Feel (Piano Version)

The Pleasant Trees (Volume 2)

Middle Of My Mind

Is This Home On Ice

Pre-order 'Passerby':
Sub Pop: https://megamart.subpop.com/releases/luluc/passerby
iTunes: https://itunes.apple.com/us/album/passerby/id859666524

https://www.subpop.com/artists/luluc
https://twitter.com/Luluc_Music
https://www.facebook.com/pages/Luluc/59991830035
http://instagram.com/lulucmusic#

https://www.subpop.com/artists/luluc
https://www.facebook.com/subpoprecords
https://twitter.com/subpop


Passerby

Without a Face

Luluc "Without A Face"

'Home' by Studio Montaigne is the debut release on CSCN, the digital singles label by Cascine.

Studio Montaigne Facebook: on.fb.me/1dRGaeU
Cascine & CSCN Facebook: on.fb.me/1gSPTBK

Studio Montaigne - Home

A new double A side 7" from Julia Holter set for release on August 19 (North America) / July 28th 2014 (Rest of the world).

'Hello Stranger' also appears on Julia Holter's Loud City Song out now.

A Don't Make Me Over (Written by Burt Bacharach / Hal David; originally performed by Dionne Warwick) LISTEN: http://bit.ly/dontmakemeoversc
AA Hello Stranger (Barbara Lewis) LISTEN: http://bit.ly/hellostrangersc

Pre-order and receive an instant mp3 download of both tracks
7": http://smarturl.it/dontmakemeover7in
iTunes: http://smarturl.it/dontmakemeover7mp3

http://juliashammasholter.com/
https://www.facebook.com/pages/Julia-Holter/153196178042232
https://twitter.com/JULIA_HOLTER

Julia Holter - Hello Stranger

Keep Me on Your Mind/See You Free

Tumblin Down (feat. Eric D. Johnson, Josh Kaufman & Anaïs Mitchell)

"Over And Even" by Joan Shelley

LUCKI x FLAWED MANGOES - NEW BEGINNINGS



Astronauts
End Codes album
Lo Recordings
6th May 2016

Dan Carney is a songwriter based in east London who releases music under the name Astronauts. He also enjoys spending time with his daughter and his partner, going for long walks, reading, writing, looking out of the nearest window, and making overly ambitious travel plans.

After the single ‘Skydive’ went viral in June 2014, the debut Astronauts album ‘Hollow Ponds’ was met with critical acclaim. This led to live performances far and wide, with Dan visiting Italy, Belgium, Luxembourg, Germany, France, and Switzerland in 2015 alone, as well as – equally thrillingly - having a song used on the BBC’s darts coverage in his native country.

Radio support also came from all over, with Radio 2 (Huey Morgan) and 6 Music (Lauren Laverne, Cerys Matthews, Radcliffe & Maconie, Steve Lamacq, Tom Ravenscroft, Gideon Coe) in the UK, to US stations such as KCRU in Los Angeles, all queuing up to broadcast Dan’s efforts to the public.

In between all of this, Dan has found the time to write and record his second full-length, ‘End Codes’. It channels the melancholic intensity and rich arrangements first encountered on ‘Hollow Ponds’ into eleven beautiful new songs, while also managing to sound more coherent and focused than its predecessor.

Lyrically, it’s Dan’s trademark intriguing blend of resignation and defiance, all delivered with a world-weary estuary twang which combines the colloquial fragility of Robert Wyatt with the eerie double-tracked smoothness of Elliott Smith. Cuts such as opener ‘Recondition’, ‘Split Screen’, and ‘Breakout’ are propelled along by a familiar sprawling, motorik intensity, simultaneously fraught and uplifting, and just repetitive enough to lodge themselves firmly in your consciousness without becoming labored or tedious.

Elsewhere, however, there’s variation and versatility in abundance. The woozy, pastoral otherness of ‘When It’s Gone’ – inspired by the cautionary paean to faded youth which adorns the grave of the Black Prince at Canterbury Cathedral - cements Dan’s status as the nearest thing Essex has got to Jonathan Wilson, while ‘Dead Snare’ mines an ominous trench of paranoia and dreamlike malevolence, dark acoustic guitar lines intertwining with creaking cello and a nagging lyric which sets out a bleak, recriminatory inner monologue.

There’s also the steady, cyclical lead single ‘Civil Engineer’, possibly the finest folk-pop song yet written about the vagaries of a career in civic planning, and the triumphant Laurel Canyon-via-Romford CSNY-style harmonies of ‘You Can Turn It Off’. Closer ‘Skeleton’, with its defiant drone-gospel coda, triumphant and boisterous over a yawning chasm of electronic sadness, channels the likes of Fugazi, Tortoise, and The War On Drugs, proving that Dan’s horizons extend significantly further than many of his supposed “indie folk” contemporaries.

Dan hopes that ‘End Codes’ will appeal to his existing small-but-probably-dedicated fan-base, while also attracting new listeners, as it’s the best thing he’s ever done. We like ‘End Codes’ very much, and we hope you do too. Dan is, as ever, available for interviews, lovingly curated playlists, and questionable sports science product endorsements.

ARTIST LINKS
www.lorecordings.com/artist/astronauts/
www.facebook.com/pages/Astronauts…71?ref=bookmarks
twitter.com/AstronautHeart

LABEL LINKS
www.lorecordings.com
www.facebook.com/pages/Lo-Recordi…/448401545307474
twitter.com/lorecordings

CONTACT
Press – John Power – john@thebestinshow.net
Radio – Sean Newsham - sean@mutante-inc.demon.co.uk
Label/licensing - Gavin O’Shea - gavin@hub100.com
