Pattern Recognition w/ R A L L Y - 07/02/2025

► Community-led radio station
► Platform for young and fresh talent, with a range of established and emerging DJ’s and presenters
► Hackney, London

Producer/DJ/Promoter/Organizer/bonehead/etc - [Bounce House] -  they/them - PHL @bounce-house-phl
///
For booking, production, remix work, promos, or any other inquiries, please write to: furtivetrax@gmail.com
///
Upcoming Dates:
8/23 - System Activate, VT
9/19 - Making Time, PHL
9/27 - TBA, PHL
10/10 - TBA, PHL
10/11 - TBA, PHL
--
///
Furtive is a full-gonzo rave conjurer and relentless creative tinkerer, intractably committed to the rave as a Philadelphia-based producer, DJ, underground event organizer, and dancer. A shifting sonic chameleon, Furtive brings a scintillating, sentimental, and psychedelic touch to their artistry, rooted in wormhole-traversing technoid propulsion and dependably delivering riotous, slack-jawed whiplash moments of the delightfully unexpected. Their many polished and focused genre-spanning productions are informed by over thirteen years of experience in the studio, yielding a rich selection of tracks across their self-released discography, vinyl pressings, and contributions to compilations. A veritable product of the contemporary American underground, Furtive cut their teeth as a DJ and DIY event organizer in Washington, DC’s warehouses, where they once played a variety of turnkey roles in putting on some of the District’s more proper techno parties. Furtive co-founded and co-runs Bounce House, an intimate, blossoming off-the-books venue in Philly where they regularly hold court as a resident. Furtive is on broadcast monthly through Ashen Vanity, a radio residency at Philadelphia’s indispensable cultural mainstay Great Circles. As a DJ, Furtive has played hallowed halls (recently rampaging at Nowadays and Basement), dingy holes, roaring renegades, broadcast booths, and festivals (The Great Beyond '23, '24, and headlining in '25, Honcho Campout '24) - always with eclectic selections and a steadfast focus on pacing and dynamics while regularly jumping genres to build moving and impactful sets, often alongside internationally celebrated, no-nonsense acts. Beyond the fog and speaker stacks, Furtive creates art in a variety of mediums. They're as unapologetic in their sincerity and flair as they are in being a die-hard True Believer in the rave.
///
Learn more here: https://www.attackmagazine.com/features/introducing/furtive-the-astronaut-in-a-pool-of-mermaids/
///
As a closing note: the journey can be summarized in their own words (or, a cheeky amalgamated existential portmanteau): “I aim for the stars, but sometimes I land in a pool of mermaids.”

https://furtivetrax.bandcamp.com/
https://soundcloud.com/furtivetrax
https://www.instagram.com/furtive.sasha/
https://ra.co/dj/furtive

We prayed for our hearts and souls to be lifted so God brought us HOUSE MUSIC.

Osmosis in the Trees 2025 September 25 - 28

https://osmosisinthetrees.com

AKA PHORUM (w/ WAV4MS)

fv <k
(frequency voltage <1,000)

Laszlo Juhasz
DJ, Producer, Percussionist

aliases: 

Umbra (Nous Art Records),
             
Deep Cut (US)

datkatkojak:
https://on.soundcloud.com/B6DoB


background: 
started drumming and singing in the chorus from the 4th grade, the following year hiphop exploded on the scene and sparked a desire as a child with a pen and pad to write rhymes daily for over a decade. studied classical music from Zsigmond, a protege of Kodály Zoltán. shortly after acid house, techno and breakbeat music ensued to the ears and salivated the pallette. after high school the first  purchase was a pair of used 1210's in a coffin with a shoddy 2 channel realistic mixer, it also came with a few milkcrates of freestyle, electro and early hiphop vinyl, at the same time drum and bass and jungle tracks were emerging, early metalheadz, suburban base and moving shadow were these new labels that were utterly captivating my attention and wallet, then breakbeatscience in nyc opened and started mail order in the internet's earlier days. 

a few years later the sp 202 came out and was the next logical step, as I had upgraded to a mixer with basic sampling capabilities and the sp202 just brought it to a portable exponential level. < a year later, the DR-202 was added while I had been learning Cubase and Reason and the wonders of MIDI exploration began. Soon after an SU-700, a DX-10, an EA-1 and an ER-1 as well. Later transitioned to FL for a DAW as it was much quicker in workflow.  

Later apprenticed at Razormaid Records under Joseph Watts; where I learned regioning, eq'ing and mastering, from a pioneer of dance music itself.

Performed for crowds > 2,000 as an emcee, and as a DJ opened for Thurston Moore of Sonic Youth and the Swans. 

The past 20 years have been mostly introspecting, learning and understanding self, traveling, connecting with the earth and her guardians. Listening and mirroring, the sky the earth, the fire and aire. The music was in my heartbeat I would mirror with a handdrum or the layers of pressures colliding within. To strum strings or bow them. They can encompass us, impact our moods and project them.

I also would like to play music for you and with you!

AEye
message for booking

Tacoma, WA-based Devin Kelly (AKA Adlib) has been an unwavering techno activist for over 25 years. Whether it was through his beginnings in small town Idaho or his decade-plus residencies with the Shameless (Seattle) and Monkey Do (Los Angeles) DJ crews, he has long been a centerpiece of the regional dance music underground. His mixture of heady yet crowd rocking house and techno cuts earn him regular headlining spots at clubs, renegade parties and festival across the Western US and beyond. But he is best known for his co-creation of the legendary Esthetic Evolution music and arts festival and his long career as a political and community organizer. These backgrounds bring a sense of collective empowerment, resistance and celebration into all of his DJ sets and events. His newest project, “For Love and Struggle,” uses music, community and social commentary to bridge these worlds, because there are 33 revolutions on the turntable and one in the streets.

Pattern Recognition w/ R A L L Y - 07/02/2025

Subtle Radio