Subtext Vinyl & Digital:
http://subtextrecordings.bandcamp.com/

Videos
https://www.youtube.com/user/SubtextRecordings

More info
http://subtextrecordings.net/


@subtext-recordings

Vinyl, CD, digital

Subtext Recordings

Vinyl & digital

Joshua Sabin "Sutarti" (SUB030)

Hmm..

Released by:
Full of Nothing

Release date: 
January 5, 2016 

Soneyko

oqbqbo "Untitled" CS 

The Russian born, Copenhagen via Tokyo resident Oqbqbo’s first solo release for Posh Isolation comes in the form of an untitled mini album released digitally and as a limited cassette, following a few self released recordings and soundcloud singles, besides her recent contribution to KYO’s remix album of “All The Same Dream”. 
Her Posh Isolation debut consists of six songs of synthetic textures and mangled, wordless voices and paints a beautiful dark portrait of the present. 
Modern melodic heartbreak. Kawaii! 

Posh Isolation 222
100 Copies

oqbqbo - Rei

Taken from th album 'Ecstatic Computation' releasedas LP and Download

Ecstatic Computation

Caterina Barbieri 'Fantas' (EMEGO 259)

Joshua Sabin "Sutarti" LP (SUB030)
Pre-order: https://joshuasabin.bandcamp.com/album/sutarti

Release date: July 5th, 2019
@joshuasabin

Sutarti

Joshua Sabin - Sutarti: VI

See full article: https://www.aqnb.com/2019/07/02/gils-dustgreen-offers-a-verdant-reprieve-from-the-berlin-based-producers-usually-brutal-power-noise-but-with-foreboding/

Infolding

GIL, 'Dustgreen' (2019). Courtesy Danse Noire, Switzerland.

READ THE ARTICLE: https://www.paynomindtous.it/sutarti-joshua-sabin-subtext/
@subtext-recordings
@joshuasabin

Edinburgh-based composer and sound designer Joshua Sabin is an experimental artist which has been working since the mid-2010 with extensive sample and field recordings manipulation. He released his debut record, called Terminus Drift, for the now Berlin-based label Subtext Recordings in February 2017. 

Sutarti is the latest Joshua Sabin's work which will be officially made available tomorrow, July the 5th in vinyl and digital formats. While his debut album explored humans' relationship with the environment, space, and ubiquitous digital technologies, Sutarti draws influence from the psychoacoustic features and the compositional structures existing within early Lithuanian folk music. In this record, Sabin taps into the exterminated field recordings archive of the Lithuanian Academy of Music and Theatre Ethnomusicology massively editing, distorting, pitching, filtering, and manipulating them to better exploit the emotional impact of the human voice on the listener's conscious (and unconscious) self.

We are very happy to present you the third episode in the overall 40-minutes-long Sutarti record, split into six separate movements. Sutarti: III takes on with more than 6 minutes of archival voices radical recontextualizations, which, at the same time, manifest from Joshua Sabin's very personal, interesting and inspiring artistic research, and also try to directly reflect and recontextualize the universal, ancestral potency of the Voice as humans' primary means to express themselves.

Sutarti 

Joshua Sabin - 'Sutarti: III' [PAYNOMINDTOUS premiere / Subtext Recordings]

xin "MELTS INTO LOVE" (SUB031)

Download: http://bit.ly/xin-melts-into-love

xin returns to Subtext to share their debut LP, MELTS INTO LOVE.

Mining fragments of neurofunk, hardcore and dubstep, xin searches for something else. They borrow from dance and rave lexicons to warp, mangle and strangle tropes into something anew. Embracing failures, blemishes, inexperience and misuse, xin imagines new affinities, anxieties and ecstasies in an age of noise, spectacle and inundation. Alien, shapeshifting reeses dance and twirl in “Myopia,” while AI choirs and pseudo-breaks are distilled into “Spent, Wasted and Saved” (featuring AYA, fka LOFT). The fiendish, ecstatic imagery that accompanies is created in conjunction with painter Gabrielle Bejani and machine learning engineers Ash D'Cruz, and Chris Tegho.

Like xin’s 2018 EP, MELTS INTO LOVE will be released solely via independent platforms Bandcamp, Boomkat and Resonate. The record also borrows from fellow Subtext signee Fis and his Saplings project and is released as a “biodigital” LP—meaning the music is released digitally, but with a living consequence woven in. All proceeds from sales will be donated to Eden Reforestation Projects, with each purchase of the LP funding the planting of at least 40 trees.

xin has recently performed live at Berlin’s Volksbühne, in support of Holly Herndon’s PROTO launch, and Kraftwerk, for MaerzMusik’s The Long Now, among others. They are soundtracking Zach Blas’ upcoming installation The Doors, and are a summer 2019 research resident at Trust, Berlin’s space for utopian conspiracy and the (re)design of infrastructure.

with thanks and love to:
Aya, Billy, Izzy, James, Laurel, Oscar, Sam

Artwork:
Ash D'Cruz, Chris Tegho, Gabrielle Bejani and xin

@xxxiiinnn
http://subtextrecordings.net/

MELTS INTO LOVE 

Download

xin - Ffantom Contendt

xin "MELTS INTO LOVE" (SUB031)

Download: http://bit.ly/xin-melts-into-love

xin returns to Subtext to share their debut LP, MELTS INTO LOVE.

Mining fragments of neurofunk, hardcore and dubstep, xin searches for something else. They borrow from dance and rave lexicons to warp, mangle and strangle tropes into something anew. Embracing failures, blemishes, inexperience and misuse, xin imagines new affinities, anxieties and ecstasies in an age of noise, spectacle and inundation. Alien, shapeshifting reeses dance and twirl in “Myopia,” while AI choirs and pseudo-breaks are distilled into “Spent, Wasted and Saved” (featuring AYA, fka LOFT). The fiendish, ecstatic imagery that accompanies is created in conjunction with painter Gabrielle Bejani and machine learning engineers Ash D'Cruz, and Chris Tegho.

Like xin’s 2018 EP, MELTS INTO LOVE will be released solely via independent platforms Bandcamp, Boomkat and Resonate. The record also borrows from fellow Subtext signee Fis and his Saplings project and is released as a “biodigital” LP—meaning the music is released digitally, but with a living consequence woven in. All proceeds from sales will be donated to Eden Reforestation Projects, with each purchase of the LP funding the planting of at least 40 trees.

xin has recently performed live at Berlin’s Volksbühne, in support of Holly Herndon’s PROTO launch, and Kraftwerk, for MaerzMusik’s The Long Now, among others. They are soundtracking Zach Blas’ upcoming installation The Doors, and are a summer 2019 research resident at Trust, Berlin’s space for utopian conspiracy and the (re)design of infrastructure.

with thanks and love to:
Aya, Billy, Izzy, James, Laurel, Oscar, Sam

Artwork:
Ash D'Cruz, Chris Tegho, Gabrielle Bejani and xin

@xxxiiinnn
subtextrecordings.net/

MELTS INTO LOVE

xin - Spent, Wasted and Saved (ft. AYA)

Ecker & Meulyzer “Carbon” (SUB033)

Digital: https://eckermeulyzer.bandcamp.com/album/carbon

Koenraad Ecker and Frederik Meulyzer make their Subtext debut with Carbon. 

Based on field recordings made at Norway’s Svalbard Global Seed Vault, a secure seed bank located on the island of Spitsbergen, Carbon grapples with the many contradictions that lie at the heart of our shift into the capitalocene. The project began in 2017, when Ecker and Meulyzer scored the performance “Frozen Songs,” a commission by Zero Visibility Dance Company led by Ina Christel Johannesen.

The Svalbard Global Seed Vault was conceived of as an effort to preserve copies of seeds from key crop varieties, ensuring their persistence in the event of large-scale crises. Yet the area is warming faster than anywhere else on earth, causing the permafrost to melt and putting the seed vault at risk. 

Across from the Seed Vault lie the decrepit remnants of Svalbard’s mining activities of the early 20th century; Carbon wrestles with the incongruities nestled in the town’s landscape. Reflecting on dissonances of stasis and change, closeness and distance, enclosure and expanse, as well as cynicism and hope, Ecker and Meulyzer consider the urgency of our situation while trying to sidestep all-too popular depictions of dystopia. In Ecker’s own words, “we don’t have the luxury to afford that kind of pessimism.” 

From close, supple sounds to cold, brutal sonics, Carbon meditates on the many challenging questions and contradictions raised by the Seed Vault and its surroundings—a landscape that embodies and makes visible the many intertwined phenomena that shape our current predicament.

Ecker and Meulyzer, formerly known as Stray Dogs, have released works such as Wasteland, recorded in deconsecrated church in Antwerp, and Kalkar, recorded in the cooling tower of a former power station in Germany. 

Koenraad Ecker works in the fields of electro-acoustic music, field recording, radio plays, stage performance and text. Together with Andrea Taeggi, he is part of the Opal Tapes-affiliated duo Lumisokea. His output encompasses studio albums, audiovisual installations, texts, performances, and sound design for film. 

Frederik Meulyzer is a percussionist active in projects including Belgian jazz band Hamster Axis of the One-Click Panther, contemporary music and theatre company Post uit Hessdalen, and experimental psych-krautrock band Slumberland.

The ecological impact of the production of this record will be compensated through a carbon offsetting program .

Bandcamp

Ecker & Meulyzer - Metabolic Rift

Ecker & Meulyzer “Carbon” (SUB033)

Digital & CD: https://eckermeulyzer.bandcamp.com/album/carbon

Koenraad Ecker and Frederik Meulyzer make their Subtext debut with Carbon. 

Based on field recordings made at Norway’s Svalbard Global Seed Vault, a secure seed bank located on the island of Spitsbergen, Carbon grapples with the many contradictions that lie at the heart of our shift into the capitalocene. The project began in 2017, when Ecker and Meulyzer scored the performance “Frozen Songs,” a commission by Zero Visibility Dance Company led by Ina Christel Johannesen.

The Svalbard Global Seed Vault was conceived of as an effort to preserve copies of seeds from key crop varieties, ensuring their persistence in the event of large-scale crises. Yet the area is warming faster than anywhere else on earth, causing the permafrost to melt and putting the seed vault at risk. 

Across from the Seed Vault lie the decrepit remnants of Svalbard’s mining activities of the early 20th century; Carbon wrestles with the incongruities nestled in the town’s landscape. Reflecting on dissonances of stasis and change, closeness and distance, enclosure and expanse, as well as cynicism and hope, Ecker and Meulyzer consider the urgency of our situation while trying to sidestep all-too popular depictions of dystopia. In Ecker’s own words, “we don’t have the luxury to afford that kind of pessimism.” 

From close, supple sounds to cold, brutal sonics, Carbon meditates on the many challenging questions and contradictions raised by the Seed Vault and its surroundings—a landscape that embodies and makes visible the many intertwined phenomena that shape our current predicament.

Ecker and Meulyzer, formerly known as Stray Dogs, have released works such as Wasteland, recorded in deconsecrated church in Antwerp, and Kalkar, recorded in the cooling tower of a former power station in Germany. 

Koenraad Ecker works in the fields of electro-acoustic music, field recording, radio plays, stage performance and text. Together with Andrea Taeggi, he is part of the Opal Tapes-affiliated duo Lumisokea. His output encompasses studio albums, audiovisual installations, texts, performances, and sound design for film. 

Frederik Meulyzer is a percussionist active in projects including Belgian jazz band Hamster Axis of the One-Click Panther, contemporary music and theatre company Post uit Hessdalen, and experimental psych-krautrock band Slumberland.

The ecological impact of the production of this record will be compensated through a carbon offsetting program .

Ecker & Meulyzer - Growth

Aho Ssan - Simulacrum LP (SUB034)

Release date: February 7
Digital album: http://bit.ly/AhoSsan-Simulacrum

http://subtextrecordings.net/

Simulacrum

Digital Album

Aho Ssan - Simulacrum II

Subtext Recordings is a Bristol founded / Berlin based label curated by james ginzburg.