YES LOCK

Collage, played at Expo Feuille Morte 25/09
[SURVIVAL HORROR CLUB]
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Alon Mor - Dawn Fall
Bell's Worth - Engrain In Your Brain
EXIMIA - First Contact
prox.bleep - Thought
world's end girlfriend - Crystal Chrysalis (Kazuki Koga Remix) 
Blood of Aza - PACIFY DEMO
qebrus - ⊶⊑∷⌊∴⊹∵⌉∷⊒⊷
sv1 - gaia
BLUE NOISE - Cris et Chuchotements
Xat0li - Maris Stella (jian Remix)
Codly, sleepless, Viznode & zy (ft. AKA & Da Wi-Fi) - forsaken l'riyhqa
Aphotic Apathy - Outbreak
Bell's Worth - Yule Log Youth Squad
Blood of Aza - <3 (extract)
BLUE NOISE - Requiem dun Immortel
FITNESSS, JAS LIN - II
FITNESSS, JAS LIN - PURGE
Dizzlay - TITAN (Emergence of the absolute power)
Cyberpunk 2077 Phantom Liberty - Official Cinematic Trailer
SINERAW - OPERANT PARADIGM TRIGGER
prox.bleep - Pandemic
BLUE NOISE - Requiem dun Immortel
prox.bleep - Patchwork
lxsh - Luna
DJWWWW, Nicole Brennan, OROKIN - American Dream
Amon Tobin - Hole in the Ground
zy - corruption zone 1
RIHANNA - Bitch Better Have My Money (Blood Of Aza Remix)
Holy Similaun - Domenù Frageltha
VVN - Anxiety
papa meelo, Heaven Sight - DATAMOSHH
Akira Yamaoka - Wounded Warsong
ChromaSounds - I remade the sound design of doctor strange!
BLUE NOISE - Parade Nuptiale
DJWWWW, Nicole Brennan, OROKIN - Whale Song
BLUE NOISE - Parade Nuptiale
BLUE NOISE - Test_04
Tettix Hexer - Aero Host
Blood of Aza - RUN THE WORLD RMX
Bell's Worth - Into The Æther
BLUE NOISE, JHL - Poème électronique
Aphotic Apathy - Outbreak
Holy Similaun - Sufor Maelte, Iri Hàzuri, Hor Gieli

Feuille Morte

₂₀₂₃₁₂₃₁_₁₄₅

just for today (death speaks)

Uოᑲ𝗋౿ᥣᥣɑ 𝖧ɑ𝗍 - ౿ (𝖯𝗋𝗈ᑯ. 𝖵౿𝗋ɣ 𝖧υოɑ𐓣)

CERVICALL

@lukabeatovic is a producer based in Novi Sad, Serbia. To reduce the scope of his work to ambient alone might disregard the multifarity of his approach, encompassing field recordings, sound collage, soundtracking and shifts into noise and minimalist electronica. The style is always capacious and referential - pulling from Celtic folk-music, city pop, natural sounds, e.g., - without ever decentring the source, allowing space to form around the reappropriated material such that it is always the core of that moment in the music and not subordinate to the arc of the music-maker. This is an identity built over a series of short-form and full-length projects self-released between 2020-2025 and is ever-present in his Realist mix, luxuriating in the absence of apparent splendor, the simple sufficience of the sound of the sound of things.

Luka’s mix contains previously unreleased material, plus a pair of original reworks. Adding some background to these pieces, Luka mentioned the centrality of “field recordings I got over the month I was recording the mix as well as previously recorded ones. A stone I found that’s hollow and “chalk-like” being dragged over a concrete surface is the basis for the Caislean Õir rework. A pillow being rustled is the basis for the Hawthorn one. For Yewende, the bird sounds are actually my friends hooting on a hilltop near my city and the man speaking before them is a Serbian Farm YouTube guy. Pania Tower Marshes was made for a DnD session and the cranes were recorded at a marsh nearby.” There is always the same sense of ease - not easiness, but of a music where the point is not that to which the sound contributes but the orbital importance innate to every individual sound. Few producers would abdicate their authorship in an alike way. And this here is the signature of authorship.

Tracklist: 

Clannad - Caislean Õir (Luka rework)
Kathryn Tickell and Corrina Hewat - Hawthorn (Luka rework)
Tidiane Thiam - Yewende
Luka Beatović - Pania Tower Marshes
Luka Beatović - Aristotle University
Luka Beatović - Forgive
Akiko Yano - Denwasen

art & type by @sdr1ft

Realist Alive Radio 013: Luka Beatović

https://xvience.bandcamp.com/album/rhizomatic

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