https://linktr.ee/Omagoqa

Omagoqa - a trio creating new wave gqom with the artistic intention to always let the masses feel the indigenous authenticity of sound. Their music showcases a version of gqom coined as ‘uThayela’, which translates literally as “corrugated iron” and is used to describe “a rougher sound with a harder bassline that it is made for clubs”. It's a proud testament to a love of South African creativity and music. The group is made up of Andile Mazibuko (stage name Ma_A), Franco Makhathini (stage name KB) and Njabulo Sibiya (stage name Chase). 

The trio has been together for over 7 years and are a collaborative team that have worked alongside the likes of DJ Lag, Que DJ , Zvri, Jimbo Soundz, Cultivated Soulz, Scelo Gowane, Madanon & Newlandz. Omagoqa plays a raw sound, it can be aggressive and dark, but there isn’t a moment when the crowd isn’t giving it all back. They pull elements from EDM , Electronic & Dance/House to bring their unique music to life.

Omagoqa is cementing their name in the music industry, they’ve performed at events like Ballantines Boiler Room and their sound and energy already has a solid reputation in the South African music and nightlife scenes. It's difficult not to have a good time at their performances, if you didn’t come to dance, the night isn’t going to go to plan. The collective's ambition is international and they’re planning on pushing that agenda aggressively with the soon to be released EP - Feel The Bass.

[FREE DOWNLOAD] Strago & Snooks - SUBPAC Theme (Omagoqa Remix) *EXCLUSIVE*

The long awaited tape by Pretoria's misfit Jack Lone 6K! The young misfit has brought a unique sound of his city is not too familiar with his objective for this tape was too prove that he can still be the shit by being the odd one 1. SO ENJOY THE RAGE,HAPPINESS AND SADNESS OF THE YOUNG RAGER

BLURRED MEMORIES

THE ROAD

03- THE ROAD

Trap Sensation EP

Fake Friends (Extended Version)

Since releasing his debut single PULA in late 2020, OKAY GOD has been channeling the choir-boy in him to create more music. GAHDAMMIT, his second single coming from his upcoming debut EP, GAE, paints a vocalized-harmony-filled picture featuring his friend and favourite lyricist Thami Mozolo.

“After receiving so much positive reaction on the release of PULA, It gave me the courage to release another one of my songs, or experiments as I like to call them,” says OKAY GOD. “I enjoy layering harmonies, I have fun with it, while trying to not be too predictable. I’m inspired by the legendary Bobby McFerrin and Samthing Soweto.”

OKAY GOD - GAHDAMMIT (feat. Thami Mozolo)

Allegedly

No Stopping Me

".. Reintroduce 'em to honesty, show' em that they need more. The difference between the pretenders and the Kendrick Lamars..." - J. Cole ; Let Nas down. 

Let Rap Down.mp3

A Long Walk To A Mil

Trippin

DJ Stolen w/ Timma T 08TH DEC 2021

ACIDOSIA

Pre-Order: bit.ly/gqomohpre

"Like being suspended over the gravitational field of a black hole, and lovin' it" - Kode 9

“Massive, dramatic tracks!! Most of these are giving me goosebumps! A really strong presentation of the Durban sound” - Spoek Mathambo

"A great snapshot of what's happening with the Gqom sound. Dark and rolling, with a real feeling of menace and intent behind each track" - Mumdance

“Gqom Oh! is the kind of bolt from the blue that doesn’t come along every day. ” FACT Mag

“Utterly mesmeric” Boiler Room

“A perfect opportunity to investigate exactly what’s going down in one of the hottest genres around” THUMP

“Keep it playing and you might confuse its march for your own heartbeat” Pitchfork

“Genuinely without precedent” DJ Mag

“Crackling with volatile energy” The Wire

"Something fresh that gets very addictive, very quickly" Mixmag 8/10



‘The Sound of Durban Vol.1’ represents the first full length compilation collecting the sound of the suburbs and townships of Durban, South Africa known as “gqom”. The album unites many of the local young producers of this fresh genre over 15 tracks on double LP and digital (with four bonus tracks) released via the Gqom Oh! label on 29th January 2016.

The result of Rome-based DJ and musician Nan Kolè teaming up with South Africa-based Lerato Phiri, the Gqom Oh! label was set up to highlight the music and artists of Durban, the often overlooked cradle of the new South African sound. Speaking to The FADER in October this year, Kolè says of Phiri “Thanks to her work the artists I was interested in had greater trust in a stranger who contacted them from Italy to promote a kind of music that even South African promoters don't want to promote or to enter the club.”

Derived from an onomatopoeic Zulu word signifying a drum, “gqom” - in the local slang - “iz da sound u get wen u drop a rock on tiles”. This extraordinary, apocalyptic bass music encompasses many influences. Each polyrhythmic track draws on the darker side of electronic music, hip hop, soundsystem culture, kwaito, UK funky and deep tribal African vibrations. As Kolè puts it: “You can feel the troubled history of South Africa. It’s riot music." Tied to a specific dance called bhenga, gqom happens in a DIY-oriented universe, grafting organic and homemade samples on sourced software to create this wholly unique sound. The label’s greater aim is to invest in much needed technology to help build a local creative infrastructure.

‘The Sound of Durban Vol.1’ features a host of local talent including Julz Da DeeJay, Cruel Boyz, Citizen Boy and Formation Boyz. This compilation was preceded by a 12” EP release in summer 2015 described by Hyponik as “thunderous prime time music” and Complex said “it surely won't be long until clubs across the UK are shaken by this new South African sound”. Resident Advisor’s review mentioned “these three tracks muster up a hulking sound out of very few elements, and they do it without coming off macho or alienating—an achievement on its own”.

South Africa is a unique case in the African continent, a place of the soul that has no equal: so strongly western and so deeply African at the same time. With its mix of ethnic tradition and urban tension it has been a cradle of cultural phenomena. In its own way it is a country of great wealth, particularly rich of contradictions, yet 20 years after the end of apartheid little appears to have changed for the millions of black people that live in its notorious townships. It is from this background that innovations are continually being injected into the living body of the local music culture. The heartbeat of Durban is gqom. 

TLC Fam - June Bani Bani (dbn dance)

#SUBPAC - The Physical Dimension - Bass.  

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