafael Cerato, Extrawelt, Cosmic Boys, Teenage Mutants, Matchy and many more. With a lot of heart and emotion he brings his years of experience, as well as his own productions into his sets.

Booking: jenny@tonino.info
Promo: promo@tonino.info

I am Lord Gregory I of The Production Team “Submarinus” which means Take us Underground to Atlantis which includes PSidin’ and Phathymns. Born and raised in East Oakland California teaching us good and bad like the Tree in the Garden of Eden. Yes. I am a Christian but like a Samaritan, I try my best to be good. Every Big Producer and Big Artist from Oakland knows me. Regretfully I never met 2Pac and that’s my only regret in Thug Life. Currently the Owner of Dank Or Die Records and Dank Or Die Music ASCAP


https://open.spotify.com/artist/2AgI4yENE4zQrtCR5t3X1F?si=Np78jNbcTQa5p1Q4it40hw

https://open.spotify.com/album/7zUOjWOxlsMAsezsXsAxiH?si=oYzas7ZPQmO1zMvXvYCobQ

https://music.lnk.to/FdpZzJ

In the more than 15 years since the last Clipse album hit the shelves of record stores, the music world has been upended several times over. “You see great rappers all the time,” Pusha-T says, before contrasting he and his older brother Malice with those who are not truly of the culture. “But there's something a little off about it.” Let God Sort ‘Em Out has no such problems. Over 13 taut, kinetic beats from longtime collaborator Pharrell, Pusha and Malice exorcise demons and catalog areas of personal growth—without ever sacrificing the menace and minimalism that made them legends of the genre. It is a master class in maturing without abandoning one’s core identity, but rather deepening it, making it more three-dimensional. “The fact that it has remained viable for so long has allowed me to say, ‘Hey, this must be meant to be,’” Malice says. Let God Sort ‘Em Out is an instantly unforgettable contribution to the duo’s catalog, and to hip-hop writ large, filled with the type of razor-toothed exercises that made Clipse icons in the first place. Take the taunting “Inglorious Bastards” or “Marie Kondo,” which scoffs at “60-day stars and 20-year thousandaires.” The beats, which Pusha describes as “polarizing,” are urgent, technicolor, and hold plenty of space for the vocal to become the track’s most important instrument. The need to be authentic is paramount, but it’s also natural to these two. Perhaps Malice puts it most clearly: “Nothing else works for us.”

I like to make music.

If you listen, I appreciate.

Bookings/Inquires: curtissamplesmusic@gmail.com

🙏🏽🤍 Follow GOD 🙏🏽✨
🔌💰 WFB™️
👾 BigFucinAces 📺
🌎📆 Aces Waves ♠️🌊
♚ KING OF DA WAVES 🏴‍☠️⚓️
👇🏽⚠️🗣OUT NOW🔥🤯💥
“HOE STUFF” OUT NOW ON APPLE MUSIC 🍎🎵
NEW MUSIC OUT NOW SMACKIN HER BUTT X FIJI WATER V2 X HIT MY LINE V2 📲📲 SHOW SOME LOVE ♥️‼️👀🤯🔥💪🏽♠️

Hailing from London, UK, ANML×PRTY is a rising force in the global electronic music scene, known for his boundary-pushing fusion of tech house grooves and melodic techno atmospheres. Drawing inspiration from a diverse roster of pioneering acts such as Cassian, ARTBAT, Argy, Christophe, Anyma, MRAK, SCRIPT, Dom Dolla, and Fisher, his sound captures both emotional depth and the high energy of warehouse raves.

Having always loved electronic music since he was a child, ANML×PRTY began his musical journey in the solitude of his bedroom studio during the COVID lockdowns. Here he taught himself how to compose, mix, and master tracks from scratch, which he still does for all of his productions to this day.

ANML×PRTY's artist name derives from "Animal" and "Party", which is intended to convey two elements. First, the high intensity and energy behind his production style which is designed to help his audience tap into their more animalistic natures. Second, the freedom of expression which electronic music represents, void of the egos and pressures of everyday life and reinforcing a firmly PLUR ethos.

With his signature blend of driving rhythms, huge synth sounds, and raw analog elements, ANML×PRTY is fast becoming one of the most exciting new names to watch in the underground scene. As he continues to hone his craft and unleash a stream of powerful releases, the project is set to leave an indelible mark on the electronic music landscape.

🌴: Linktr.ee/ANMLxPRTY
📸: Instagram.com/ANMLxPRTY
📧: ANMLxPRTY@gmail.com

All tracks are original work, 100% written, mixed and mastered by ANML×PRTY. Remix vocals credit to original artist.

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