why no download for this soulful recording ?

Did one of them switch on the subwoofer at 0.57?

my favorite sounds in a playlist..with no special order..newest additions at the end.
a new volume every 101 songs. this is the second volume.

cloud.selector

cloud.selector v.02

TR146 - Andie Brown - 'Alucita II'

TR170 - Natalia Beylis - 'Invaded By Fireflies' [sample]



Nic TVG avoids the Drum & Bass clichés and unearths a barrage of unheard breaks for the rhythmic template on this, his debut album. He demonstrates a delicate touch in his manipulations of this material on the intro track “A Mouse Among Monsters” and also a maniacal tendency in the insanely chopped nature of “Friday Nights With Heather” at the death of proceedings. In between, there are many facets of Nic's repertoire to explore.

There is an unmistakable free-jazz theme running throughout this album and so, it is no surprise to see Nic pay tribute to the great Charles Gayle and his on-stage alter ego “Streets” on “The Clown”. The track encapsulates the sad nature of Gayle's existence as a homeless person in New York in the 70's and 80's but also his devious musical nature, evident in the way the rhythm steps in and out of its regular meter and switches between a number of different percussive palettes at a moments notice.

The free-jazz influence is to the fore again on “Playing Drums As Pads” where the most unlikely and unwieldy drum-kit patterns are pushed together and somehow made coherent and compelling. “Lose The World On An Excuse” promises to remain a little more regular initially but the pulsing kicks of the intro soon give way to a whirlwind of drums, pitching bass notes and off-key violins for maybe the zaniest tune on the album!

“I'm Sorry I Puked On Your Dress” sounds like Jazz and Drum & Bass meeting Tchaikovsky's “Dance Of The Sugar Plum Fairy”. You could be listening to the future of ballet right here.

Moving on, the title track “Then I Disappear” is all intense drums, flitting bass plucks and looping horns. The reversed keys introduced as the track progresses develop a more reflective air which leads nicely into “Out Of No More” - probably the most introspective track on the album.

Perking things up is “Sitting In The Crosswalk” which forsakes the jazz overtones to flex a more recognisable Drum & Bass influence amid an uplifting autumnal ambience. The D&B strains are also much in evidence on “Let Yourself Be Unknown”. Crunchy amens cart-wheel among stark, sustained atmospherics but eventually gave way to a wistful synth riff before the beats and bass broodily return.

“She Looks Like Marisa Tomei” is interesting for its title but also for the way the rhythms are occasionally ratcheted up a notch from the steady kick and hi-hat interchanges by the injection of some rowdy funk drums. The low-end bass and stretched wind instruments work particularly well together in this beautiful blend of breakbeat and blues.

“My Life As A Hairless Aardvark” might just beat the stiff competition for best track title on the album. It also might just feature the most obtuse rhythm, which is saying something!

And so to the maniacal chopping of “Friday Nights With Heather”... talk about going out with a bang ! ... and then, I disappear.

...

Nic TVG, “Then I Disappear” :: SUBTLE005CD - Tracklisting

1. A Mouse Among Monsters
2. The Clown
3. Playing Drums As Pads
4. Lose The World On An Excuse
5. I'm Sorry I Puked On Your Dress (Album Version)
6. Then I Disappear
7. Out Of No More
8. Sitting In The Crosswalk
9. Let Yourself Be Unknown (Alternate Mix)
10. She Looks Like Marisa Tomei
11. My Life As A Hairless Aardvark
12. Friday Nights With Heather


Buy from Subtle Audio

Nic TVG - Out Of No More :: SUBTLE005CD

The Sunken Hum Broadcast 253 - The Soulful Chicken Singers - 10 September 2013

Natalia Beylis (Woven Skull, her own self) pulls the mechanical vortex right through a brand new space time tear with 'Variation on a Sewing Machine' - a spanking new hypnotic escapade for decorating t'inside on one's brain box. Needle hopping for the third eye.

Variations On A Sewing Machine - Natalia Beylis

Further information and tracklist: https://bleep.com/features/bleep-mix-254--lucrecia-dalt

Celebrating her Bleep Top 10 and Best of 2022 list topping album ¡Ay!, Lucrecia Dalt (dis)eases us into the New Year with a superbly eclectic mix of haunted tones and eternal songs tapping into the lifeblood blues that fully permeates this mix. From the 21st century somber of Eric Chenaux segueing beautifully into Broadcast's retro-futurist ballad to The Walker Brothers Late 70s excursions marking Noel Scott Engel's stepping fully off into the abyss on The Electrician. The cosmic void radiance concludes with an expert then-and-now pairing of Donovan's forever deep creep psych on Hurdy Gurdy Man (the ectoplasmic intro oozing into the end of Valentin Clastrier's sound cloud like a John Carpenter movie) before exorcised by the very recent psilocybin Beach Boys excursions of Panda Bear & Sonic Boom. ¡Ay! indeed!

Bleep Mix #254 - Lucrecia Dalt

An immersive blend of old and new, Natalia Beylis’ work nestles itself in the in-between, peering through sunlit, muted gauze. World building and world destroying, alien but steeped in tradition. Beylis’ construction of place brings out everything from the quiet, a delicate balance where the gentle humming is audible. All floating down. 

https://nataliabeylis.bandcamp.com/

Tracklist:

Peter Hanford - The World Of Steam
Eoghan Ó Ceannabháin & Ultan O'Brien - Máirseáil na Sióg
Emahoy Tsege Mariam Gebru - Story of the Wind
Hood Faire - Environmental Meditation Music - Long Form Edition (Partial)
Eimear Walshe - Emmylou Cover
Delia Derbyshire - Falling (Partial)
Patricia Brennan - Improvisation VI
Cheri Knight - Primary Colors
Moondog - Lullaby (2 West 46th Street)
Lucia Nimcová/Sholto Dobie - Sing for myself
Ailbhe Nic Oireachtaigh - Purposelessness
Conor O'Kane - Harvest of Clovers
Aoife Hammond - Gorse
Felicity Mangan - When Do Frogs Go Out
Tadlaouia - Title Unknown
Willie Stewart - Red Moon Dance
The Tariqua 'Alawiya - The 'Imâra (Partial)
Lori Goldston - On A Moonlit Hill In Slovenia
David Colohan - Practice Freedom - Live At Tor Fest

Outhouse Mix: Natalia Beylis

Sound artist Natalia Beylis released a brilliant collaboration with Cork cellist Eimear Reidy earlier this year, entitled She Came in Through the Window to Stand by the Door. Ahead of her appearance at MusicTown in Dublin on July 27, Natalia talks about sound recording in rural Leitrim, how her live show comes together, finding sounds around the house, and what's next. 

Natalia Beylis plays alongside Anna Mieke, Adrian Crowley and Aoife Wolf on Thursday, July 27, in the depot @ the complex for MusicTown. Tickets and listings: http://www.musictown.ie/listings/

Natalia Beylis on Bandcamp: https://nataliabeylis.bandcamp.com/

TPOE 268: Natalia Beylis

🎤🔬 Natalia Beylis 🪗🌿 guest mix for Innerstate 87, threading through folkloric spirit, free jazz and ritual. I am such a fan of Natalia's work, first hearing iconic Cave of a Seashell some years ago while performing together with Dylan Kerr🎈. Her mix will find you surfing in the ether at midnight in Berlin, 6pm in Montréal ~~~ now eternally *here* for all future excursions,

@sunkenhumsounddiary
https://nataliabeylis.bandcamp.com
https://www.nataliabeylis.com
@n10-as

::track list:: 

David Erden – Gamla Krobo
Hood Fair – Environmental Meditation Music 01
L'Hajja Lhamdawya
Matana Roberts – For Standing Rock III
Robert Turman – Flux
Xochimoki – Tua Ra
Nass El Ghiwane
Cormac Begley - Rolling in the Barrel - O'Neill's March - Tralee Jail
Natalia Beylis – Rain Recording No. 23
Fuzzy Hell – Hexagram 28 (Flood)
Jigsaw – Kofu
Matana Roberts – For Standing Rock I

Innerstate 87 w/ Natalia Beylis - 06/12/23

shard ~ ssaliva
no sé qué me pasa ~ entrañas
all hands bury the dead ~ wilson tanner 
walking in a spiral towards the house: side c ~ nivhek
a homesick song ~ ursula k. le quin, todd barton
feeling remembering ~ ulla straus
bliss song ~ soria 
trees & flowers ~ strawberry switchblade
nation ~ beloved trinket
naked to the light ~ laurel halo 
music for safe memories ~ bod 
shady ~ perila 
dolore di orsini ~ anna von hausswolff 
sister's song ~ rec 
heron dance ~ ursula k. le quin, todd barton
rare puma 2 ~ k.k 
wasting ~ mantua 
presentiment ~ martyna basta 
hardcore dis-continuum ~ gajek 
percussive flight ~ alys(alys)alys
fields ~ voice actor 
northern ~ dj powerbutton
ldm ~ esp 
i am thou ~ stravsky & pelé
IWR ~ caroline 
the lighthouse trembles ~ natalia beylis 
little window ~ u.e. 
improvisation #1 ~ no love in the house of gold
farewell seafarer ~ dj powerbutton

The Common of Senses ~ 22.03.2025

Natalia Beylis - Dappled Sun

Fiasco 3

Nachtwache 19.Oktober

Dublin Digital Radio is back with its second compilation from producers, composers and musicians resident on Europe’s Best Online Radio Station.

The compilation is a reflection of the range of homegrown talent resident on the station and an opportunity for ddr. to showcase the music of the online station’s monthly residents.

All proceeds for the compilation go to Inner City Helping Homeless, a charity dedicated to providing an outreach and advocacy service to those worst affected by Ireland’s spiraling housing crisis.

@nataliabeylis

Support: dublindigitalradio.bandcamp.com/album/ddr-compilation-02

ddr. Compilation 02

Natalia Beylis - The Poole And The Sly Road

Es knistert und groovt, dröhnt und säuselt in allen Ecken, wenn das KlangDrangOrchester auf eine seiner intensiven Klangreisen ins Gefühlsleben der Musiker und des Publikums geht. 

Das Frühjahr 2013 steht für das improvisierende KlangDrangOrchester ganz im Zeichen der Erforschung musikalischer Spielräume durch Reduktion. In der 3-teiligen Konzertreihe "Basics to go" untersucht Peter Wolf mit kompositorischen Rahmenkonzepten das Spektrum klangmalerischer Möglichkeiten für das Dirigat. Der Fokus richtet sich mithilfe reduzierter Zeichengruppen auf die verstärkte Wahrnehmung für Strukturen und Phänomene in gruppenimprovisatorischen Prozessen.

Der von Wolf verwendete Basiszeichensatz geht von den über 20-jährigen Erfahrungen des London Improvisers Orchestra aus. Dessen Zeichenrepertoire, das inzwischen weite Verbreitung gefunden hat, umfasst ca. 20 Gesten, die Aspekte wie Gruppen, Rhythmus, Funktionen, Feeling sowie dynamische und tonale Parameter steuern. Dazu kommen bei Wolf individuelle Zeichen und Absprachen sowie intuitiv zu erfassende, performative Zeichen, die über Körpersprache vermittelt werden.


130418 Audio 03

The Sunken Hum Sound Diary: a field recording/sound archive project in 365 parts.

Each and everyday in 2013, I recorded two minutes of sounds from my daily life.  And then, for 365 days in a row, I published the sounds to the internet to share with the world.  


I embarked on this phonographic archive with a voyeuristic curiosity that stemmed from a fascination with how humans  routinely spend their time and with an intrigue into the regular, recurring noises that makes up the soundscape of life. I figured the easiest way to satiate this curiosity was by dissecting my own typical day and doumenting the sounds that routinely weave themselves through my surroundings.  The diary includes everything from solitary chickens singing laments to cattlemart auctioneers chanting the call of farm life to potatoes rumbling as they boxxed in the boiling hot waterpot.  A selection from these daily recordings are shared here.

Capturing the recordings became a meditative practice.  No matter what the chaos of life that was happening around me, for two minutes I could escape into a reality reimagined through headphones.  It was like a peculiar removal from the existing moment.  While the sound of the world became heightened (and nearly more alive) through the headphones, I felt simultaneously disconnected from the present, having become more an observer than a participant.  

In 2019, dublin digital radio (ddr) rebroadcast the diary recordings at 12 pm and 6 pm everyday.  These are the same times at which the Angelus Bell is played for one minute on Irish radio. This is a religious broadcast.  Though I love the idea behind the Angelus (a minute long sound meditation), it is time to separate this meditative moment from anything to do with organised religion.  Instead, I'd love to suggest that we give that moment over to the field recordists of Ireland and let them create a daily one minute broadcast that features the myriad of meditative sounds of the island.  Come on RTE, sure why not?!

The Sunken Hum Broadcast 253 - The Soulful Chicken Singers - 10 September 2013

The Sunken Hum Sound Diary

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