Fantastic reggae arrangement along with the piano, I love it, great bass

Well played 👏nicely accompanied the reggae bass a treat !!

Wonderfully evocative and cool jazzy mood and flow !

Very pleasant to listen to. Brings Positive waves.

Such lovely lovely Piano... and that bass really sets it up beautifully, man!

Your Mix 1

In 410 A.C. Romans left the rule of Britain. The date and the reasons are still and always a matter of debate among historians; however, in 2010, when it may have been 1600 years since that event and to commemorate it, 500 lighthouses were lit along the route of Hadrian's Wall, from east to west (cover image).
The first draft of the track is not recent (I didn't like it so much) and can be found here: https://soundcloud.com/michele-ansani/departure-from-britannia. I recovered audio material that I had discarded at the time (recording quality not optimal) and added some stuff.
Vocals by Ginevra Ansani and Arthouse Acoustic (samples). Flute by Trey Eley (Soul Surplus samples).

------

Composed by Michele Ansani (2017-2024).
Posted on SoundCloud: 2024, August 19.

Departure from Britannia (final version) *

A memory can bleed into another snapshot in time — how memory of a rainbow during a Blue Mountain coffee break in Jamaica can warm up the present reality of a cold December day. 

Here’s to creating and conjuring good memories to realize your own kind of chill this holiday season. Cheers! 🥂

Lyrics below.

A simple song of jazz
Chill with reggae beats 
65 bpm

DAW Apple Logic Pro X
MIDI Akai MPK Professional  
E-instruments:
Ballad piano 
SoCal Ballad Piano 
Crystal and Voices
Classical Ensemble voices 
Muted Electric Bass
E-percussion used:
Studio Brush Kit 
Acoustic Bump 
Latin Kit
Sleigh Bells

Cover art is a derivative illustration with additions and alterations to the following original photo by Jeffries Czum at pexels.com of a person walking towards the street in New York City:
www.pexels.com/photo/person-waking-towards-the-street-2346165/

Snowflake photo by Miguel Á. Padriñán at pexels.com of gray snow flake wall decor:
https://www.pexels.com/photo/gray-snow-flake-wall-decor-745364/

LYRICS
0:00
Memory
Memory 
Taking me
to 
a place 
on an island   
so long ago 

0:18
Memory
Memory 
Bracing me
for a talk 
and a walk
in the snow

That’s when I’m thinking 

0:35
How I wish 
I knew 
back then 
0:43 
what I know 
0:46 
now
0:48 
Oh wow 

0:50
Oh
Memory
Taking me
0:56
to  
a land
in a photo
1:01
saved on my phone

1:04
Memory
Memory
1:09
Tempting me
1:12
to a room
our first kiss
all alone
 
1:19
Oh
1:21
How I wish
that I knew then
what I know
now

Wow wow
Oh

1:38
Oh
Memory
Taking me
on 
a trip
where we were free
without a script

1:52
Memory
Memory
Teaching me
2:00
how to make
love with you
tenderly

2:07
Oh
How I wish 
I knew back then
what I know
now

Wow wow wow 

2:28
Oh
Memory
Trés jolie
Thrill-ing me
With the thought of 
you 
wanting more 

2:42
Memory 
Memory 
Waking me 
like a shock 
from a knock 
at the door 

Oh

How I wish
that I knew then
What I know 
3:09
now 

Oh 
wow 

Wow!

 -fin-

Memory

G.Lapidi.

'Edifions des temples absurdes' morceau extrait du 3ème album de M'Z intitulé 'La civilisation de la graine ?' sorti en 2022

Ici joué en live au cinéma de Mirepoix (09) lors du ciné concert des groupes du collectif la Barraque, organisé par le collectif La Barraque et l'association Dirt and CPU le 5 décembre 2024 :
https://youtu.be/2P7n5PQgVjI

"La Civilisation de la Graine" le troisième album du projet, est une réflexion musicale sur l'essence de nos organisations patriarcales et notre tendance à nous organiser en civilisations, certes élégantes mais indéniablement injustes, éphémères, violentes et bancales. 8 morceaux pour tenter d'analyser ces phénomènes.

Edifions des temples absurdes :
Le second morceau de cet album est un amusement sur le temps, l'intelligence, le savoir-faire, la science, le génie et l'énergie dépensée à construire des édifices à la gloire de dieux de plus en plus uniques et de plus en plus masculins, concentrant de plus en plus de pouvoir en une seule et unique entité.

---------------------------------------------
Vous pouvez :
Avoir de mes nouvelles ici 
(vous pouvez vous abonner a ma newsletter) :
https://matzizrecords.bandcamp.com/follow_me

Ou sur mon site :
https://mzprisme.wixsite.com/mz-musique

Écouter ce morceau et le télécharger gratuitement ici

---------------------------------------------

Il devient de plus en plus difficile d'être musicien indépendant, alors votre aide, si vous aimez cette musique et que vous n'êtes pas encore totalement fauchés, me sera des plus précieuses.
N'hésitez pas à commander mon album ici :
https://matzizrecords.bandcamp.com/album/emancip-s-du-vide

et à me soutenir en achetant ou simplement en écoutant et partageant les albums passés, plus globalement sur mon bandcamp : 
https://matzizrecords.bandcamp.com/

En espérant vous croiser très bientôt dans la vie réelle.

Mathieu TORRES
M'Z
------------------------------------------
Merci beaucoup à Samantha Colom et Stéphanie Artaud pour les prises de vue.

M'Z - Live Mirepoix - Edifions des temples absurdes ( Video In Description)

71_ Lautsprecher - released on 15 December 2024 only on Soundcloud

On Friday night I was testing speakers, old-fashioned german word “Lautsprecher”, with a friend for her future vocal gigs and told her that I wanted to use only synths for my next track! Here it is! ;-) #minimal #nodrums #trance #acid #liverecording

(produced with BlocsWave & LaunchPad)

Lautsprecher

A bit corrected version of this track now is online.
A little track that I've made today in couple hours for UJAM Discord contest https://www.ujam.com/blog/subcraft-remix-contest-waiting-for-a-sign/ for track remix with a use of SUBCRAFT - sub bass and kick drum synth. https://www.ujam.com/subcraft/
Of course NO AI INVOLVED.
You can listen to the original mix here: https://soundcloud.com/ujam-instruments/subcraft-audio-demo

Unfortunately, I didn't manage to get on the podium, but you can listen to the winners on this playlist: (I will link this playlist when it is officially released)

I've used:
Ableton Live 11 Standard
ujam USYNTH Drive (which I got for free)
ujam SUBCRAFT - trial version
ujam FX Finisher Micro (free)
ujam FX Reverb 1 (free)
Kontakt player 8:
Heavyocity Foundations Staccato Strings (free)
Project Sam Free Orchestra 2 - Bold Legato Brass (free)
iZotope Ozone 9 Elements (I got it for free)
iZotope Ozone 11 Elements (I got it for free)
Arturia Filter MS-20 (got it with my Audio Interface, I think)
Valhalla Supermassive (free)
Universal Audio Teletronix LA-2A Level compressor (got it on UA giveaway last year for free)
Analog Obsession BUSTERse classic console compressor (free)

Picture in thumbnail Freepik: https://www.freepik.com/free-photo/portrait-humanitarian-volunteer_10855790.htm

Waiting for a Sign (R.U.R.'s REMIX with SUBCRAFT)

Long Story (Remix 2025)

It has been a long week at the office. And today is Valentine's Day. Let's pop around the corner to the small cosy jazz club we know so well. So many familiar faces, all those gentle jazz vibes floating in the air. But tomorrow is another day. Time to go home despite the rain - just thinking of all that jazz and all my love.

Happy Valentine's Day!

Released 14 Feb 2025

Once Upon a Friday Night❤️

I have the pleasure sharing with you a piece by Raphael Muhr! Some time ago he was so kind to let me have the score of this piece and also his orchestral recording, as I liked it so much...
Just recently I came across his piece, and decided to make my own arrangement of it, of course his melody has been entirely kept as was written!
My warmest thanks go out to him....

To listen to more of his music....
on.soundcloud.com/Tf3yE

Art picture is by Laurentiu lordache on Unsplash...

Remember by Raphael Muhr

Sharp Edges (open invitation for a collab from IPG1) 
IPG1 & Paploviante
Original Vocals from IPG1:
https://soundcloud.com/ipg1/sharp-edges-rap-vox-94-bpm?in=ipg1/sets/vocals
Paploviante: E-Bass, Mix, Mastering and Music Composition

Sharp Edges-IPG1 and Paploviante

Original composition by Neno J.
Electric guitar Yamaha SG, recorded directly using multi effect Hotone Ampero 100

Fractal

In the new remix of our song, the bass drum line has been reworked.
The song seems more complete and rounded. More groovy & laid back!
😻🦉🌳

Unfortunately, exchanging the song is not possible when using an SC basic account. 
Thank you for listening to the many likes and comments on the previous version.
🙏

Artist with no name (Lumi Laid Back Remix 2025)

Recorded in Modest Ca. Featuring Hammond B3 Electric Organ solo. Vibraphone solo. Gibson L5 Electric Guitar Rhythm. Steinway Brothers Acoustic Piano Rhythm. Hammond B3 Electric Organ Rhythm. Fender Electric Bass. Trap Drum set Full kit. Percussion Zildjian 22" Ride & Crash Cymbal. Tree Chimes, Rain-tree.

Boardwalk

Summer Eve

The Crystal Caves is a symbol of submission, revelation, and the enigmatic boundary between knowledge and madness. It depicts vast, gleaming caverns deep beneath the earth’s crust, where immense quartz crystals grow like frozen lightning. These radiant formations are not merely geological wonders — they are conduits of consciousness, forming the neural lattice of an ancient, mythological intelligence.

In the lore of this card, humanity’s collective fears and desires are imprinted upon the crystals, forming an unfathomable archive of thoughts and memories. Faced with an existential crisis — be it environmental collapse, war, or spiritual disillusionment — a select few are chosen to hear the ringing. This sound, like a chorus of distant bells reverberating inside their minds, is a calling from the depths. Those who submit to the summons venture into the Crystal Caves, seeking understanding. Others resist, unwilling to face the knowledge that awaits — and in doing so, are consumed by the madness of dissonance.

This card challenges us to confront our inner callings. It asks whether we are willing to descend into the recesses of our own minds, face the uncomfortable truths that lie within, and emerge transformed. Alternatively, it warns of the destructive consequences of rejecting growth when the time has come to evolve.

Drums, piano, vibes: R Thomas
Guitars, Bass, Vocals, PS Perkins
Recorded, mixed and mastered by Mystic Tape Deck
Tascam DP24SD + StudioOne 7 + a bunch of cheap mics

LYRICS
---------------------------
In the ways of the world from the crib to the grave
Everybody’s a slave
Ain't nobody gonna save us

Save your bellyachin for another day
Baby they got ways
Of making you behave

When you hear those bells ringing in your brain
Before they drive ya insane
Get on a boat or a plane

Take the golden taxi to the crystal caves
It’s a little like doomsday
You’re gonna have to be brave

Come join your friends in the crystal caves
Meet the underground conclave
At the standing wave

Gonna put the computer right into your vein
Connect the aqueous membrane
To the mineral mainframe

Gonna jump and jive when they play that jazz
Sprinkle on the pizazz
And just a little bit of zip zap biddly bap foo bar baz

Come and disappear in the crystal cave
Everybody’s a slave
Ain't nobody gonna save us

Now that you’ve arrived, won't you come on in?
We’re all about to begin
To start shedding our skin

Make like a snake, and gobble up that tail
It’s a hwale of a fairy tale
On the shell of a snail

In the mystery maze deep under the ground
A little magic we found
A way a watch can be unwound

To begin again inside the cave alone
A place we’re gonna call home
Amidst the shimmering stone

In the ways of the world from the crib to the grave
Everybody’s a slave
Ain't nobody gonna save us

The Crystal Caves

My 38th Beattape. Some chill vibes, composed of 12 short beats

Seaglass

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

I love making music that soothes, inspires, and rejuvenates.

Downtempo, chilled Lo-fi, non-AI music set to hip hop, pop, and jazz beats. Lover of Boom Bap.

My creative journey began as a visual artist, and now I'm concentrating my energy into creating music that can instantly impact minds and moods for the better. 

Almost all of my music is chill @ -100 bpm to hopefully stimulate calm and feelings of well-being in listeners as it does for me. 💙

I don’t use AI or samples. My music is original, digital, and composed using a MIDI keyboard and DAW. I also record live LoFi audio of ambient sounds such as birdsongs or rainstorms using an iPhone or a microphone connected to laptop.

I’ve been called Rebecca of Sunnybrook like the children’s book because of my birth name but call me Beck like my friends do. I chose Sunnybeck to use as my nickname as I’m an eternal optimist and love the sun.

sunnybeckmusic @ gmail.com

Memory

SUNNYBECK

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