Darktrens

Lightness in Awe

Electro mix

👤ROly porter🔙

красивое

Dilate Remixed

Elliptic (Barker & Baumecker Remix)

Ripped from the Tale of Us Groove Podcast. 
https://soundcloud.com/groove-magazin/groove-podcast-30-tale-of-us

Nils Frahm - Peter (The Drifter Edit)

[Edited version]

Remix for https://soundcloud.com/ricardotobar
The original track is here: https://soundcloud.com/desirerecords/ricardo-tobar-garden

Ricardo Tobar - Garden (Daniel Avery Remix)

Alkalino - Ghetto Blues

Al Dhanab

Taken from the upcoming album 'Third Law'.
Released January 22nd via Tri Angle Records.
2xLP, CD & Digital.

First single, '4101' is available to buy on iTunes now. Also available as an instant grat with any pre-order of the album; 
itunes.apple.com/us/album/third-l…d1057689581?ls=1

Roly Porter -  Known Space

The experimental duo These Hidden Hands will release their forthcoming album’s single 'SZ31X71' on 11th July 2016. The release marks an exciting new chapter in the group’s musical direction and will include a remix by revered Tri Angle artist Roly Porter. 'SZ31X71' will be released via Hidden Hundred as limited edition 180g red vinyl with hand-screen-printed covers and as digital download.

On 8th August 2016 These Hidden Hands will release 'Vicarious Memories', their second LP and follow-up to their 2013 debut album which saw the successful collaboration of Alain Paul and Tommy Four Seven and the launch of their creative platform Hidden Hundred.

Earlier this year These Hidden Hands resurfaced with 'These Moments Dismantled’, a single featuring Lucrecia Dalt, also available on Hidden Hundred as digital download and on vinyl.

SZ31X71

SZ31X71 (Roly Porter Remix)

Solid Steel in association with Serato (13th May) Roly Porter takes charge of Hr 1 this week. He began his career as part of Vex’d alongside Kuedo, releasing two albums, Degenerate and Cloud Seed, both on Planet Mu, along with several singles on Bristol’s Subtext imprint. He later returned to Subtext under his own name to begin a solo project, releasing 'Aftertime' and 'Life Cycle of a Massive Star'. Earlier this year he released Third Law on TriAngle and 2 tracks from the album feature in his mix alongside music from Surgeon, Kowton, Amnesia Scanner, Yearning Kru and Aisha Devi.

The Solid Steel website http://solidsteel.net/ for track lists and archive shows.
You can follow Solid Steel on  facebook.com/pages/Solid-Steel/175027509192663
twitter.com/SolidSteelRadio
Email solidsteel@ninjatune.net

Go to Hour 1 here https://soundcloud.com/ninja-tune/solid-steel-radio-show-1352016-hour-2-khraungbin

Hour 1 - Roly Porter https://twitter.com/RolyPorter   www.rolyporter.com

Kara-Lis Coverdale	_	Saps/h	_	Sacred Phrases
Eric Holm	_	Untitled	_	unknown
Colin Stetson and Sarah Neufeld	_	Never Were The Way She Was	_	Constellation
J. G. Biberkopf	_	Black Soil	_	Knives
Emptyset	_	Interstice	_	Subtext
Surgeon	_	Yourself	_	Blueprint
Kowton	_	Shots Fired	_	Livity Sound
Hex	_	Exotica	_	Liberation Technologies 
Roly Porter	_	Departure Stage	_	Tri Angle
Peder Mannerfelt	_	Building of the Mountain	_	Peder Mannerfelt 
Alessandro Cortini 	_	Lotta	_	Hospital Productions
Yair Elazar Glotman	_	Vile Value	_	Subtext
Amnesia Scanner	_	Gardens Need Walls	_	Young Turks 
Laura Cannell	_	Be Not Afeard	_	Front and Follow
Ipek Gorgun	_	Bloodbenders	_	unknown
Yearning Kru	_	Sarnath	_	Planet Mu
Joshua Sabin	_	Untitled	_	unknown
Klavikon	_	Wave	_	Nonclassical
Aisha Devi 	_	OMA (Abul Mogard Remix)	_	Houndstooth
Roly Porter	_	Known Space	_	Tri Angle

Solid Steel Radio Show 13/5/2016 Hour 1 - Roly Porter

Jungle

Son Of A Gun

JUNGLE - Son of a Gun (Oliver Ferdinand Edit)

Please don't forget that this edit is only a way to promote our world as DJs.

Songs mixed on this set is to discover music. If you're an artist or copyright holder and if you want remove something because you don't want to be a part of it send an e-mail. If you're happy that we don't forget you, send an e-mail too!

If you love the tracks inside the remix; buy it!

"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

FREE DOWNLOAD

JUNGLE - Son Of A Gun (Oliver Ferdinand Edit)

Good Guy Mikesh & Filburt - Freddy

Calore EP

African Food

Mena & Melgado - African Food (low quality cut)

R Porter - Sint Laurenskerk

‘Leave, If not I will kill you’

In early 1978, Vincent Ahehehinnou left the Orchestre Poly-Rythmo de Cotonou without explanation. He had been one of their principal vocalist since 1968 and had helped transform them from a hard-charging nightclub band into a musical powerhouse and Africa-wide sensation. By the end of 1977, after an explosive performance at the pan-African arts and culture festival (Festac77) in Lagos, the band had reached the very pinnacle of their success.

For nearly forty years, the reasons behind Vincent’s sudden departure have remained a mystery. Until now.

In an interview included with Analog Africa’s new reissue of Best Woman – Vincent’s first post-Poly-Rythmo album, which has been out-of-print for close to four decades and nearly impossible to find outside West Africa – the great singer finally breaks his silence. He didn’t leave … he was pushed.

Poly-Rythmo were already popular in their native Benin but, in the aftermath of Festac ’77, the band were poised for break-out success throughout Africa. One of the people who stood to benefit most was the band’s manager Adissa Seidou, whose label Albarika Store had released most of the band’s recordings. However Adissa’s vision for Poly-Rythmo didn’t always line up with that of the musicians and, more often than not, it was Vincent who spoke up for the band.

The two men grew increasingly estranged until one day – at the funeral for Adissa’s father no less – Adissa gave Vincent an ultimatum of sorts. In Vincent’s own words: ‘I asked him if there is a way we could sort out our differences to which he replied that the only solution was for me to leave the band, adding, “if not I will kill you”’.

And so Vincent found himself forced out of the band he had helped build. He tried his hand at various business ventures, but soon realised that the pull of music was too strong. On a business trip to Nigeria, Vincent met with Ignace de Souza of Benin’s Black Santiago band, who agreed to arrange Vincent’s songs, assemble musicians, and book a session at the legendary Decca Studios in Lagos. 

With everything in place Vincent returned to Cotonou, gathered together all the money he had saved over the years and set out again for Lagos. But the simple bus journey to Nigeria turned into a nightmarish odyssey of military corruption … and  had it not been for the random kindness of an unknown woman on the bus, this album – along with Vincent’s subsequent solo career – might never have existed. Vincent tells the full story in the liner notes to this LP.

But Vincent did make it to Lagos and the sessions went ahead. The nine-piece band, handpicked by de Souza, learned the songs and set them to tape in the span of only a week … but the results are as timeless and essential as anything to emerge from West Africa in the late 1970s.

Vincent’s afrobeat credentials are in full evidence on opening track ‘Best Woman’ (English) whose driving beat, focussed horns and intricate vocal melody recall the raucous intensity of Poly-Rythmo. But the deep funk of the title track turns out to be only a warm-up for album-highlight ‘Maimouna Cherie’ (French), a moving expression of love and longing which kicks off with a hi-hat and wah-wah guitar workout but shifts gears mid-way into a more concentrated and contemplative groove. 

The funk and afrobeat gems on Best Woman are balanced by songs that draw upon Sato, one of the many Vodoun rhythms of Vincent’s native Benin. Side one concludes with ‘Vi Deka’ (Mina), an epic slow-burner propelled by some of the record’s most soulful vocals, while album closer ‘Wa Do Verite Ton Noumi’ (Fon) all but dares you not to lose yourself in its sublime hypnotic trance.

Ahehehinnou Vincent Vol.1

Get the Record

Best Woman - Vicent Ahehehinnou

Another Night Improvisation

Set recorded live at Awakenings & Time Warp present Connect
October 13, 2018

Mixed withPLAYdifferently MODEL1

Dubfire at Connect 2018, Düsseldorf

$UICIDEBOY$ - Lettuce (BASS BOOSTED)

Vladislav Delay - Rakka
Format: LP/DGTL
Cat.No. CR11
Pre-order: http://bit.ly/35ZwaBQ

It’s been 5 years since “VISA”, Sasu Ripatti’s latest release under his iconic Vladislav Delay moniker. Time of the study, of exploration and reconstruction, a time in which his sound, his methods, and practice have never ceased to evolve. It is now time for a new release which he titled Rakka, and it only makes sense for it to find a home on Cosmo Rhythmatic.

Ripatti makes it very clear that Rakka is not a ‘nature recording’, though it is inspired by the time he spent in the wilderness above arctic circle and tree lines, and the feelings and thoughts that traversed him while there. The music on the album is thus directly inspired by the arctic tundra: the elemental struggle to survive or thrive, the living creatures’ fight for existence. The raw, undefined, uncontrolled and uncorrupted power that exists within it.

Ripatti remakes these values into music, in monumental yet humble forms. Reductionist though not minimal, setting each part to prove its meaning, stripped from the meaninglessness of hooks and melodies. Sounds feel like carved off the flesh, leaving the bones bare. Beats emerge as ripples, as the motion of isolated forces, thwarting with the icy textures and backgrounds and trembling with strenuous energy.

A truly extreme ecosystem of sound, unleashed in the album as much as in the new Vladislav Delay live set, visually given life by Ripatti’s wife, artist Antye Greie-Ripatti (AGF).

Written and produced by Sasu Ripatti
Artwork by LCR
Graphic Layout & Type by Pasquale Ascione
Mastering & Cut @ Dubplates & Mastering
Publishing by Warp Music LTD
© Cosmo Rhythmatic 2020

Vladislav Delay - Raajat (CR11)

The Fear Ratio - They Can't Be Saved - New Album 
Release Date - 13th March 2020
Vinyl - CD - Cassette - Digital

The Fear Ratio - Sender

Uni Blue

Uni Blue (JASSS Remix)

Track from NE72 Noah Gibson - Press On
Out on LP and digital March 27th.

Noah Gibson marks his first appearance on North Electronics with an LP of plaintive meditations on his innermost causes and conflicts. Acidic enthusiasm spirals out of control in innumerable ways across 'Press On,' routing us through the reflective atmosphere that hangs heavy in the background of the thrilling adrenal spikes.

Written and produced by Noah Gibson in Vasastan, Sweden 2019.
Mastered by Neel at EnissLab, Rome.
Cover design by Jonas Bard.

Press On

Noah Gibson — Spark

FEATURE > inverted-audio.com/feature/lf58-neel-filippo-scorcucci-shed-light-into-their-mystical-collaboration

To mark the release of 'Alterazione' on @astralindustries, we caught up with the LF58 production duo to learn more about the makings of the album.

Alterazione

LF58 - Evocazione [Astral Industries]

Roly Porter "Kistvaen" LP

Vinyl & digital pre-order: https://subtextrecordings.bandcamp.com/album/roly-porter-kistvaen

http://subtextrecordings.net/

Kistvaen

Pre-order

Roly Porter - An Open Door

Subtext Recordings is a Bristol founded / Berlin based label curated by james ginzburg.