https://www.instagram.com/stickyg_
https://stickygreen.bandcamp.com/music
https://www.bbc.co.uk/programmes/m002j3qq 


Yes guys easy now was played on bbc radio check it out here http://www.bbc.co.uk/programmes/m002lmpf




Follow the mixcloud for mixes —- 
https://www.mixcloud.com/Stickyggg/a-sticky-selection-vol1-liquid/
In the trance FULL ALBUM OUT  SPOTIFY , YOUTUBE , APPLE MUSIC ETC 
custom beats available 
1:45 --- https://www.bbc.co.uk/sounds/play/p0kth69g
https://hypeddit.com/stickygreen
https://open.spotify.com/artist/6kY4J8f5oBgRHG6WTQs1jh
https://www.youtube.com/watch?v=cAw46VP51NU
https://stickygreen.bandcamp.com/
https://www.instagram.com/stickyg_

To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

At SUB:SISU we FEEL it! Bangers & Mash, Clinical Vibes & Unreal Feels ONLY ✌️

A new free record label, blog and brand dedicated to bringing you the best in underground Tech House, House & Disco.

Reposts: TechNoPrisonersUK@outlook.com

Demos: TechNoPrisonersUK@outlook.com

Tech House, House & Disco, it's what we do. x

It's all about the groove. x

Established 2020. x

Vinyl enthusiast and Phat Controller of @warehouse-manifesto

www.instagram.com/gamadonofficial

www.facebook.com/Gamadonandonandon

https://www.juno.co.uk/junodaily/2024/09/09/juno-daily-in-the-mix-gamadons-warehouse-manifesto-extravaganza/

RLSD Dark Streams (Techno):
https://www.youtube.com/watch?v=X-58bpqFwqA&ab_channel=RLSDRecords

https://youtu.be/4IY9Awn28ys

•	GAMADON (aka GAvin MAc DONagh) started buying records and DJing in 1996.
•	Established the Warehouse Manifesto (WM) record label and guest mix series.
•	WMR001 was released in February 2022 and is distributed on Bandcamp and Juno records.
•	Had the privilege of warming up for The Prodigy, on their European tour in cities such as Berlin, Hanover, Prague and Luxembourg in 2015-2016.
•	First gigs were in my hometown of Mullingar in 1997 with Martian Arts, supporting the likes of 808 State and Sunil Sharpe in The Stables.
•	By 1998, I had secured myself gigs playing techno at the legendary Genius night @ Kitchen and also The POD alongside Warren Kiernan & Joe McGrath. I also played at Derek F’s acid techno parties @ Tivoli Theatre and 13thFloor/McGraths’ supporting Dave the Drummer, Chris Liberator and Lawrie Immersion.
•	Moving to Vancouver, Canada in 1999, I signed up with the Pound Recordings crew under the name ‘Dex of Hazzard’ and was resident at their weekly parties in The Palladium playing breakbeat and electro. I was also invited to play club Sonar and various raves around the city. I also played club Rebar in the city of Edmonton.
•	In 2001, I moved back to Mullingar and started a weekly hard-techno night called ‘The Beat Bunker’ in Daly’s in Mullingar, giving local DJs a chance to play in an intimate venue.
•	In 2003, the next destination was Bermuda. For the three years living and working in this scenic, secluded island, I co-ran the Calisthenics house music parties with DJ Andy Schnerg of Toronto. The Hip Therapy parties were a great success, being Bermuda’s only House and Techno night.
•	I started the Disco Nouveau parties in Mullingar in 2008. This monthly event was held in The Stables live music venue – hosting DJs like Sunil Sharpe, Fran Hartnett, Al Keegan, Niall Power, Barry Redsetta and even DJ Mes, label owner of Legendary US West-Coast house label Guesthouse!). This night ran for 4 memorable years.
•       Long-standing resident with Project Basement, based in Galway.

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