Prague Dance of Future Slow n🌜ght walk  27-04-2021 09-54.mp3

Tell me baby are you lonely? Don't wanna rush ya
I can help ya if ya only, let me touch ya
If I'm wrong love tell me, 'cause I get caught up
And the life I live is hell see, I never thought I'd see

The day when I would calm down, you ain't heard
I've been known to clown and get around, that's my word
See you walkin' and you lookin' good, yes, indeed

Got a body like a sex fiend, you're killin' me
With ya attitude to match right, don't be phony
'Cause I hate when you act like, you don't know me

I've be stressin' in the spotlight, I want the fame
But the industry's a lot like, a crack game
Ain't no time for commitment, I gotta go

Can't be with you every minute miss, another show
And even though I'm known for my one-night stand

Look here, I wanna be an honest woman, but temptations go

Lyrics by 2pac

But temptations go

Cast of characters:

Jack Karasek — beats and seed idea

K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–beats

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Roland Phantom workstation

Llanpsych–@llanpsych –Tez– electric guitar

Tea R. Sea @tea_are_sea -- Terry – Synthesizer

TexMex Shaman–@texmex-shaman –Stephen– mix, master, and production

This song began with Ken's oldest son, Jack, who laid down the basic rhythmic beat. Ken took over after that with the rest of the beats, though. Jack just graduated high school last week, and he's into hip hop and trap music, so he wanted to share some of it with his musician father, who is very proud of him.

  Tez was first up on this one, which surprised me when I went back and checked the workflow. He added the perfectly placed guitar hits throughout. Josh was next up, using his synth to add the falling bass line. Last, but not least, Terry came aboard, adding the moody, melodic, high register synth.

  When it was all finished, we asked out resident pro mixer, Stephen, to mix it for us. 

  This song was in its current form for about the past eight months. It was originally part of a series of vehicles Eclectic Collective composed for The Mysterious Decibel. He got caught up in life, though, and had to abandon the project. So, we sat on it, asking all the rappers we know if they'd be interested in having a go with it, but no one bit. So, with Jack's recent graduation, Ken revived it as a celebratory song for his son. It could still use some vocals, too, so think of this as an open invitation to anyone who want to do the honors. 

  We hope you enjoy listening to this as much as we enjoyed making it. 

  Oh, and just a side note for all of our friends who follow along with us, we will have  new one for you, the following Friday, the 11th. Thank you for keeping up with us! 


Throwing Rocks - Eclectic Collective w/ Jack Karasek and Tea R Sea

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

I thought I'd have a go at remixing this track and hearing how it would sound in instrumental form.
Music: Graham Williams - Produced by Graham Williams & Heliopolis 5
Lead Guitars & Rhythm Guitars: Graham Williams
Brass, Bass, Drums & Keyboards: Heliopolis 5
Photography and artwork: Graham Williams

Check out more of Heliopolis 5's excellent work by visiting his page: @user-555484870.

Sooner Or Later (Instrumental Version)

Sooner or Later (Instrumental Version)

Arm-in-ARM, America moves on!  
www.americanrosiemovement.org  
Additionnal Vocals Barbara Browning

ROSIE THE RIVETER ROSIE THE RIVETER
RIVETING INSPECTING WELDING CONNECTING GETTING ALONG AND PULLING TOGETHER
ROSIES THE RIVETERS ROSIES THE RIVETERS ASSEMBLING PERFECTING ERECTING PROTECTING NEVER ALONE COS PULLING TOGETHER
JUNE ROBBINS ROSE SHELENGIAN GLADYS REESE BUDDIE CURNUTTE DOT FOSTER PAULINE ADKINS I COULD NAME THEM ALL
BUT THEY ALL ARE ONE
BERTHA GLAVIN NEVA REES KRISTINE VROOMAN MARY ANN DIAMOND THE GOODYEAR AIRCRAFT SQUADRON
I COULDN’T NAME THEM ALL
COS THEY ALL ARE ONE
ROSIE THE RIVETER ROSIE THE RIVETER PROTECTING COMBINING UNITING PRODUCING GETTING ALONG AND PULLING TOGETHER BELIEVING
RIVETING RIVETING
AFRICAN AMERICAN HISPANIC WHITE AND ASIAN PULLING TOGETHER THREE SHIFT ROTATION
ALL AROUND THE CLOCK COOPERATION
OH ARM IN ARM FREEDOM IS THE KEY
GETTING ALONG NEVER ALONE
ALL AROUND THE CLOCK WHATEVER THE LOCK FREEDOM IS THE KEY
ROSIE THE RIVETER ROSIE THE RIVETER RIVETING INSPECTING WELDING CONNECTING GETTING ALONG AND PULLING TOGETHER ROSIES THE RIVETERS ROSIES THE RIVETERS PULLING TOGETHER
GETTING ALONG AND PULLING TOGETHER
RIVETING INSPECTING WELDING CONNECTING ASSEMBLING PERFECTING ERECTING PROTECTING COMBINING UNITING PRODUCING
BELIEVING
COS IF YOU CAN USE AN ELECTRIC MIXER
YOU SURE CAN OPERATE A DRILL
DOING THE BEST QUALITY WORK
ARM IN ARM THE AMERICAN ROSIE MOVEMENT
FREEDOM TAKES WORK TO GET AND KEEP
RIVETING RIVETING RIVETING RIVETING
SHARING THE CHORES OF COOKING CLEANING AND BABY-SITTING DOING THE BEST
SQUARE DANCE ON THE SATURDAY NIGHTS IT WAS DIFFERENT TIMES
BELIEVING
WHATEVER THE LOCK FREEDOM IS THE KEY BELIEVING
RIVETING RIVETING RIVETING RIVETING

ROSIE THE RIVETER (Lyrics) + B.Browning. Song for the Rosie Team

Additional electric guitar by Lutz Boddenberg

Color of the Night (Jam Session)

Opus84

Para escuchar la versión con MV  https://soundcloud.com/juan-fco-bueno/niebla-y-neon-distopia
Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/niebla-y-neo-n-modo-locrio

Niebla y neón: distopía

Hoy la niebla no permite ver
el paseo por el cielo azul
que dará el sol y nos roba ese placer.
Sin embargo nos regalará
una estampa de secreta luz
singular en la inmensidad.

Estribillo

No existe la verdad ni la seguridad
la certeza ya no está y todo es dudar.
En esa desazón hay una excepción
que nos guiará en la inquietud: las luces de neón.
---------------
El sol se ve en la prisión
y sin cumplir con su misión
sigue con fe peleando
pero no está alumbrando.

Pues la noche pronto va a caer
y la bruma todo cubrirá
hasta que por fin surja un nuevo amanecer.
Mientras tanto hay que descubrir
lo que el ciclo nos deparará

Estribillo

Fog and Neon: Dystopia

Today, the fog prevents us from seeing
the sun's journey through the blue sky
and robs us of that pleasure.
However, it will give us
a glimpse of secret light
unique in the immensity.

Chorus

There is no truth or security
certainty is no longer there, and everything is doubt.
In this unease, there is one exception
that will guide us through our anxiety: the neon lights.
---------------
The sun sees itself in prison
and, without fulfilling its mission,
it continues to fight with faith
but it is not shining.

For night will soon fall
and the fog will cover everything
until a new dawn finally emerges.
In the meantime, we must discover
what the cycle will bring us

Niebla y neón AC

Zombies Never Sleep

Inspired by Blade Runner & the TI-84 - this is the instrumental version of a track recorded last year. A slow unraveling. Synth textures and reverb-soaked guitars curling around each other like smoke. Best for driving alone, somewhere between the last gas station and the edge of the simulation. Bass by @zengazer

But temptations go

Amarya_Illude

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