I was playing around the my new Meris Hedra pitch shifting triple delay pedal and my Hideki Nakanishi custom Tenor Electric Guitar and was 
really loving my wife today and wishing we could all live forever.

DON'T WANNA LOSE YOU

This is a new tune that I just finished to try and utilize the Afro-Cuban polyrhthmic approach to 
Jazz rhythm.     I don't always have the luxury of playing with lots of trumpets and flutes (as is the case with this arrangement) so I mocked this up just to hear the sound.
I'll probably play it with one flautist and on flugelhornist live at my weekly jazz gig at Hoffman's Patisserie in Santa Cruz, California every Friday night.

It's inspired by our desire for rain here in Northern California and by the beautiful film 'Blade Runner', based on the beautiful speech that the dying Replicant played by Rutger Hauer makes towards the end of the film.

LIKE TEARS In The RAIN 7.0 Fully Orchestrated

Three women scientists explore how our cultural norms invade the world of science, which is supposed to be logical and evidence-based. What's it like for women in the sciences?

There's no doubt that women have made huge advances since the years when male scientists would openly tell women they didn't belong. But that doesn't mean that suddenly everyone has cast aside biases and assumptions they may not even know they have.

Most of us know to check ourselves when we're doing something blatantly wrong, but at the same time, most of us aren't able to step back and question small decisions we make, from which student we call on in class to which lab worker will get a raise.

From https://babblery.com/
Photo: Nasreen Broomandkhoshbacht and Sarah Claus
Photo used with permission of Suki Wessling of The Babblery

Pacifica Network - Sprouts

03.15.23 / Gender Bias in the Lab

The Babblery's Suki Wessling talks with two authors, Patrice Vecchione & Tania Romanov, who have both written books about walking.

"We explore walking through memory, away from and toward danger, through fear and wonder. We explore the sparks of imagination and creativity that come to us as we amble, and finally, we take pilgrimages to connect with our pasts and the present around us."

--Suki Wessling

Public Domain photo by Karen Arnold
https://www.publicdomainpictures.net/en/view-image.php?image=263481&picture=sunset-silhouette-man-walking

07.12.23 / Exploring the World at the Speed of Andante

Experimenting tonight, exhilirated that millions of Americans stood up for Democracy yesterday..........using some beautiful freeware Patcher preset in FL Studio and experimenting 
with the use Pitch and Grain,  Hammer und Meiszel and BLEAS Tape Op using only 
a 70's drum machine as a sound source..................fun.  I learned so much today about Patcher.

NO KINGS DAY SUCCESS

I've been so sad about the horrible attack in Orlando this past week:  really upset by how angry and violent this country has become;  how divided and frightened we all seem to be. How even good friends can't agree on issues like gun control;   After how far gay rights have come in recent times,  how incredibly far we still have to go to have a world that accepts all people's lifestyle decisions, as long as they don't harm anyone.

Improvising this tonight seemed to be the only thing that made me feel better because I finally was able to cry playing it.  

This is for all of the victims and every one that they touched.
We will not forget Orlando!

ORLANDO

11 - Caravan

This is a live looping piece I recorded in the middle of night before last.
6 a.m.  I think, when I finished.     I edited it down from a long, wanky 9 minutes, but it perfectly captured my mood so, pleased.

I might write lyrics for it.........not sure yet.

ANOTHER HARD DAY

"Second" by Suki Wessling, performed by Persephone on 31 January, 2020.

Second

The partly true story of how we almost died in Wisconsin and almost got swindled and almost played a gig with the Wonsers. 
[Lyrics and credits below]

You rearranged all the furniture
Now it's scattered down the stairs
Spring cleaning’s important to you
You didn’t need to make it quite this clear
Driving slow in the driving snow
I got to counting 26 abandoned cars 
And eight white knuckles on my wheel
Before the hotel names on the highway signs
Exerted their emotional appeal
Driving slow in the driving snow
Leaving town
But I'm not gone
This solo tour’s just getting started
This adventure winter's just begun
I'm been going back and forth 
On going back this time
This crowded hotel lobby
Isn’t helping make up my mind
Stuck and stalled
Until the Black River Falls
Leaving town
But I'm not gone
This solo tour’s just getting started
This adventure winter's just begun
I’m going out, I may be some time

from Separate Ways(2016) https://open.spotify.com/album/7rppegUK4Qmt8gB0XsneAp?si=d7NqbwuhSAWn3T5bTRuTug

Andy Leach (guitars, vocals)
Sean Fogarty (drums, vocals)
Craig Walls (bass, vocals)
Paul Colussi (guitars)
Jon Pheloung (vocals, acoustic guitar)

Separate Ways

Adventure Winter

The idea of this work is from a video game Zelda poster behind my work desk. Every time I have a zoom meeting and observe myself from the camera, I always see the poster showing adleZ instead of Zelda. This work is my first exploration and practice of music programming language RTcmix, which I used it to generate and process sounds. The piece was composed in early 2021, performed by myself.

Adlez | for guitar and fixed media (2021)

Suki plays guitar and sings with Persephone, a jazz group from Santa Cruz, CA. We play a variety of standards, plus various pop, rock, and folk songs that appeal to us. Check out our website!

Second

SukiW