This track is my very personal take at the Koan "Hear the Clap of your Hand". My lyrics version (https://soundcloud.com/konrad-spittelberg/the-clap-of-one-hand-pp) might make things clearer. (yes, this is my sneaky strategy to guide you from one song to another :-))

Compositionwise, the track is roughly split into two equal parts. The first part introduces its cinematic theme in the very beginning, taking it thereafter up several times with slightly different accentuations and rhythms which gives it a fresh feel with different highlighted nuances in each repetition. Several interludes contribute to the cinematic feeling. 

The second part, starting @1.53 starts by a more Jazzy version of the main theme. However, from 2.20 onwards, it is very restricted in its harmonies - only two harmonies are used from thereon until the end, C major and C# major. The tension arises purely from the rhythmic changes (such as the shift from 4/4 to 3/4 @3.17 and back), climaxing at the end.

The Clap of One Hand (Piano Miniature)

Each story is a journey through time, space, in one’s head or in one’s own memories. And everyone loves to travel. So have a nice day and see you later on the road. / Jede Geschichte ist eine Reise durch Zeit und Raum, in den eigenen Kopf oder in die eigenen Erinnerungen. Und jeder reist gerne. Also viel Spaß und wir sehen uns später auf der Straße wieder. / Chaque histoire est un voyage à travers le temps, l'espace, dans sa tête ou dans ses souvenirs. Et tout le monde aime voyager. Alors bon vent et on se revoir plus tard sur la route.

A Journey Begins With a Single Step

Bees

The Middle of Nowhere 

Holding hands through native lands 
Just south of Oklahoma
Open road ahead and your face is red 
from the taillights of a Tacoma

We’re passing signs and passing time 
with a Bob Dylan CD
When I nearly choke laughing at your joke
‘bout how he can’t stay on key

Then right there on the highway 
you turn and look my way 
and there’s no place I’d rather be

I swear I don’t care
How fast we get there
So long as you’re here
In the middle of nowhere with me

Route 66, blue Pixy Sticks, 
and old school road trip games
Nothing to do, but look at you, 
the landscape’s all the same

License plates from fifty states
You say, “Let’s skip Hawaii”
Go to Idaho, but I tell you no
Taking forever’s fine by me

And right there in the moment, 
the feeling’s so potent, 
and there’s no place I’d rather be

I swear I don’t care
How fast we get there
So long as you’re here
In the middle of nowhere with me

Darling, I swear
God answered my prayers
when he put you right here
In the middle of nowhere with me

We could just drive
For the rest of our lives
If we never arrive
That’d be just fine

I swear I don’t care
How fast we get there
So long as you’re here
In the middle of nowhere with me

Darling, I swear
God answered my prayers
when he put you right here
In the middle of nowhere with me

Holding hands through frozen lands 
Somewhere north of New York City
Open road ahead and my face is red 
when you tell me I look so pretty 

We’re passing signs and passing time 
with a Bob Dylan CD
When I nearly choke at that same old joke
‘bout how he can’t stay on key

Dear Diary

the middle of nowhere

Track to my novel "Lord of the Purple Country". This is the moment of return after many years of the  prince, expelled by the queen stepmother. Over time, he becomes the king of the Purple Country.

Return of the King

Made in September 2025

Video; https://youtu.be/ivcrl-XFfyQ

To Hide

Between the Worlds

In the Balance

After an emotional climbing break, I was climbing again in my home mountains. Since I had just been working on this soundtrack, the music was in my head while I was climbing. And the climbing was also a flow experience for me again. That's why it's called the soundtrack.

Nach einer emotionaler Kletterpause, war ich wieder in meinem Heimatgebirge klettern. Da ich gerade aktuell an diesem Soundtrack gearbeitet habe, ist während dem klettern die Musik in meinem Kopf. Und das klettern war auch für mich wieder ein Flow Erlebnis. Deshalb auch die Bezeichnung des Soundtracks.

Flow

If only there would be no limits in our daily lives. No obligations, no everyday pointless hunt for money, no "musts" or "have tos". I would never leave my humble studio ever again. But I guess I would have no money then to purchase all those wonderful toys I can play with. Like this one. Audio Imperia did a wonderful 80% off-sale as a 10 year anniversary celebration over this summer, so I also made myself happy and got all of their treasures. This track is a deadly combo of Nucleus + Jaeger + Areia + Chorus. The sound coming out of these instruments is just ... stunning! I wish I could be a better composer/sound engineer to make it shine better. But playing with it is an incredible healing process, so it is compensating nicely with all the downsides of normal life.

Sky Is Not The Limit

🌟 ANGEL SONG
A gentle invocation of light, where celestial tones drift like feathers.

The soundscape opens with shimmering pads that feel like wings unfolding.

Each note is a breath of divine calm, tuned to soothe the soul.

Echoes of distant choirs shimmer in the ether.

Perfect for morning meditations or twilight reflections.

The 432Hz tuning adds a sacred resonance to every layer.

Soft pulses mimic the rhythm of angelic heartbeats.

A sonic embrace that lifts you gently above earthly concerns.

Ideal for Reiki, energy healing, or deep spiritual work.

Close your eyes—this is the sound of grace descending.

ANGELS  SONG

Epic Cinematic Metal score.
A colleague of mine asked me to produce a track, which combines cinematic orchestra instruments and metal. Because he loves metal, but also orchestra instruments. 

So, this track is where orchestra meets metal:
Thundering war drums driving relentless energy
Soaring and distorted electric cello lines cutting through the mix
Dark contrast and depth
A sound both cinematic and powerful, bridging film score intensity with the raw force of metal.
It’s not just orchestral. It’s not just metal. It’s the collision of both worlds. Dramatic, aggressive.
Listen yourself. If you like it.....

Forged in Shadows

Inspired by Hans Zimmer, Two Steps from Hell or Scott Buckley, I've always felt a deep connection to epic, cinematic music that stirs the soul. 
After many years of dreaming, I'm now creating my own tracks, driven by real-life emotions, everyday stories, and global events.

With the help of modern software, like Apple Logic Pro, Apple Main Stage or Synthesizer V Studio 2 Pro, Native Instruments KONTROL S49 MK3, other tech, or AI, and the loving support of my wife and creative partners, my vision is finally coming to life.

In my tracks, I often use piano, cello, and violin, as these instruments have the power to touch the soul and evoke deep emotion.

My music blends soundtracks, instrumentals, gospel and multilingual lyrics in German, English, French, Italian, Spanish and Ukrainian.

🎧 Dive into my world. Let the music speak.

🎧 Listen to the full-quality version on your favorite platform:
👉 Spotify
👉 Apple Music
👉 YouTube Music
👉 Amazon Music

📢 Why?
SoundCloud is my creative playground — but for the best sound, full features (like downloads, playlists, albums), and to truly support me as an artist:
Please stream, like, and follow me on Spotify, Apple Music & more. 
Also, you'll find on these platforms tracks new album, which are not available on SoundCloud.
🙏

💬 What do you think about the song?
Leave a comment right here on SoundCloud or YouTube.
I truly love feedback — it inspires my next tracks. ❤️

🆕 Stay in the loop:
New songs, projects & specials are coming regularly —
Follow me here on SoundCloud, Spotify, Apple Music, and YouTube.

If you enjoy my music in any way, and have a few dollars, euros to spare, feel free to donate. Then I could e.g. buy more coffee, to create always new and better tracks. There is no obligation, but know that all contributions will be greatly appreciated.
Donate to: paypal.me/agenosko

#Cinematic #EpicMusic #Ballad #Rock #Orchestral #sunshine1907_AG

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Forged in Shadows

Sunshine1907_AG

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