Super enjoying this vibe and the song, well done.

great sing along song! Very catchy chorus

La Javanaise (Serge Gainsbourg)
Album "Comme un boomerang", 1963
Reprise de la version Live

J'avoue j'en ai bavé pas vous
Mon amour
Avant d'avoir eu vent de vous
Mon amour
Ne vous déplaise
En dansant la Javanaise
Nous nous aimions
Le temps d'une
Chanson
À votre avis qu'avons-nous vu
De l'amour?
De vous à moi vous m'avez eu
Mon amour
Ne vous déplaise
En dansant la Javanaise
Nous nous aimions
Le temps d'une
Chanson
Hélas avril en vain me voue
À l'amour
J'avais envie de voir en vous
Cet amour
Ne vous déplaise
En dansant la Javanaise
Nous nous aimions
Le temps d'une
Chanson
La vie ne vaut d'être vécue
Sans amour
Mais c'est vous qui l'avez voulu
Mon amour
Ne vous déplaise
En dansant la Javanaise
Nous nous aimions
Le temps d'une
Chanson

La Javanaise

This track is my very personal take at the Koan "Hear the Clap of your Hand". My lyrics version (https://soundcloud.com/konrad-spittelberg/the-clap-of-one-hand-pp) might make things clearer. (yes, this is my sneaky strategy to guide you from one song to another :-))

Compositionwise, the track is roughly split into two equal parts. The first part introduces its cinematic theme in the very beginning, taking it thereafter up several times with slightly different accentuations and rhythms which gives it a fresh feel with different highlighted nuances in each repetition. Several interludes contribute to the cinematic feeling. 

The second part, starting @1.53 starts by a more Jazzy version of the main theme. However, from 2.20 onwards, it is very restricted in its harmonies - only two harmonies are used from thereon until the end, C major and C# major. The tension arises purely from the rhythmic changes (such as the shift from 4/4 to 3/4 @3.17 and back), climaxing at the end.

The Clap of One Hand (Piano Miniature)

words and music K Gennery
image courtesy of Joel Durkee Unsplash
Thank you so much @monnodb for the voice at the end.

My sister and I cared for mum in her own home for the last ten years, going every day. Mum had been diagnosed with vascular dementia. This song is more about what I could see coming, the bad days, as at this time mum was still more lucid than not. Daphne Gennery passed away peacefully on the 30th of August 2025 at the age of 95, in her own home, in her own bed.....something that she always wanted....no hospital or care home.

Lyrics:
on the other side of nowhere in between the nothing she cries
a flicker of a memory drifts into longing and dispair why?

gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman

she sits in the darkness alongside delusions and agitation
time shift is a constant through the window to the garden
she stares avidly

gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman


gone is the laughter from feeling to just being
existing in complete isolation
eyes open wide all but dead deep inside
just a shell of the woman

shell

I might as well 
be made of clay
behind closed doors
I hide away 
Hide away
https://open.spotify.com/album/4COtd8lAfsZKpAlg8ri41k?si=bAieCzHtQOWk2fPX0fuOKg

HideAway

My Endorphins Are Smilin' How 'Bout You? (A Love Song-sorta!)

Arm-in-ARM, America moves on!  
www.americanrosiemovement.org  
Additionnal Vocals Barbara Browning

ROSIE THE RIVETER ROSIE THE RIVETER
RIVETING INSPECTING WELDING CONNECTING GETTING ALONG AND PULLING TOGETHER
ROSIES THE RIVETERS ROSIES THE RIVETERS ASSEMBLING PERFECTING ERECTING PROTECTING NEVER ALONE COS PULLING TOGETHER
JUNE ROBBINS ROSE SHELENGIAN GLADYS REESE BUDDIE CURNUTTE DOT FOSTER PAULINE ADKINS I COULD NAME THEM ALL
BUT THEY ALL ARE ONE
BERTHA GLAVIN NEVA REES KRISTINE VROOMAN MARY ANN DIAMOND THE GOODYEAR AIRCRAFT SQUADRON
I COULDN’T NAME THEM ALL
COS THEY ALL ARE ONE
ROSIE THE RIVETER ROSIE THE RIVETER PROTECTING COMBINING UNITING PRODUCING GETTING ALONG AND PULLING TOGETHER BELIEVING
RIVETING RIVETING
AFRICAN AMERICAN HISPANIC WHITE AND ASIAN PULLING TOGETHER THREE SHIFT ROTATION
ALL AROUND THE CLOCK COOPERATION
OH ARM IN ARM FREEDOM IS THE KEY
GETTING ALONG NEVER ALONE
ALL AROUND THE CLOCK WHATEVER THE LOCK FREEDOM IS THE KEY
ROSIE THE RIVETER ROSIE THE RIVETER RIVETING INSPECTING WELDING CONNECTING GETTING ALONG AND PULLING TOGETHER ROSIES THE RIVETERS ROSIES THE RIVETERS PULLING TOGETHER
GETTING ALONG AND PULLING TOGETHER
RIVETING INSPECTING WELDING CONNECTING ASSEMBLING PERFECTING ERECTING PROTECTING COMBINING UNITING PRODUCING
BELIEVING
COS IF YOU CAN USE AN ELECTRIC MIXER
YOU SURE CAN OPERATE A DRILL
DOING THE BEST QUALITY WORK
ARM IN ARM THE AMERICAN ROSIE MOVEMENT
FREEDOM TAKES WORK TO GET AND KEEP
RIVETING RIVETING RIVETING RIVETING
SHARING THE CHORES OF COOKING CLEANING AND BABY-SITTING DOING THE BEST
SQUARE DANCE ON THE SATURDAY NIGHTS IT WAS DIFFERENT TIMES
BELIEVING
WHATEVER THE LOCK FREEDOM IS THE KEY BELIEVING
RIVETING RIVETING RIVETING RIVETING

ROSIE THE RIVETER (Lyrics) + B.Browning. Song for the Rosie Team

Ruby

The Way

WELL IT IS HEAVEN  IN PARADISE
PASTIS AT SEVEN EN TERRASSE
AN ANGEL IS PASSING SUR LE TROTTOIR D’EN FACE
LIFE WAS A BLESSING IN DISGUISE

YOU’VE COME A LONG WAY
IT’S BEEN A LONG DAY
NOW YOU’RE IN HEAVEN IN PARADISE

HEY HAVE A MANGO IT’S ON THE HOUSE
DANCE A FANDANGO WITH MICKEY MOUSE
NEVER SAY NEVER DIEU EST DANS LA PLACE
SILENCE ET FERVEUR UN ANGE PASSE

YOU’VE COME A LONG WAY
IT’S BEEN A LONG DAY
NOW YOU’RE IN HEAVEN IN PARADISE

IT IS HEAVEN IN PARADISE
PASTIS AT SEVEN ABOVE THE STARS
NEVER SAY NEVER YOU NEVER KNOW
ALWAYS IS OVER YOU HAD TO GO 

YOU’VE COME A LONG WAY
IT’S BEEN A LONG DAY
NOW YOU’RE IN HEAVEN IN PARADISE

YOU HAD THE WORST YOU HAD THE BEST
AND NOW YOU GET ETERNAL REST
AT LAST
RELAX RELAX RELAX…

HEAVEN IN PARADISE (Lyrics)

Way overdue for something new but I've been living in exile without the usual, albeit modest, setup I'm used to. So this might be pretty rough. And it's full of the usual horror at political realities and way full of schmaltzy velveeta. 

Guitarist note:  I don't have amps at present and was struggling to find a decent direct sound. There is a *free* VST plugin by Neural Amp DSP and online libraries of tone prints, also free, that came to the rescue. Highly recommended.

it's alright for you as long as it's alright
you don't mind what they do in the broad daylight

it never could be you

but you don't see the way you're blinded
they'll never drag you down to the places meant for those

do you feel the color of your soul
when you live with love suspended hiding in a hole
the moment is yours but you don't believe 
you won't believe what lies there ripening 
growing in your mind without you knowing

now it could be you

and as you feel the weight of the binding
you know they're dragging you down to the places meant for those

to liberate the light of every heart and mind
you can say it never paying any price

there's a little part of everyone that knows 
we're only playing separate lives 
till true faith arrives

if there's every gonna be a change 
let it start right here

you know it could be you

It Could Be You

Buck Ramble — When the Money Ain’t Never Over

Found in dusty reels marked “Goodnight Trail Sessions,” these are the long-lost recordings of Buck Ramble — the saloon singer turned silver-screen storyteller who lived long enough to see cowhands become celebrities.

Every track is a campfire sermon in rhythm: part truth, part tall tale.
He sings about lawmen, outlaws, faith, denial, women, whiskey, and the strange mercy of knowing too much.
By the time the record closes with the title track, Buck’s world has shifted from trail dust to camera lights — but the heart’s still out there under the same sky.

Restored by Volant Records (All Worlds Reserved®).

Genre: Frontier Folk / Western Blues / Spoken Americana
Runtime: ~50 minutes

“Stories are cheaper than bullets — but hit just the same.”

ROSIE THE RIVETER (Lyrics) + B.Browning. Song for the Rosie Team

IMRE LODBROG

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