We Got Gods To Blame

Feel (Piano Version)

Pre-order 'Passerby':
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iTunes: https://itunes.apple.com/us/album/passerby/id859666524

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Passerby

Without a Face

Luluc "Without A Face"

Kalalau Instrumental

from the "oceans" ep in sleeping at last's "atlas" project.

iTunes

Arctic

Score I wrote to a film for Facebook's recent F8 conference. 

https://www.youtube.com/watch?v=ai_bvaurF7g

All rights reserved. Unseen Music 2014

http://www.unseen-music.com

Keith Kenniff - Create

"Over And Even" by Joan Shelley

From forthcoming new AVALANCHE EP.
Available on Home Music Co. August 21st(CAN/US) / October 2nd(EU).

http://www.kallemattson.com

A Long Time Ago

Letra: Baseada na leitura de Eclesiastes 3:1-8,11.
Música Original: Heman on.soundcloud.com/xzQJJ

Arranjos: Osterne Filho

Ouça também:
soundcloud.com/julie_montes/a-time-for-everything-cb-ja-m

UM TEMPO PARA TUDO
Ec 3:1-8,11

Pra tudo tem o seu tempo 
E sob o céu, todo plano tem seu tempo, tem seu tempo
Nascer e morrer, plantar e arrancar
O que plantou-se, pra tudo tem seu tempo certo,
Tempo certo;

Tudo belo, em Seu tempo, Ele fez!
Também em seus corações Ele pôs
A eternidade, sem que estes possam descobrir
O que Deus fez desde o princípio ‘té o fim.

Há tempo para matar e curar;
Pra destruir e pra construir;
Há tempo para chorar e sorrir
Para o luto e pra dançar;
Há tempo para lançar as pedras 
E há tempo para juntar as pedras;
E até um tempo pra abraçar e afastar-se.


Há tempo para buscar e perder;
Há tempo para rasgar e coser;
Há tempo pra se desfazer, guardar 
Falar e se calar;
Para amar e pra aborrecer;
Num tempo há guerra e em outro há paz.
Pra tudo, um tempo tem!


🌹🎻🎶🌺🌱🌷🌸☘️🌹🎻🎶🌺 


No estâ todavía en Español….
solo es una Traducción Provicional … 


1-Para todo hay un tiempo, y un tiempo para todo lo que se hace bajo el cielo.
Tiempo de nacer y tiempo de morir;
tiempo de plantar y tiempo de arrancar lo plantado;
(lo plantado).

Él hizo todo hermoso a su tiempo; también puso eternidad en sus corazones,
pero para que el hombre no descubra lo que Dios ha hecho desde el principio hasta el fin.

2-Tiempo de matar y tiempo de sanar;
tiempo de derribar y tiempo de edificar;
tiempo de llorar y tiempo de reír;
tiempo de lamentarse y tiempo de bailar;
tiempo de esparcir piedras y tiempo de juntar piedras;
tiempo de abrazar y tiempo de abstenerse de abrazar;

3-tiempo de buscar y tiempo de perder. Tiempo de guardar, y tiempo de desechar;
tiempo de romper, y tiempo de coser;
tiempo de callar, y tiempo de hablar;
tiempo de amar, y tiempo de odiar;
tiempo de guerra, y tiempo de paz.
(Un tiempo para todo)

Eclesiastés 3:1-8,11


🌹🎻🌺🎶🌱🌷🌸☘️🌹🎻🌺🎶 


For everything there is a season,
And a time for every purpose 
under heaven 
(under heaven)
A time to be born, and a time to die;
A time to plant, and a time to pluck up 
what is planted; 
(what is planted)

	He has made everything 
	beautiful
	in its own time; also He 
	has put
	eternity in their heart,
	yet so that man does not
	find out what God
	has done from the 
	beginning
	to the end. 

A time to kill, and a time to heal; 
A time to tear down, and a time to build up;
A time to weep, and a time to laugh; 
A time to mourn, and a time to dance; 
A time to cast away stones,
and a time to gather stones together; 
A time to embrace, and a time to refrain
from embracing; 

A time to seek, and a time to lose;
A time to keep, and a time to throw away;
A time to tear, and a time to sew;
A time to be silent, and a time to speak;
A time to love, and a time to hate; 
A time for war, and a time for peace.
(A time for everything)

Ecc. 3:1-8,11


🌹🎻🎶🌺🌱🌷🌸☘️🌹🎻🎶🌺

Um_tempo_para_tudo_-_🌹 A Time for everything-🌺 -OF_RB.



Astronauts
End Codes album
Lo Recordings
6th May 2016

Dan Carney is a songwriter based in east London who releases music under the name Astronauts. He also enjoys spending time with his daughter and his partner, going for long walks, reading, writing, looking out of the nearest window, and making overly ambitious travel plans.

After the single ‘Skydive’ went viral in June 2014, the debut Astronauts album ‘Hollow Ponds’ was met with critical acclaim. This led to live performances far and wide, with Dan visiting Italy, Belgium, Luxembourg, Germany, France, and Switzerland in 2015 alone, as well as – equally thrillingly - having a song used on the BBC’s darts coverage in his native country.

Radio support also came from all over, with Radio 2 (Huey Morgan) and 6 Music (Lauren Laverne, Cerys Matthews, Radcliffe & Maconie, Steve Lamacq, Tom Ravenscroft, Gideon Coe) in the UK, to US stations such as KCRU in Los Angeles, all queuing up to broadcast Dan’s efforts to the public.

In between all of this, Dan has found the time to write and record his second full-length, ‘End Codes’. It channels the melancholic intensity and rich arrangements first encountered on ‘Hollow Ponds’ into eleven beautiful new songs, while also managing to sound more coherent and focused than its predecessor.

Lyrically, it’s Dan’s trademark intriguing blend of resignation and defiance, all delivered with a world-weary estuary twang which combines the colloquial fragility of Robert Wyatt with the eerie double-tracked smoothness of Elliott Smith. Cuts such as opener ‘Recondition’, ‘Split Screen’, and ‘Breakout’ are propelled along by a familiar sprawling, motorik intensity, simultaneously fraught and uplifting, and just repetitive enough to lodge themselves firmly in your consciousness without becoming labored or tedious.

Elsewhere, however, there’s variation and versatility in abundance. The woozy, pastoral otherness of ‘When It’s Gone’ – inspired by the cautionary paean to faded youth which adorns the grave of the Black Prince at Canterbury Cathedral - cements Dan’s status as the nearest thing Essex has got to Jonathan Wilson, while ‘Dead Snare’ mines an ominous trench of paranoia and dreamlike malevolence, dark acoustic guitar lines intertwining with creaking cello and a nagging lyric which sets out a bleak, recriminatory inner monologue.

There’s also the steady, cyclical lead single ‘Civil Engineer’, possibly the finest folk-pop song yet written about the vagaries of a career in civic planning, and the triumphant Laurel Canyon-via-Romford CSNY-style harmonies of ‘You Can Turn It Off’. Closer ‘Skeleton’, with its defiant drone-gospel coda, triumphant and boisterous over a yawning chasm of electronic sadness, channels the likes of Fugazi, Tortoise, and The War On Drugs, proving that Dan’s horizons extend significantly further than many of his supposed “indie folk” contemporaries.

Dan hopes that ‘End Codes’ will appeal to his existing small-but-probably-dedicated fan-base, while also attracting new listeners, as it’s the best thing he’s ever done. We like ‘End Codes’ very much, and we hope you do too. Dan is, as ever, available for interviews, lovingly curated playlists, and questionable sports science product endorsements.

ARTIST LINKS
www.lorecordings.com/artist/astronauts/
www.facebook.com/pages/Astronauts…71?ref=bookmarks
twitter.com/AstronautHeart

LABEL LINKS
www.lorecordings.com
www.facebook.com/pages/Lo-Recordi…/448401545307474
twitter.com/lorecordings

CONTACT
Press – John Power – john@thebestinshow.net
Radio – Sean Newsham - sean@mutante-inc.demon.co.uk
Label/licensing - Gavin O’Shea - gavin@hub100.com


End Codes

Buy on Bandcamp

Recondition

From the album 'White Peak', released July 15, 2016
Available on iTunes: https://goo.gl/FQO5hn

Support The Natterjacks:
Website: http://www.thenatterjacksofficial.co.uk
Soundcloud: https://soundcloud.com/thenatterjacks 
Instagram: https://www.instagram.com/thenatterjacks

Luluc "Without A Face"

Sub Pop

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