Folk/Sufi

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Allan Fakir (1932– 4 July, 2000) (Sindhi: اَلڻُ فقيرُ, Urdu: الن فقیر), a Pakistani folk singer is a one of the foremost exponents of sufi music in Pakistan. He is particularly known for his ecstatic style of performance marked with extreme devotional rhetoric and sufi dance singing.

Alan Fakeer

Sindhi legends

arjit

revolutionary

folk music

Kalaam

اسان سان ڪچري ڪيو دوستو هليا وينداسي اوچتو اوچتو

Asan san kachehryon kayo dosto

Tufail Niazi was born in 1916 in the only Muslim family in the Sikh village of MadairaN in Jallandhar district. MadairaN was only a short distance from Sham Chaurasi, famous birthplace of the musical gharana of that name (Ustad Salamat Ali Khan, arguably Pakistan's finest classical vocalist, hailed from this gharana). Tufail's family and ancestors were "Pakhawajis". (Pakhawaj is a tabla-like percussion instrument traditionally used as accompaniment in Dhrupad singing, the much older and temple-rooted form of Hindustani classical vocal music than the newer, more popular Mughal-era creation Khayal.) Historically, some of his family members were "Rubabis" who sang Gurbanis (songs in praise of the gurus) in Gurdwaras. Tufail followed this family tradition and started singing Guru Nanak's bani at the Gurdwara in the village of Pumba near Amritsar where his maternal grandfather was employed as a rubabi...  He then joined a traveling theater ("Nautanki") and honed his theatrical and storytelling skills playing a hero in productions of famous Punjabi folktales like Heer Ranjha, Sohni MahiNwal, Sassi PunnooN and Pooran Bhagat. Most of this pre-partition part of Tufail's life today reads like a page not from 20th century history but a much older epoch that we can no longer even imagine.

At the time of partition, like all East Punjabi Muslims, Tufail too had to move from his ancestral lands and he ended up in Multan. To survive in this new unknown place where he hardly knew anybody, he opened up a milk shop. It was fortuitous that in 1949 a police inspector who had known him in East Punjab and had been a fan saw him and, on learning that Tufail had abandoned his music because he had no instruments and no other way to make a living, intervened. He got him instruments from the state coffers and organized a mehfil for Tufail introducing him to the people in Multan. It is unbearable to imagine that Tufail Niazi's voice could have been lost forever were it not for the effort of an ordinary fan who saved him from potential obscurity. We owe that unknown police officer a deep debt of gratitude.

Tufail soon became well known in the cultural circles of Multan after which there was no looking back. He started singing for Radio Pakistan and had the honor to be the first singer who performed on Pakistan Television, the day of its inauguration on November 26th, 1964. He sang his famous song "Laai beqadaraN naal yaari te tut gai tarak kar ke" that day. It was at that time that PTV's senior producer Aslam Azhar gave him the name Tufail Niazi because Tufail had told him that his pir was Hazrat Pir Niaz Ali Shah. Before this he had been just Tufail, Master Tufail, Mian Tufail and lastly Tufail Multani. Later, under Uxi Mufti he worked with great dedication to help set up and sustain the National Institute of Folk Heritage (Lok Virsa) in Islamabad. He received the Presidential Pride of Performance Award in 1983 and died on September 21st, 1990. A stroke had left him debilitated and unable to perform and he died in poverty with a wounded sense of official and unofficial neglect which has been the lot of so many Pakistani artists. He is buried in the graveyard in Islamabad.

Mein vi Jana Jhok Ranjhan Di- Shah Hussain

Kalam Hazrat Sultan Bahu ra - Part 2
Voice: Iqbal Bahu
Kalam Bahu URL: www.yabahu.com

Kalam Bahu(Iqbal Bahu)- Part 2

Kalam Hazrat Sultan Bahu ra - Part 3
Voice: Iqbal Bahu
Kalam Bahu URL: www.yabahu.com

Kalam Bahu(Iqbal Bahu)- Part 3

Allah Jilai Bai (1 February 1902 – 3 November 1992) was a folk singer from Rajasthan, India.
Born in Bikaner to a family of singers, by the age of 10 she was singing in the Durbar of Maharaja Ganga Singh. She took singing lessons from Ustad Hussain Baksh Khan and later on from Achhan Maharaj. She was well versed in Maand, Thumri, Khayal and Dadra. Perhaps her best known piece is Kesaria Balam. In 1982, the Indian Government awarded her the Padma Shri in Arts field [1], one of the highest civilian awards. She has been also awarded by Sangeet Natak Akademi Award in 1988 for Folk Music.

Kesariya Balam- Allah jillai Bai

Kafi (Kalaam E Bulleh Shah)-Abida Parveen

Mast Magan-Arjit singh

Mittar Pyare Nu (Voice - Reshma)

O Shokh Hawa Shafi Faqeer

Arjit singh live performance at mirchi music award

The Song Starts After 16 Seconds.I Found it in that format.


Mureed Buledi Balochi SONGS's Part 1.MP3

Jo Tu Mera Hamdard Ha...! Suhaana Har Dard Ha. Hamdard Song Of New Movie Ek Villain By Arjit Singh.

Hamdard HD Song Ek Villain - Arjit Singh

asen bus Adhora Adhora by sadiq faqeer

Moomal Rano | Fakir Juman Shah | Season 3

Moomal Rano

Allan Faqir - Alaf Allah Meem Muhammad

Allan Faqeer - Humma Humma

Allan Faqir - Tarrin Paunda - trireen pawanda - tadahen milanda soon - jadahen wajandyun koonjariyun

Alan Faqir 1

Zulmat ko Zia-Habib Jalib by Lal band & Dj GP

Nusrat Fateh Ali Khan - Yeh Jo Halka Halka Saroor Hai Full Qawwali

Mat Samjho Laal Band

sakhi ro ro main sung by Nazakat Ali Khan & Salamat Ali Khan
Raag- SINDH KAFI
Vocal-Male

Nazakat Ali Khan & Salamat Ali Khan - sakhi ro ro main - SINDH KAFI

Sultan Bahu (1631-1691) is universally admitted to have been among the greatest mystics of India. His father was a resident of Jhang district. He is said to have been a person of quite a disposition and so was his wife, the mother of Bahu. Bahu belonged to the Qadri school of Sufis and was a disciple of Hazrat Habib-ullah. He is not defiant towards Sharia. The tone of his verse is melancholy. He lays stress on the Sufi formula of ‘dying before death.’ However, he was against the show of religiosity and piety. The most striking thing about Bahu’s poetry is that every line ends in ‘hu.’ Hu is regarded as a name of Allah, and it is considered highly meritorious to repeat it as often as possible. Lines ending in hu are an innovation in Punjabi poetry. Bahu, as judged from his poetry, belonged to the philosophic school of Sufis, but for some reason or other hid his philosophy under the veil of orthodoxy. One possible reason may be his sainthood, which did not permit him that liberty which Bulleh Shah would enjoy. He had become a ‘pir’ which demanded a certain amount of reserve and prudence on his part. Bahu’s verse is composed in simple and unpretentious style. It has a well-marked character of its own and rests entirely on the recources of the poet’s thought and knowledge of the language. There is an absolute lack of artificiality. Another thing which is creditable about him is that his verse is pious and bereft of all human love and its ideals. 

Sultan Bahu
Lyrics

Ae tan mera chashmaN hove
Tan main murshid vekh na rajjaaN hu

Looñ looñ de mudh lakh lakh chashmaN
Hik kholaaN hik kajjaaN hu

Itna diTtheya sabar na aave
Hor kite vall bhajjaaN hu

Murshid da deedar hai bahu
Mainnu lakh karoDaan hajjaaN hu

Iqbal Bahu - Eh Tan Mera ChashmaN Ho We

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Asan Sutal Nend by Alan Faqeer

laal band may nay us say yeh kaha

Sindh ge Sufi Abida Parveen 

اپريل 20 
سنڌ جي صوفي ازم کي پنهنجي آواز جي ذريعي پوري دنيا ۾ روشناس ڪرائيندڙ سنڌ جي راڻي ميڊم عابده پروين کي 56هين سالگرهه جون لک لک مبارڪون پيش ڪيون ٿا ۽ سندس وڏي ڄمار لاءِ پوري سنڌي قوم دعاڳو آهي

Tery Ishq ne Nachaya Abida Parveen

Tufail Niazi was born in 1916 in the only Muslim family in the Sikh village of MadairaN in Jalandhar district. Like his family members, Niazi sahab started singing Guru Nanak's bani at the Gurdwara in the village of Pumba near Amritsar. His family members were rababis at the Gurughar. 

At the time of partition, Tufail Niazi sahab was uprooted from East Punjab, his ancestral land, and dis placed to Multan. He hardly knew anyone there and in order to survive he opened up a milk shop. It was fortuitous that in 1949 a police inspector who had known Tufail sahab in East Punjab and had been a fan of him, had come to learn that Tufail had abandoned his music because he had no instruments and no other way to make a living. The police inspector was quick to intervene. He got Tufail sahab some instruments from the state coffers and organized a mehfil to introduce him to the people of Multan. It would have been a misfortune to have lost Tufail Niazi's voice if it weren't for an ordinary fan who saved him from potential obscurity. We owe that unknown officer a deep debt of gratitude.  

Tufail sahab later became a legend in Multan and went to sing for Radio Pakistan and was honored to be the first singer who performed on Pakistan TV. 

Some of his shabads have been lost to time, but this one was fortunately saved and is thus marked as a prized collection to be recalled, marveled, and recited along. 
The shabad performed here was recited by the 10th Sikh Master (Guru Gobind SIngh ji) while he was in Machhivarra forest, separated from his family and his brethren. This bani is registered in the Dasam Granth Sahib as Khyal (p1348)


ਮਿਤ੍ਰ ਪਿਆਰੇ ਨੂੰ ਹਾਲ ਮੁਰੀਦਾਂ ਦਾ ਕਹਿਣਾ ॥
ਤੁਧੁ ਬਿਨੁ ਰੋਗੁ ਰਜਾਈਆਂ ਦਾ ਓਢਣ ਨਾਗ ਨਿਵਾਸਾਂ ਦੇ ਰਹਿਣਾ ॥
ਸੂਲ ਸੁਰਾਹੀ ਖੰਜਰੁ ਪਿਆਲਾ ਬਿੰਗ ਕਸਾਈਆਂ ਦਾ ਸਹਿਣਾ ॥
ਯਾਰੜੇ ਦਾ ਸਾਨੂੰ ਸੱਥਰੁ ਚੰਗਾ ਭੱਠ ਖੇੜਿਆਂ ਦਾ ਰਹਿਣਾ ॥੧॥੧॥

Convey to the dear friend the condition of the disciples,
Without Thee, it feels as if I have taken over a quilt of disease, and thus living in the house with serpents;
The flask is like the spike, the cup is like a dagger, and (the separation) is like enduring the chopper of the butchers, 
The pallet of the beloved Friend is most pleasing, while the worldly pleasures is like a furnace.







Allan Faqir - Tarrin Paunda - trireen pawanda - tadahen milanda soon - jadahen wajandyun koonjariyun

suneel.kingrani