Night Beats - H-Bomb

Good Lookin' Out by KURT VILE & THE VIOLATORS
From The Hunchback EP on Richie Records // TestosterTunes
RR//TT#21
2009 & 2012

distributed by Revolver



Good Lookin Out by KURT VILE & THE VIOLATORS

Tombstone Salesman

Green Glass Room is the debut LP from Seattle trio VATS. Out this July on End of Time Records.

VATS - Green Glass Room

Cease Fire

Kismet

Keep Me Awake

'LiE' (Release date: July 19, 2018) 

Order Now - Sub Pop Mega Mart*  https://megamart.subpop.com/releases/mudhoney/lie

*

All customers who pre-order the LP version of 'LiE' from the Sub Pop Mega Mart will receive the album on Loser Edition colored vinyl, while supplies last.

Mudhoney http://mudhoneyonline.com/ 
Facebook https://www.facebook.com/pages/Mudhon...
Twitter https://twitter.com/mudhoney
Mudhoney on Tour  http://www.subpop.com/tours/mudhoney

Sub Pop Records  http://www.subpop.com
Twitter  https://twitter.com/subpop
Facebook  https://www.facebook.com/subpoprecords
SoundCloud  http://soundcloud.com/subpop
MegaMart https://megamart.subpop.com/
Podcast http://subpop.fm/

Subscribe To Sub Pop's YouTube Channel 
http://www.youtube.com/user/subpoprecords

Mudhoney - Judgement, Rage, Retribution, and Thyme (Live In Europe)

Kurt Vile, "Smoke Ring For My Halo (Live at Converse Rubber Tracks)"

The Callas worked with Lee Ranaldo on the soundtrack of their new feature film “The Great Eastern” and on their new full-length album, “Trouble and Desire” which is due for release on October, 26th 2018 on Inner Ear and Dirty Water Records.  The new album is diverse and exploratory, with songs that range in style from brutal post-punk skronk to deconstructed rebetiko. smarturl.it/thecallas

The Callas With Lee Ranaldo  - Acid Books

Dry Mouth

For more info about the SLR30 Singles Series:
https://slumberlandrecords.com/slr30singles

Formed by friends in 2014 during a summer spent obsessing about the Sarah Records catalog, Michigan band Failed Flowers quickly developed into a shadowy, high speed pop vehicle. Drawing at first from the wistful sighs of Sarah, the group grew more of an edge as they progressed, evoking elements of C86 granularity and shoegaze blur. The original lineup of bassist Erin Davis, drummer Miles Haney, and dual guitarist/singers Fred Thomas and Autumn Wetli played around the midwest for about a year, releasing an eight song demo before Wetli left the band. Close friend and collaborator Anna Burch stepped in during the spring of 2015, amplifying both the harmonies and the disquiet. This new lineup recorded a nine-song mini album of sharper material that saw release on the 25 Diamonds label before Thomas left Michigan for Montreal and Burch began a solo career with her own pristine indiepop tunes. The band remained sporadically active, playing the occasional gig, doing a short run of shows with Protomartyr in 2017 and getting together to write and record in the increasingly rare moments when all parties were available. The two songs on this 7" are the fruits of Failed Flowers' most recent sessions and represent some of their most evolved work.

"Faces" is the first song Anna brought to the band, a wash of guitars and vocal harmonies that are somehow both quick and ambling. More melodic than most of the band's recorded output, it walks in the same remarkably catchy territory as Anna's always glowing solo work, though swimming through more waves of distortion.

"Broken Screen" was described as "The Strokes in a bar fight" seconds after the lead vocals were put to tape, and the song zips along nervously with just that energy. One half jumpy, self-conscious punk and one half Flying Nun grey skies pop.

Faces

Failed Flowers - Faces

We're not the best, but we're pretty good.