Those on the outside will never understand...

The Italian producer first started making beats on his Playstation at the age of 12, and year after year his polished productions have caught the ear of tastemakers across the globe.

His labels MOOD FUNK RECORDS & MONOSIDE have been a consistent source of some of the best house music in the scene, with releases from the likes of David Penn, DJ Mes, Kevin McKay, Sebb Junior, Art Of Tones, Robbie Rivera, Moon Rocket, Peter Brown, Hatiras, Johnick, to name but a few.

It's his own personal output that remains so impressive over the year, with a steady stream of hits being fired out not only though his own label, but some of the biggest imprints in the industry.

The most recents top ones tracks like 'Smile Like That' on Mood Funk Records, 'Disko Dancing' on MONOSIDE, 'The House Shh Remix' on Paharas Musica, 'Ask Yourself (Can You Dance)' on Soulfuric Trax, 'Sax Damage In NYC' on MONOSIDE, 'THE DJ MANIFESTO" on Mood Funk...
Angelo has shared the love across the whole House scene.

He has that innate ability to create tracks where you instantly know who's at the controls from the first beat.

You'd be hard pushed to find a more prolific and hardworking producer in the house music scene at the moment.

He was a Guest DJ in United States, Australia, Croatia, Holland, Ukraine, Canada, Mexico, United Kingdom, Indonesia, Germany, Bulgaria, Swiss, Austria, Czech Republic, Italy, Africa, Spain, Malta, Montenegro, Serbia, Slovenia..

Angelo Ferreri was born in Sicily in 1984.

As a producer, he has been active since 2004 under the nickname of 'Alkaline' and 'Angelo Elettronico', with productions that are always part of his growth as a musician.

In 2010 he immediately started to attract the attention of several others labels with a different kind of music, it was then, that the name of 'Angelo Ferreri' started to be well known all over the world.

Now he has established his exciting Funky-Tech-House style with successful countless releases on Nervous, Soulfuric, Mood Funk Records, Glasgow Underground..

Take a look at this guy...

TechnoRise

"La musique est la langue des émotions". 
Emmanuel Kant

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

Connecting club culture to the wider world, on screen and irl through parties, film and video.

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