August 17, 2016

indie6000

"If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro' narrow chinks of his cavern."
— William Blake

"Well, I stand up next to a mountain / I chop it down with the edge of my hand"
— Jimi Hendrix

"Feed your head. Feed your head."
— The Dormouse

Rock Music of a Psychedelic Nature

Kitty Likes R&R

From Greg Ashley's Death of a Ladies' Man LP coming out soon on Guitars and Bongos Records.

http://guitarsandbongos.com/product/greg-ashley-death-of-a-ladies-man-lp

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Greg Ashley - "Iodine"

Greg Ashley's Death of a Ladies' Man LP out now on Guitars and Bongos Records!
http://guitarsandbongos.com/product/greg-ashley-death-of-a-ladies-man-lp

http://guitarsandbongos.com
facebook.com/guitarsandbongos
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Greg Ashley - "Don't Go Home With Your Hard-On"

Radioactive City

Listen to Coucheron: 
Download on iTunes: smarturl.it/Coucheron
Stream on Spotify: smarturl.it/CoucheronSpotify

Connect with Coucheron: 
Site: http://coucheronmusic.com
Like: fb.com/coucheronmusic
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Watch: youtube.com/coucheron

Ellie (Loyal x Don't) [Coucheron Remix] - Eastside

Taken from the album 'TST' out 10th July 2015. Pre-order the LP here: http://bit.ly/1c3ErsS 

The Smoking Trees 'Home In The Morning'

Featured on the "Criminal" Motion Picture Soundtrack out now! Click the "Buy" link to check the entire package! 

Follow my man Madsonik on soundcloud:

www.soundcloud.com/madsonik

Madsonik - Drift and Fall (feat. Lola Marsh) [Kill The Noise Remix]

"Brain Ninja" off of The Stepkids' debut self-titled album, released on Stones Throw Records on September 27th, 2011. 

Brain Ninja

On my mind 
all by yourself 
there’s no one else 
can touch tone 
Telephone 
I’m telling you 
when we get thru 
the busy signals 

all my friends say 
that we’re better off this way 
and i should get over you 
rebel without a clue 

left it so long 
that i get the numbers wrong 
there’s nothing to it 
goodbye’s all we got left 

is what they say true? 
quitting’s easy to do 
broken up lines 
we do it all the time 

bad blood from above had it out for us 
turn that static down 
fuck what they say about us anyway 
cuz it’s over now


_________________________________

Lindsay Johns: Vocals, Keys 
Nick Bennett: Guitar 
Will Reiss: Drums 
La'akea Presley: Background vocals

BUSY SIGNALS

from the 10/7/16 Goat album Requiem https://megamart.subpop.com/releases/goat/requiem

GOAT - Alarms

We recommend this title for people interested in the likes of Brazilian Money, HOMESHAKE and Walter TV. 

'Psychic EP' was released digitally in the UK on Hail Hail Records - 29/07/2016 under the serial number - Hail Hail Records HHR-PSY-001. 

Contact Max (Psychic Shakes) directly, over at - psychicshakes.bandcamp.com 

Psychic Shakes is the solo project of 20 year-old Max McLellan, from Southampton. Psychic Shakes specialises in tinny vocals, downtempo beats, smooth noodling and washy, shimmering 7th chords, creating the perfect “post-coital cigarette at three in the morning” soundtrack.

Psychic EP

Psychic Shakes - Kings

Slop

PREMIERE! THE PRIMITIVES "BEEN HIDING"  FROM V/A 'THE WILD ANGELS' COMPILATION. AVAILABLE OCTOBER 8TH, 2016. INTERNATIONAL CASSETTE STORE DAY. 

Pre-Orders: https://girlsville.bandcamp.com/album/v-a-the-wild-angels

"Been Hiding" originally by The Aislers Set. It was recorded Summer 2016 by The Primitives and Paul Sampson.  

THE PRIMITIVES - BEEN HIDING (THE AISLERS SET COVER)

Still The Same

That Awful Sound

Busta Rhymes - I'll Hurt You (feat. Eminem)

YELLOWBIRDS
Songs From The Vanished Frontier

Available May 28, 2013 from The Royal Potato Family

http://yellowbirdsmusic.com/

'Songs from the Vanished Frontier,' the second album from New York’s Yellowbirds, includes love songs and breakup songs, happy numbers and sad numbers, tunes about not believing in the truth and, alternately, tunes about delivering it. There’s bracing rock ’n’ roll and bubbling folk, drifting jangle and swiveling R&B. But the thread that unites these nine instantly affecting songs is their search to find the signal amid the noise—that is, to understand the world and its whirlwind and to deliver just a little bit of clarity every three or four minutes. “What have I believed in?” Sam Cohen sings toward the end of the title track, his voice a near-murmur that peeks out from beneath the ashes of a smoldering empire. “How will I deceive me now?”

That quest for answers and assurance suits Cohen’s backstory: After the 2009 end of his longtime vehicle for wild, radiant anthems and experiments, Apollo Sunshine, Cohen thought his musical career might be over. But a clutch of songs he wrote in his bedroom soon found currency with a few New York musicians, and they started developing and playing them under the name Yellowbirds. The band’s 2011 debut, 'The Color,' received favorable reviews, with Pitchfork Media noting that the record espoused “an endearing raggedness … as though Cohen invited you into his living room.”

'Vanished Frontier' hinges on the same intimacy, but you’d never mistake it for a living room project. Indeed, for the first time, Cohen and his now full-time band (drummer Brian Kantor, singer/bassist Annie Nero, her husband and multi-instrumentalist Josh Kaufman) had their own studio in which to build the new songs and sounds.

“I knew the sonic possibilities were broader than ever before, so I made a point to write the entire album on an acoustic guitar before delving into recording,” says Cohen. “I wanted to believe in the songs in their rawest form.”
	
Again, he wanted to keep the signal clear from the noise, and that’s precisely what Vanished Frontier achieves. It’s not a fussy album, overpopulated by a load of special guests and strange accessories. And Cohen’s brilliant guitar playing is never flashy so much as it is functional, sending simple lines through a web of carefully chosen effects to help illustrate the stories he sings. On “Vanished Frontier,” for instance, the arid guitar seems to be shaking its world-weary head every time Cohen uncovers another lie; during the lovelorn equivocation of “Mean Maybe,” the six-string solo warps the blues into a pattern that’s as fractured as Cohen’s feelings. 

That’s not to say, of course, that these songs are spare or stripped in any way. This is still Sam Cohen, of course, draping and dressing these tunes with spectral harmonies and backmasked voices, decorative percussion and interwoven textures. It’s just that these songs now stand on their own and then glow in the presence of the band and the studio. In the end, then, the noise supports the signal.

Yellowbirds | "Young Men Of Promise"

Anna Hillburg - Your Room

Anna Hillburg - Everyone's Eyes

We're not the best, but we're pretty good.

GOAT - Alarms

Sub Pop