Imagine…suddenly you're at the forest with the perfect people and the best sound system

druid psy🌀organic mental II

vol5

My live coded edit of one of the best songs ever made <33

Every Time We Touch - DJ_Dave Code Edit

A true force of nature and Bristol legend, we’ve fondly witnessed him display the kind of range we love here at Timedance, covering everything from bouncy House to mind-warping peak time Techno via kaleidoscopic declinations of the  future facing Bristol bass sound. 

This long overdue debut on the label displays three jaw dropping numbers. Harvested for maximum stroboscopic efficiency, this EP is packed with Hodge’s anthemic signature hooks, bass weight for days and a truly singular approach to a forward rave sound. 

Summoning sirens from space, laser guided Grime-Tech and intoxicating explorations into peak time tempos, « Voice Crash » stands as the perfect interpolation of a producer we have revered for years and Timedance’s very own mission statement.

TIMEDANCE029

About time ! As you can imagine, we’ve been fans of Hodge since… forever ?

A true force of nature and Bristol legend, we’ve fondly witnessed him display the kind of range we love here at Timedance, covering everything from bouncy House to mind-warping peak time Techno via kaleidoscopic declinations of the  future facing Bristol bass sound. 

This long overdue debut on the label displays three jaw dropping numbers. Harvested for maximum stroboscopic efficiency, this EP is packed with Hodge’s anthemic signature hooks, bass weight for days and a truly singular approach to a forward rave sound. 

Summoning sirens from space, laser guided Grime-Tech and intoxicating explorations into peak time tempos, « Voice Crash » stands as the perfect interpolation of a producer we have revered for years and Timedance’s very own mission statement.

Voice Crash

TIMEDANCE032 - re:ni - BeautySick

Having been part of the family for quite some time now, Lauren Bush aka re:ni joins the Timedance roster with an incredibly potent quartet of Techno infused bass-bin weaponry.

« BeautySick » sees re:ni plunging into a world of intoxicating serpentine grooves. Spectral vocal slabs chime like echoes of a distant hallucinatory trance, while industrial drumworks find a mesmerizing counterpoint in eerie dubwise atmospheres.

These four compositions not only showcase re:ni's evolution but also explore themes of confidence and feminine power, as well as the transient moments where darkness converges with light. They stand as a testament to the sonic prowess of one or favorite dancefloor sorceress.

Picture Hakime Sorayama’s ‘Sexy Robot’ in front of an unreasonably large stack of speakers at a dimly lit sound-system dance; this is the soundtrack.

Blame is the Name of the Game

A gem-diol is a type of organic compound in chemistry that contains two hydroxyl (–OH) groups attached to the same carbon atom. The term "geminal" refers to the fact that these hydroxyl groups are located on the same carbon, making the compound unique. Gem-diols can be formed through the hydration of aldehydes or ketones and are often unstable, readily converting back to their original carbonyl forms. They play significant roles in various chemical reactions and are intriguing due to their ability to influence the properties of molecules, making them important in organic synthesis.
In this EP by Abo Abo and Spekki Webu, the two DJs and sound artists draw inspiration from the properties of gem-diols, creating unstable and parallel dimensions. Each soundscape invites exploration, offering a dynamic experience that shifts and evolves over time.

This collaboration captures the essence of fast-paced techno, blending organic influences with expansive, textured soundscapes that evoke the vibrant rave culture of the ’90s. Each track features pulsating rhythms and immersive sonic environments, with nods to tekno and psytrance, making it perfectly suited for the dancefloor. The EP invites listeners to lose themselves in the interplay of frequencies and textures, creating an immersive and contemporary dance experience.

Written and produced by Chris Scholz and Daniele Carcassi 
Mastered by Giovanni Onorato 
Artwork by organic.forms 
Designed by Enrico Caldini

Distributed by One Eye Witness 
Pressed by Kuroneko

Gem-Diol

Infinite Path Of Life

Spekki Webu - Infinite Path Of Life

Those who’ve kept their ears tuned to the innovative underground have likely stumbled upon the tribalistic, psychedelic, and focused sounds of Auckland-based producer Eli Høff. Melekan is no exception. Melding traditional psychedelic textures with the deep, introspective palette of the contemporary mental tekno movement, the album constructs a fully immersive world. Synthesised insects chatter, unseen creatures wail, and natural percussive echoes ripple across locked-in low-end grooves, hallmarks of Høff’s hypnotic approach.

Inspired by the bush and doof scenes of Aotearoa and Australia, Melekan feels both ancient and immediate. Its sound suggests a forest alive with ritual: bass hits like the footsteps of larger entities, birdlike chirps flitting through branches, and strange conversations drifting in the wind.

More than a collection of tracks, Melekan is a sonic painting: an ecosystem of rhythm and resonance that dances, breathes, and beckons the listener deeper.

Releases on 28 May 2025

Written and Produced by Eli Høff
Artwork by Marco Maldarella
Mastering by Valerio Rossi, Phonica School

1. Eli Høff - Kzan

Petals of Nehan unfolds as a sonic journey where powerful and unpredictable movements of sound intertwine with cultural influences and personal sensibilities. Each track shifts in form at times intense, at others restrained yet quietly imbued with an inner strength evoking petals drifting with intention. Through these evolving textures, the EP explores the power of music to bridge the inner and outer worlds.

In the collaborative track “Forsaken Voices” with xato, a flowing current of sound emerges from the merging of sensibilities, leading to a deeper musical exploration.

The EP also features remixes by Sweden-based duo Quit Life, France-based artist Ytem, and Austria-based Kenji Araki. Their contributions bring distinct perspectives shaped by their diverse cultural backgrounds, expanding the sonic landscape of the release.

W.ANNA.W is a Japan based artist, vocalist, and producer who weaves ambient, experimental, and organic sounds into intimate yet expansive sonic landscapes. Her music transcends genre boundaries, evolving freely with quiet, expressive depth. Through her work, she invites listeners into a reflective, introspective dialogue a space to pause, listen, and feel.

W.ANNA.W
@0i8ndx78ay8s
www.instagram.com/anpp233/

xato
@iamxato
www.instagram.com/iamxato

Over My Body
@overmybodytw
www.instagram.com/overmybody.tw/

Petals of Nehan

Forsaken Voices

Premiere: W.ANNA.W & xato - Forsaken Voices | Over My Body

@tomo_sound

Artist: TOMO
Mastering: Kamen (@kamen-music)
Artwork: Drenek
Catalog Number: [DC001]

TOMO - Graviton

@wony_music

Artist: WONY
Mastering: Kamen (@kamen-music)
Artwork: Drenek
Catalog Number: [DC001]

WONY - Eshayayo

Back Of My Mind

Back Of My Mind (jamesjamesjames Remix)

The wormhole goes deep, doesn’t it? Gaze in a little too long, stand by a little too close, and you might just fall in. Better, instead, to listen.

Carrier, straye's debut release, is a trance-inducing trip through high-octane techno and half-time bass music. It sounds like the future, but it’s built for right now—where lines between are dissolving steadily, where hybridization is the crucial marker of potency. It opens with a heady half-time trek through deepest space, moves into fractalized downtempo territory, and then picks up the pace with uptempo arpeggiated bassline burners. DJ KMS's remix closes the record with deep house flair.

Written and Produced by @sstraye / Remix Produced by @kms1999
Artwork: instagram.com/rorylawsondigital/
Mastering: instagram.com/priorself/
Words: Chris Zaldua instagram.com/c__z__/

Carrier

Submorph