829143151/

Subtext Vinyl & Digital:
http://subtextrecordings.bandcamp.com/

Videos
https://www.youtube.com/user/SubtextRecordings

More info
http://subtextrecordings.net/


@subtext-recordings

Vinyl, CD, digital

Subtext Recordings

Koenraad Ecker & Frederik Meulyzer “Carbon” LP (SUB033)

electronic voyage

Ambience India, From Ext Platform in between Wagons, Train Start, Acceleration, whells Squicks, Train Horns and Tracks Impacts (2007)
MS-Shure VP88 

Recorded by Mélanie Gauthier
Masterised by Claude Langlois
© soundchick sfx
ID# MG010 25 

Train to nowhere

Donations at the Wat Pho Temple of Reclining Buddha
Bangkok / Thailand / 2000
Recorded by Mélanie Gauthier
© soundchick sfx

Fortune Buddha

Snow Geese up north for Christmas - Fall 2016
Recorded by Mélanie Gauthier
© SOUNDCHICK SFX

Snow Geese up north for Christmas

Terry Riley - démo

Ice Storm -  Freezing rain falling from trees on Gauthier Street in Montreal on the evening of January 23, 2018.
ID# SC T06 Icestorm (temp)
Recorded by Mélanie Gauthier - Montreal, Quebec, Canada (2018)
© SOUNDCHICK SFX

Freezing rain falling from trees

xin "MELTS INTO LOVE" (SUB031)

Download: http://bit.ly/xin-melts-into-love

xin returns to Subtext to share their debut LP, MELTS INTO LOVE.

Mining fragments of neurofunk, hardcore and dubstep, xin searches for something else. They borrow from dance and rave lexicons to warp, mangle and strangle tropes into something anew. Embracing failures, blemishes, inexperience and misuse, xin imagines new affinities, anxieties and ecstasies in an age of noise, spectacle and inundation. Alien, shapeshifting reeses dance and twirl in “Myopia,” while AI choirs and pseudo-breaks are distilled into “Spent, Wasted and Saved” (featuring AYA, fka LOFT). The fiendish, ecstatic imagery that accompanies is created in conjunction with painter Gabrielle Bejani and machine learning engineers Ash D'Cruz, and Chris Tegho.

Like xin’s 2018 EP, MELTS INTO LOVE will be released solely via independent platforms Bandcamp, Boomkat and Resonate. The record also borrows from fellow Subtext signee Fis and his Saplings project and is released as a “biodigital” LP—meaning the music is released digitally, but with a living consequence woven in. All proceeds from sales will be donated to Eden Reforestation Projects, with each purchase of the LP funding the planting of at least 40 trees.

xin has recently performed live at Berlin’s Volksbühne, in support of Holly Herndon’s PROTO launch, and Kraftwerk, for MaerzMusik’s The Long Now, among others. They are soundtracking Zach Blas’ upcoming installation The Doors, and are a summer 2019 research resident at Trust, Berlin’s space for utopian conspiracy and the (re)design of infrastructure.

with thanks and love to:
Aya, Billy, Izzy, James, Laurel, Oscar, Sam

Artwork:
Ash D'Cruz, Chris Tegho, Gabrielle Bejani and xin

@xxxiiinnn
http://subtextrecordings.net/

MELTS INTO LOVE 

Download

xin - Ffantom Contendt

xin "MELTS INTO LOVE" (SUB031)

Download: http://bit.ly/xin-melts-into-love

xin returns to Subtext to share their debut LP, MELTS INTO LOVE.

Mining fragments of neurofunk, hardcore and dubstep, xin searches for something else. They borrow from dance and rave lexicons to warp, mangle and strangle tropes into something anew. Embracing failures, blemishes, inexperience and misuse, xin imagines new affinities, anxieties and ecstasies in an age of noise, spectacle and inundation. Alien, shapeshifting reeses dance and twirl in “Myopia,” while AI choirs and pseudo-breaks are distilled into “Spent, Wasted and Saved” (featuring AYA, fka LOFT). The fiendish, ecstatic imagery that accompanies is created in conjunction with painter Gabrielle Bejani and machine learning engineers Ash D'Cruz, and Chris Tegho.

Like xin’s 2018 EP, MELTS INTO LOVE will be released solely via independent platforms Bandcamp, Boomkat and Resonate. The record also borrows from fellow Subtext signee Fis and his Saplings project and is released as a “biodigital” LP—meaning the music is released digitally, but with a living consequence woven in. All proceeds from sales will be donated to Eden Reforestation Projects, with each purchase of the LP funding the planting of at least 40 trees.

xin has recently performed live at Berlin’s Volksbühne, in support of Holly Herndon’s PROTO launch, and Kraftwerk, for MaerzMusik’s The Long Now, among others. They are soundtracking Zach Blas’ upcoming installation The Doors, and are a summer 2019 research resident at Trust, Berlin’s space for utopian conspiracy and the (re)design of infrastructure.

with thanks and love to:
Aya, Billy, Izzy, James, Laurel, Oscar, Sam

Artwork:
Ash D'Cruz, Chris Tegho, Gabrielle Bejani and xin

@xxxiiinnn
subtextrecordings.net/

MELTS INTO LOVE

xin - Spent, Wasted and Saved (ft. AYA)

Ecker & Meulyzer “Carbon” (SUB033)

Digital: https://eckermeulyzer.bandcamp.com/album/carbon

Koenraad Ecker and Frederik Meulyzer make their Subtext debut with Carbon. 

Based on field recordings made at Norway’s Svalbard Global Seed Vault, a secure seed bank located on the island of Spitsbergen, Carbon grapples with the many contradictions that lie at the heart of our shift into the capitalocene. The project began in 2017, when Ecker and Meulyzer scored the performance “Frozen Songs,” a commission by Zero Visibility Dance Company led by Ina Christel Johannesen.

The Svalbard Global Seed Vault was conceived of as an effort to preserve copies of seeds from key crop varieties, ensuring their persistence in the event of large-scale crises. Yet the area is warming faster than anywhere else on earth, causing the permafrost to melt and putting the seed vault at risk. 

Across from the Seed Vault lie the decrepit remnants of Svalbard’s mining activities of the early 20th century; Carbon wrestles with the incongruities nestled in the town’s landscape. Reflecting on dissonances of stasis and change, closeness and distance, enclosure and expanse, as well as cynicism and hope, Ecker and Meulyzer consider the urgency of our situation while trying to sidestep all-too popular depictions of dystopia. In Ecker’s own words, “we don’t have the luxury to afford that kind of pessimism.” 

From close, supple sounds to cold, brutal sonics, Carbon meditates on the many challenging questions and contradictions raised by the Seed Vault and its surroundings—a landscape that embodies and makes visible the many intertwined phenomena that shape our current predicament.

Ecker and Meulyzer, formerly known as Stray Dogs, have released works such as Wasteland, recorded in deconsecrated church in Antwerp, and Kalkar, recorded in the cooling tower of a former power station in Germany. 

Koenraad Ecker works in the fields of electro-acoustic music, field recording, radio plays, stage performance and text. Together with Andrea Taeggi, he is part of the Opal Tapes-affiliated duo Lumisokea. His output encompasses studio albums, audiovisual installations, texts, performances, and sound design for film. 

Frederik Meulyzer is a percussionist active in projects including Belgian jazz band Hamster Axis of the One-Click Panther, contemporary music and theatre company Post uit Hessdalen, and experimental psych-krautrock band Slumberland.

The ecological impact of the production of this record will be compensated through a carbon offsetting program .

Bandcamp

Ecker & Meulyzer - Metabolic Rift

Ecker & Meulyzer “Carbon” (SUB033)

Digital & CD: https://eckermeulyzer.bandcamp.com/album/carbon

Koenraad Ecker and Frederik Meulyzer make their Subtext debut with Carbon. 

Based on field recordings made at Norway’s Svalbard Global Seed Vault, a secure seed bank located on the island of Spitsbergen, Carbon grapples with the many contradictions that lie at the heart of our shift into the capitalocene. The project began in 2017, when Ecker and Meulyzer scored the performance “Frozen Songs,” a commission by Zero Visibility Dance Company led by Ina Christel Johannesen.

The Svalbard Global Seed Vault was conceived of as an effort to preserve copies of seeds from key crop varieties, ensuring their persistence in the event of large-scale crises. Yet the area is warming faster than anywhere else on earth, causing the permafrost to melt and putting the seed vault at risk. 

Across from the Seed Vault lie the decrepit remnants of Svalbard’s mining activities of the early 20th century; Carbon wrestles with the incongruities nestled in the town’s landscape. Reflecting on dissonances of stasis and change, closeness and distance, enclosure and expanse, as well as cynicism and hope, Ecker and Meulyzer consider the urgency of our situation while trying to sidestep all-too popular depictions of dystopia. In Ecker’s own words, “we don’t have the luxury to afford that kind of pessimism.” 

From close, supple sounds to cold, brutal sonics, Carbon meditates on the many challenging questions and contradictions raised by the Seed Vault and its surroundings—a landscape that embodies and makes visible the many intertwined phenomena that shape our current predicament.

Ecker and Meulyzer, formerly known as Stray Dogs, have released works such as Wasteland, recorded in deconsecrated church in Antwerp, and Kalkar, recorded in the cooling tower of a former power station in Germany. 

Koenraad Ecker works in the fields of electro-acoustic music, field recording, radio plays, stage performance and text. Together with Andrea Taeggi, he is part of the Opal Tapes-affiliated duo Lumisokea. His output encompasses studio albums, audiovisual installations, texts, performances, and sound design for film. 

Frederik Meulyzer is a percussionist active in projects including Belgian jazz band Hamster Axis of the One-Click Panther, contemporary music and theatre company Post uit Hessdalen, and experimental psych-krautrock band Slumberland.

The ecological impact of the production of this record will be compensated through a carbon offsetting program .

Ecker & Meulyzer - Growth

Modérément animé.
Ecrit par Claude Debussy pour piano. 9ème prélude du livre I
Orchestré et enregistré par mes soins.
L’inspiration espagnole de cette pièce étant évidente, j’ai préféré ignorer, pour cette orchestration, la guitare et les cordes pincées. M’inspirant de Béla Bartók, j’ai choisi un ensemble de cordes jouant presque exclusivement spiccato, un cor et une trompette ainsi que quelques percussions : grosse caisse, cymbale cloutée et caisse claire.

La sérénade interrompue (Claude Debussy - Orch. Francis Gorgé)

'Vollemaankater' by Neugeborene Nachtmusik
Berlin 2019

Vollemaankater

Aho Ssan - Simulacrum LP (SUB034)

Release date: February 7
Digital album: http://bit.ly/AhoSsan-Simulacrum

http://subtextrecordings.net/

Simulacrum

Digital Album

Aho Ssan - Simulacrum II

from KR077 : die ANGEL - Utopien I . LP / DL out on april 24th 2020

Ilpo Väisänen : electronics & effects
Dirk Dresselhaus : electric guitar & effects
Oren Ambarchi : electric guitar & effects

die ANGEL -  Cargo Cult (feat. Oren Ambarchi)

Subtext Recordings is a Bristol founded / Berlin based label curated by james ginzburg.