1994 MIXTAPE

Da.tape

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Hail to the King

Shepherd of Fire

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Queen - Bohemian Rhapsody

Jimmy Cliff - Many Rivers To Cross

"Machine Gun Blues" by Social Distortion from the album 'Hard Times And Nursery Rhymes,' in stores now!

Social Distortion - Machine Gun Blues

Digging and Scratching Never Goes Out of Style. Enjoy!

Music For The 1's And 2's Side 1

OH SHIT I'M FEELING IT

PSYCHO KILLER - TALKING HEADS

Fat Boy Slim - Funk show brother

Finally Famous

High (feat. Wiz Khalifa & Chiddy Bang)

Come Out And Play-The Offspring (cover)

The Beast In Me was written by Nick Lowe for Johnny Cash's American Recordings album, released on April 26, 1994. It was recorded again for Nick Lowe's own album, The Impossible Bird, released on November 29, 1994.

Sun Valley Gun Club is: Evan, Justin, Ashley and Travis. 

Mixed by Jack Shirley at The Atomic Garden, Evan Bailey, and Craig Long at Paradise Studios

Mastered by Jack Shirley

Nick Lowe / Johnny Cash - The Beast In Me

Silence Kit (Kid) is a Pavement song, written by Stephen Malkmus, off their second LP, Crooked Rain, Crooked Rain, released February 14, 1994.  

Pat Hills sings and plays guitar in Bastards of Young. He recorded the drums for pretty much the whole project. He's also recorded some really amazing sounding records by Tera Melos, So Stressed, Killing the Dream etc. etc. In addition he writes some really incredible songs. 
https://www.facebook.com/youngbasterds
http://bastardsofyoung.bandcamp.com

Sébastien Deramat plays guitar in Special Explosion, one of our favorite bands playing music in the world right now. We are pretty confused as to why they keep wanting to play music with us. 
https://www.facebook.com/specialexplosion
http://topshelfrecords.bandcamp.com

Sun Valley Gun Club is: Evan, Travis, John, Ashley and Justin

Recorded by Pat Hills at EarthTone, Jack Shirley at The Atomic Garden
Evan, Justin and Sébastien all recorded different little parts at their houses
Mixed by Jack Shirley at The Atomic Garden, Craig Long at Paradise Studios, and by Evan
Mastered by Jack Shirley
http://www.earthtonesacramento.com/
http://theatomicgarden.com

Pavement - Silence Kit

Heart Attack Man is the 16th song on Ill Communication by The Beastie Boys, released May 23, 1994.

Jack Shirley sings and plays guitar in Everybody Row, and runs The Atomic Garden studio. According to Wikipedia he used to play in some band called Comadre. He is generally one hell of a good guy.
https://www.facebook.com/everybodyrow
http://everybodyrow.bandcamp.com

Sun Valley Gun Club is: Evan, Travis, Justin and Ashley

Recorded by Jack Shirley at The Atomic Garden
Mixed by Jack Shirley at The Atomic Garden
Mastered by Jack Shirley at The Atomic Garden
http://theatomicgarden.com

The Beastie Boys - Heart Attack Man

Streets of Philadelphia was written by Bruce Springsteen for the 1993  Jonathan Demme film, Philadelphia. The song was released as a CD maxi single and 7" record on February 2, 1994. 

Elijah Jenkins sings and plays guitar in Eli and the Soundcult. He has a beautiful voice, and makes very pretty music.
https://www.facebook.com/eliandthe
https://soundcloud.com/eliandthe

Sun Valley Gun Club is: Evan, Travis, John, Ashley and Justin

Recorded by Pat Hills at EarthTone, Jack Shirley at The Atomic Garden
Evan and Elijah both recorded little parts at their houses. 
Mixed by Jack Shirley at The Atomic Garden, Craig Long at Paradise Studios, and by Evan
Mastered by Jack Shirley
http://www.earthtonesacramento.com/
http://theatomicgarden.com
http://paradisestudios.net

Bruce Springsteen - Streets Of Philadelphia

Girls & Boys is the first song on Parklife by Blur, released April 25, 1994. 

David Mohr makes terrific music under the moniker FAVORS. He makes terrific art under the moniker David Mohr. http://favors.bandcamp.com
https://artmgt.com/david-mohr/artwork/dm1-002/strand

Sun Valley Gun Club is: Evan, Travis, Ashley and Justin

Drums recorded with Pat Hills at Earthtone
Mixed by Craig Long at Paradise and by Jack Shirley at The Atomic Garden
Some little parts recorded by David, Evan and Travis
Mastered by Jack Shirley at The Atomic Garden

Blur - Girls & Boys

House Of Pain - Jump Around Dope Beat

Megadeth - Angry Again.mp3

Jungle

1.3 Surrender - Cheap Trick.mp3

Lockjaw (Refix) Frekey & moJo DESI BEAM 2016

prod GHOSTEMANE

Lyrics: https://genius.com/Ghostemane-mercury-retrograde-annotated

First single off the HEXADA album

Hexada

Mercury: Retrograde

MERCH

The Beatles - yesterday

try.
Nedeljass A1 2s Naredi Si Pico Gr + Sasha OLD HOME INTERVIEW

Nedeljass A1 2s Naredi Si Pico Gr + Sasha OLD HOME INTERVIEW

Stream/Download: http://smarturl.it/88GLOWLIKEDAT

Music Video: https://youtu.be/adDD43CvrUc

Prod. by Brian Imanuel
Directed by James Defina & Brian Imanuel

COME TO MY PARTY TOUR
https://www.cometomypartytour.com

Sep 9 – Anaheim @ Day N Night Festival
Oct 8 – San Francisco @ Social Hall
Oct 11 – Santa Cruz @ Catalyst
Oct 12 – San Diego @ BASSMNT
Oct 14 – Albuquerque @ Sunshine
Oct 17 – Dallas @ Trees
Oct 19 – Austin @ Vulcan
Oct 20 – San Antonio @ Paper Tiger
Oct 21 – Houston @ Warehouse Live
Oct 24 – Tampa @ Orpheum
Oct 25 – Orlando @ Venue 578
Oct 26 – Miami @ Heart
Oct 28 – New Orleans, Voo Doo Festival
Oct 30 – Atlanta @ The Loft
Oct 31 – Jacksonville @ Hooligans Music Hall
Nov 1 – Washington DC @ Howard Theatre
Nov 3 – Boston @ Middle East
Nov 4 – Philadelphia @ TLA
Nov 5 – New York @ Irving Plaza
Nov 5 – Long Island @ Paramount
Nov 8 – Cleveland @ Grog Shop
Nov 9 – Toronto @ Opera House
Nov 11 – Chicago @ Bottom Lounge
Nov 12 – Minneapolis @ Fine Line
Nov 14 – Denver @ Gothic Theatre
Nov 16 – Salt Lake City @ Complex
Nov 19 – Phoenix @ Gold Rush Festival
Nov 21 – Los Angeles @ Fonda

Rich Chigga
http://twitter.com/richchigga
http://facebook.com/richchigga
http://instagram.com/brianimanuel

Rich Brian - Glow Like Dat

An acapella cover version of the song Help, originally by the Beatles. There is a video available on YouTube showing all the parts being performed (except one small section I think)

http://youtube.com/user/ToddAndChips

Help - The Beatles (Acapella)

ESP MM-405 - Solid Metal - SonicStorm - Gi 100 - Saffire- Recabinet2

Megadeth - Angry Again

you should see me in a crown

Ab-Soul - Terrorist Threats Ft. Danny Brown & Jhene Aiko

Fatboy Slim - Push The Tempo

Big Rock Candy Mountain

Led Zeppelin - Kashmir

The Rolling Stones - Gimme Shelter (1969)

Bob Marley + The Wailers' iconic album <i>Legend</i> has been remixed by a number of top electronic artists. It will be released on June 25 2013.

More Info: http://www.bobmarley.com/legend_remixed.php

https://www.facebook.com/ronisize
https://twitter.com/ronisizebristol

Bob Marley + The Wailers : I Shot The Sheriff  - Roni Size Remix

It’s been almost exactly two years since Sacramento musical mesmerists Sun Valley Gun Club released their practically perfect, self-titled sophomore album. That record was absolutely my favorite album of 2016, and remains one of my favorite records to this day, getting almost as much play in 2018 as when I first heard it. So when I first discovered there was a new SVGC record, I was pretty excited. I had been hearing the band perform some of these songs live for a while, but when gathered all up together, as The Water, The Stars, they revealed themselves to be yet another pitch perfect collection of classic indie rock, filtered through SVGC’s unique sonic lens: a hook-heavy hybrid of languorous twang and noise pop crunch, each song impossibly catchy on its own, but even more compelling as part of the whole. Like with the previous album, I had to fight the urge to simply listen to individual songs over and over and over endlessly. But honestly, I didn’t really fight all that hard…

The opening track “If You Would Only Wait” perfectly encapsulates the Sun Valley Gun Club sound, a galloping blast of jangle and crunch, driven by distorted vocals, fuzzy guitars and some dizzyingly loose-limbed drumming. Hooks everywhere, the bridge as catchy as the verse, the verse as catchy as the chorus, the band deftly delivering the occasional feedback drenched squall or slipping into syncopated, almost metallic heft. And of course, one of the most distinctive parts of SVGC’s sound, their tendency to take what is essentially a pop song and stretch it WAY out at the end, letting it transform into something much more psychedelic and dreamily droney, a sprawling, hazy and heavenly psych jam that could stretch out forever, and I would not mind one bit.

As if the opener wasn’t good enough, “She Is Gone” might be one of the best songs SVGC have ever written, which is saying a lot for a band whose catalog is essentially made up of coulda/shoulda/woulda been stone cold classics. Laconic vox draped over woozy jangle, a sweetly slacker indie rock that finds the perfect middle ground between Pavement and Built To Spill, laced with some of the most divine background harmonies, the whole song demonstrating the band’s unparalleled pop-song mastery, still channeling the nineties, but making that sound wholly and totally their own.

And that’s just two songs in. The rest of the record unfurls just as dramatically, from the slow burn of “Falling Apart”, replete with spidery guitar melodies and a seriously crushing breakdown, again liberally laced with feedback and impossibly catchy hooks, to “Goodbye Columbus”, which sounds like a twangier take on unsung San Diego math pop crew Heavy Vegetable, to the last-call mope pop, countrified slow-jam of “Years After All”, an hypnotic see-saw between the Beatles-beholden Weezer-shred of San Francisco pop legends the Ovens, and a drowsy and drunken, sleepy smolder, laced with lush horns that lend the song an almost funereal Calexico vibe, all dusty and dusky.

As the record draws to a close, the sound winds down as well, “Time” takes the mumbled country of the late great Souled American, and lets it blossom into late night, Wilco-worthy dirge pop, the group effortlessly infusing that last-call melancholy with the sort of pathos more often paired with sonic bombast, instead of subtle, subdued songsmithery. And finally, the record closes with “I Saw A Pigeon”, lush with organ and horns, another sweetly maudlin dirge, that slowly builds to a fierce finale, a bombastic big finish: swirling squalls of guitar shred, raspy emotive vox and soaring horns. It’s like the final number of some big production, indie rock musical, that just as quickly fades into silence with one final peal of feedback. // Andee Connors

The Beastie Boys - Heart Attack Man

sunvalleygunclub