Bookings? - contact@exertagency.com
Award Winning Producer/DJ from Manchester 


After being mentioned in 2019s UKF recognised as one of the leading names in the new wave of Jump Up producers that have helped force the sound into the mainstream Duttas career started to shape up to be something special! With track support from the most influential people in the drum and bass scene dutta is cementing his name as an essential booking for events worldwide!

Personal : duttadubs@gmail.com
Instagram : dutta_uk
Facebook: /dom.uttley

Peter started out as a kid obsessed with beats and scratching in the 90s. He honed his turntablist skills, and set about learning his craft in the underground clubs of Bristol and Cardiff, battling other DJs at various spots around both cities. He supported a long list of his personal heroes including Roots Manuva, Blak Twang, Mark B and Blade, as well as hip hop royalty; The Beatnuts, Grandmaster Flash, and Public Enemy.

Inspired by the music of DJ Shadow, RJD2 and local legends Massive Attack and Portishead, he soon turned his hand to production. His debut album To Eternity, released under the alias Parker, was described by DJ Magazine as having thrown “stylistic doors wide open with deliciously pleasing results.”

Ever restless, and with a roving eye when it came to music, Peter moved on and experimented with bass music and remixing. Many of his dubstep remixes went viral in the mid 2000s and in particular his remix of Björk’s Venus as a Boy ended up being chosen by Massive Attack for their Blue Lines anniversary Radio 1 Mix.

As a DJ he gained a reputation as a versatile cross-genre selector, thanks in part to his mixtapes gaining heavy rotation on Ninja Tune’s Solid Steel radio. Peter was voted Bristol’s best DJ in 2010, and ended up performing on stages at Glastonbury, Shambhala (Canada), Big Chill, and Bestival, as well as various clubs around the world.

Determined to evolve as an artist, Peter created Neuropol; a coming together of orchestral sounds and richly textured atmospherics with rhythms that fused elements of hip hop, drum and bass, and footwork. He signed music to Drum & Bass label Shogun Audio, and Om Unit’s Cosmic Bridge imprint. Neuropol was labelled as “standing firm as a bastion of future-thinking UK music” by Radio 1’s Friction.

His restlessness reared its head once more, and Peter soon realised his passions lay with the emotive sounds that fell between the beats. And so, he turned his focus towards creating orchestral compositions that were inspired by his own emotions, life experience, and the natural world.

The thread that has tied this all together is the word ‘Widescreen’. It has been used to describe much of his work regardless of the genre, or the alias it was written under. To Peter it means “emotive, filmic, visual music.”

I am a Denver based DJ and I spin mostly lazers, glitch, hip hop and dubstep. I am also a producer, check out any of my songs to get a taste, though they are mostly hip hop fused with monster basslines.

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Subminimal or Tjorvi Oskarsson, has his roots in jungle and early drum and bass music and those influences cut through his music. His sound has been described as deep grooves with an ambient atmospheres he is in the forefront of icelandic Drum and bass.
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